Visual dialogues on neoextractivism: Situated works and environmental conflicts in three contemporary female artists
The extractive model runs through the history of our continent since the beginning of colonization. Throughout these centuries, accumulation patterns have considered various modalities based on the development of monocultures distributed by regions, the extractive mining of metals and minerals, as w...
Guardado en:
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| Formato: | Artículo revista |
| Lenguaje: | Español |
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Facultad de Filosofía y Humanidades. Escuela de Letras
2022
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| Acceso en línea: | https://revistas.unc.edu.ar/index.php/heterotopias/article/view/38160 |
| Aporte de: |
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I10-R333-article-38160 |
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ojs |
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Universidad Nacional de Córdoba |
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I-10 |
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R-333 |
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Heterotopías |
| language |
Español |
| format |
Artículo revista |
| topic |
extractivism anthropocene women artists ecopoetics extractivismo antropoceno mujeres artistas ecopoéticas |
| spellingShingle |
extractivism anthropocene women artists ecopoetics extractivismo antropoceno mujeres artistas ecopoéticas Casablanca, Cecilia Visual dialogues on neoextractivism: Situated works and environmental conflicts in three contemporary female artists |
| topic_facet |
extractivism anthropocene women artists ecopoetics extractivismo antropoceno mujeres artistas ecopoéticas |
| author |
Casablanca, Cecilia |
| author_facet |
Casablanca, Cecilia |
| author_sort |
Casablanca, Cecilia |
| title |
Visual dialogues on neoextractivism: Situated works and environmental conflicts in three contemporary female artists |
| title_short |
Visual dialogues on neoextractivism: Situated works and environmental conflicts in three contemporary female artists |
| title_full |
Visual dialogues on neoextractivism: Situated works and environmental conflicts in three contemporary female artists |
| title_fullStr |
Visual dialogues on neoextractivism: Situated works and environmental conflicts in three contemporary female artists |
| title_full_unstemmed |
Visual dialogues on neoextractivism: Situated works and environmental conflicts in three contemporary female artists |
| title_sort |
visual dialogues on neoextractivism: situated works and environmental conflicts in three contemporary female artists |
| description |
The extractive model runs through the history of our continent since the beginning of colonization. Throughout these centuries, accumulation patterns have considered various modalities based on the development of monocultures distributed by regions, the extractive mining of metals and minerals, as well as the massive and systematic use of cheap labor. Since the beginning of the 21st century, productive reconversions consider new activities such as fracking, agribusiness and the extension of clearings with the consequent loss of biological and cultural diversity. Faced with these realities, the visual productions have been part of the collective responses, developing their own repertoires of resistance and resignification that in many cases show, denounce or recover from the materiality the crisis of the civilizing model.
The objective of this article seeks to review a set of contemporary artistic productions linked to the neoextractivist problem by presenting possible dialogues between the responses implemented by three female artists during the last decade: Marcela Magno, Diana Dowek and Dana Prieto.
Based on the material analysis of their works, it is sought to reconstruct the historical and political contexts of production, reviewing some of the artists' explorations in order to make visible political aesthetic experiences. From the need to incorporate a critical local perspective into the analyzes of the Anthropocene, the contribution refers to thinking about the specificities that the current configuration of ecopoetic and critical visual responses, fundamental when it comes to thinking more just and respectful worlds of the biodiversity. |
| publisher |
Facultad de Filosofía y Humanidades. Escuela de Letras |
| publishDate |
2022 |
| url |
https://revistas.unc.edu.ar/index.php/heterotopias/article/view/38160 |
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2024-09-03T21:09:54Z |
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2024-09-03T21:09:54Z |
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I10-R333-article-381602022-07-01T15:10:36Z Visual dialogues on neoextractivism: Situated works and environmental conflicts in three contemporary female artists Diálogos visuales sobre el neoextractivismo: Obras situadas y conflictos ambientales en tres artistas mujeres contemporáneas Casablanca, Cecilia extractivism anthropocene women artists ecopoetics extractivismo antropoceno mujeres artistas ecopoéticas The extractive model runs through the history of our continent since the beginning of colonization. Throughout these centuries, accumulation patterns have considered various modalities based on the development of monocultures distributed by regions, the extractive mining of metals and minerals, as well as the massive and systematic use of cheap labor. Since the beginning of the 21st century, productive reconversions consider new activities such as fracking, agribusiness and the extension of clearings with the consequent loss of biological and cultural diversity. Faced with these realities, the visual productions have been part of the collective responses, developing their own repertoires of resistance and resignification that in many cases show, denounce or recover from the materiality the crisis of the civilizing model. The objective of this article seeks to review a set of contemporary artistic productions linked to the neoextractivist problem by presenting possible dialogues between the responses implemented by three female artists during the last decade: Marcela Magno, Diana Dowek and Dana Prieto. Based on the material analysis of their works, it is sought to reconstruct the historical and political contexts of production, reviewing some of the artists' explorations in order to make visible political aesthetic experiences. From the need to incorporate a critical local perspective into the analyzes of the Anthropocene, the contribution refers to thinking about the specificities that the current configuration of ecopoetic and critical visual responses, fundamental when it comes to thinking more just and respectful worlds of the biodiversity. El modelo extractivo atraviesa la historia de nuestro continente desde los inicios de la colonización. A lo largo de estos siglos, los patrones de acumulación han considerado diversas modalidades basadas en el desarrollo de monocultivos distribuidos por regiones, la minería extractiva de metales y minerales, así como el uso masivo y sistemático de mano de obra barata. Desde el comienzo del siglo XXI, las reconversiones productivas tienen en cuenta nuevas actividades como el fracking, el agronegocio y la extensión de los desmontes con la consecuente pérdida de diversidad biológica y cultural. Frente a estas realidades, las producciones visuales han formado parte de las respuestas colectivas, desarrollando repertorios propios de resistencia y resignificación que en muchos casos evidencian, denuncian o recuperan desde la materialidad la crisis del modelo civilizatorio. El objetivo del presente artículo es reseñar un conjunto de producciones artísticas contemporáneas vinculadas con la problemática del neoextractivismo a partir de presentar posibles diálogos entre las respuestas implementadas por tres artistas mujeres durante la última década: Marcela Magno, Diana Dowek y Dana Prieto. A partir del análisis material de sus obras se busca reconstruir los contextos históricos y políticos de producción, revisando algunas de las exploraciones de las artistas a fin de visibilizar experiencias estéticas y políticas situadas. Desde la necesidad de incorporar a los análisis sobre el Antropoceno una perspectiva crítica local, el aporte intenta reflexionar sobre las especificidades que adquiere la configuración actual de respuestas visuales ecopoéticas, fundamentales a la hora de pensar mundos más justos y respetuosos de la biodiversidad. Facultad de Filosofía y Humanidades. Escuela de Letras 2022-06-30 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://revistas.unc.edu.ar/index.php/heterotopias/article/view/38160 Heterotopías; Vol. 5 No. 9 (2022): "Aesthetics, politics and nature: languages and ecopoetic experiences" Volume II "Bord(e)ados de vida. Marks of condition of existence in times of extractive violence"; 1-17 Heterotopías; Vol. 5 Núm. 9 (2022): “Estética, política y naturaleza: lenguajes y experiencias ecopoéticas" Tomo II "Bord(e)ados de vida. Marcas de condiciones de existencia en tiempos de violencias extractivas"; 1-17 2618-2726 spa https://revistas.unc.edu.ar/index.php/heterotopias/article/view/38160/38027 https://creativecommons.org/licenses/by-nc-sa/4.0 |