From the rhythm of the phantom philosopher to a ruthmanalysis with the dead
The traces of Lúcio Pinheiro dos Santos, Portuguese mathematician and philosopher who became known as the ghost philosopher, are faint, mainly because his work has vanished in a bonfire in front of the Municipal Chamber of Lisbon. However, the few vestiges that could be found are forceful, and in th...
Guardado en:
| Autor principal: | |
|---|---|
| Formato: | Artículo revista |
| Lenguaje: | Español |
| Publicado: |
Facultad de Filosofía y Humanidades. Escuela de Letras
2021
|
| Materias: | |
| Acceso en línea: | https://revistas.unc.edu.ar/index.php/heterotopias/article/view/36356 |
| Aporte de: |
| id |
I10-R333-article-36356 |
|---|---|
| record_format |
ojs |
| spelling |
I10-R333-article-363562022-01-08T00:30:58Z From the rhythm of the phantom philosopher to a ruthmanalysis with the dead Del ritmo del filósofo fantasma al rutmanálisis con los muertos Lopes Coelho, Salomé rhythmanalysis rhuthmanalysis ch'ixi epistemology situated knowledge more than human ritmanálisis rutmanálisis epistemologia ch’ixi conocimiento situado más que humano The traces of Lúcio Pinheiro dos Santos, Portuguese mathematician and philosopher who became known as the ghost philosopher, are faint, mainly because his work has vanished in a bonfire in front of the Municipal Chamber of Lisbon. However, the few vestiges that could be found are forceful, and in them lies the possibility of creating a new scientific field, Rhythmanalysis. The one who suggests it is Henri Lefebvre, who sees rhythm not just as an object of analysis, but as a tool for listening to the temporalities and rhythmic disruptions in which human activities take place. In this article, I will focus on Henri Lefebvre’s proposal and on contributing to add complexity to the conceptualisation and practice of rhythmanalysis. These contributions, resulting both from the uses of the methodology I developed, and from critical theorizations of the Eurocentric conception of modernity, cradle of the rhythmanalitic proposal, are grouped under the designation Rhuthmanalysis. The displacement of the name consists in a linguistic and conceptual detour, thus seeking to expand the analysis of rhythms beyond the human. From the ghost to the dead, what I aim to propose is a “wanderer rhuthmanalysis” and, at the same time, still (and perhaps always) ongoing. Son tenues las huellas de Lúcio Pinheiro dos Santos, matemático y filósofo portugués. Fue conocido como el filósofo fantasma, principalmente a causa de su trabajo de haberse, literalmente, esfumado en una hoguera frente a la Cámara Municipal de Lisboa. No obstante, son contundentes los pocos vestigios que se pueden encontrar, y en ellos reside la posibilidad de creación de un nuevo campo científico, el Ritmanálisis. Quien lo sugiere así es Henri Lefebvre, filósofo francés, que ve el ritmo no tanto como un objeto de análisis, sino como una herramienta de escucha de las temporalidades y las disrupciones rítmicas en las que se desarrollan las actividades, sobre todo, humanas. En este texto, me centraré en la propuesta de Lefebvre y en avanzar pistas para su complejización, resultantes tanto de los usos de la metodología que desarrollé en otros trabajos, como de teorizaciones críticas de la concepción eurocéntrica de modernidad, cuna de la propuesta ritmanalítica. Tales pistas se agrupan bajo la designación rutmanálisis, una propuesta que inserta un desplazamiento lingüístico y conceptual, buscando de ese modo expandir los análisis de los ritmos más allá de lo humano. Del fantasma al muerto, lo que aquí se propone es un rutmanálisis caminante y, al mismo tiempo, todavía (y tal vez siempre) en camino. Facultad de Filosofía y Humanidades. Escuela de Letras 2021-12-27 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Scientific articles Artículos científicos application/pdf https://revistas.unc.edu.ar/index.php/heterotopias/article/view/36356 Heterotopías; Vol. 4 No. 8 (2021): “Estética, política y naturaleza: lenguajes y experiencias ecopoéticas". ; 1-22 Heterotopías; Vol. 4 Núm. 8 (2021): “Estética, política y naturaleza: lenguajes y experiencias ecopoéticas". ; 1-22 2618-2726 spa https://revistas.unc.edu.ar/index.php/heterotopias/article/view/36356/36676 https://creativecommons.org/licenses/by-nc-sa/4.0 |
| institution |
Universidad Nacional de Córdoba |
| institution_str |
I-10 |
| repository_str |
R-333 |
| container_title_str |
Heterotopías |
| language |
Español |
| format |
Artículo revista |
| topic |
rhythmanalysis rhuthmanalysis ch'ixi epistemology situated knowledge more than human ritmanálisis rutmanálisis epistemologia ch’ixi conocimiento situado más que humano |
| spellingShingle |
rhythmanalysis rhuthmanalysis ch'ixi epistemology situated knowledge more than human ritmanálisis rutmanálisis epistemologia ch’ixi conocimiento situado más que humano Lopes Coelho, Salomé From the rhythm of the phantom philosopher to a ruthmanalysis with the dead |
| topic_facet |
rhythmanalysis rhuthmanalysis ch'ixi epistemology situated knowledge more than human ritmanálisis rutmanálisis epistemologia ch’ixi conocimiento situado más que humano |
| author |
Lopes Coelho, Salomé |
| author_facet |
Lopes Coelho, Salomé |
| author_sort |
Lopes Coelho, Salomé |
| title |
From the rhythm of the phantom philosopher to a ruthmanalysis with the dead |
| title_short |
From the rhythm of the phantom philosopher to a ruthmanalysis with the dead |
| title_full |
From the rhythm of the phantom philosopher to a ruthmanalysis with the dead |
| title_fullStr |
From the rhythm of the phantom philosopher to a ruthmanalysis with the dead |
| title_full_unstemmed |
From the rhythm of the phantom philosopher to a ruthmanalysis with the dead |
| title_sort |
from the rhythm of the phantom philosopher to a ruthmanalysis with the dead |
| description |
The traces of Lúcio Pinheiro dos Santos, Portuguese mathematician and philosopher who became known as the ghost philosopher, are faint, mainly because his work has vanished in a bonfire in front of the Municipal Chamber of Lisbon. However, the few vestiges that could be found are forceful, and in them lies the possibility of creating a new scientific field, Rhythmanalysis. The one who suggests it is Henri Lefebvre, who sees rhythm not just as an object of analysis, but as a tool for listening to the temporalities and rhythmic disruptions in which human activities take place. In this article, I will focus on Henri Lefebvre’s proposal and on contributing to add complexity to the conceptualisation and practice of rhythmanalysis. These contributions, resulting both from the uses of the methodology I developed, and from critical theorizations of the Eurocentric conception of modernity, cradle of the rhythmanalitic proposal, are grouped under the designation Rhuthmanalysis. The displacement of the name consists in a linguistic and conceptual detour, thus seeking to expand the analysis of rhythms beyond the human. From the ghost to the dead, what I aim to propose is a “wanderer rhuthmanalysis” and, at the same time, still (and perhaps always) ongoing. |
| publisher |
Facultad de Filosofía y Humanidades. Escuela de Letras |
| publishDate |
2021 |
| url |
https://revistas.unc.edu.ar/index.php/heterotopias/article/view/36356 |
| work_keys_str_mv |
AT lopescoelhosalome fromtherhythmofthephantomphilosophertoaruthmanalysiswiththedead AT lopescoelhosalome delritmodelfilosofofantasmaalrutmanalisisconlosmuertos |
| first_indexed |
2024-09-03T21:09:48Z |
| last_indexed |
2024-09-03T21:09:48Z |
| _version_ |
1809210711192109056 |