I remember… Anarchivist autobiographical writings
The work raises questions about the representation of memory in certain contemporary autobiographical texts, investigating a probable emancipatory dimension produced from the interruption of the narrative structure and the chronological linearity of memories. These writings of life are approached fr...
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| Formato: | Artículo revista |
| Lenguaje: | Español |
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Facultad de Filosofía y Humanidades. Escuela de Letras
2021
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| Acceso en línea: | https://revistas.unc.edu.ar/index.php/heterotopias/article/view/36348 |
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I10-R333-article-36348 |
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ojs |
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Universidad Nacional de Córdoba |
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I-10 |
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R-333 |
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Heterotopías |
| language |
Español |
| format |
Artículo revista |
| topic |
autobiographical studies collecting memory anarchivism machine of remembering estudios autobiográficos coleccionismo memoria anarchivismo máquina de recordar |
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autobiographical studies collecting memory anarchivism machine of remembering estudios autobiográficos coleccionismo memoria anarchivismo máquina de recordar Anderlini, Silvia Susana I remember… Anarchivist autobiographical writings |
| topic_facet |
autobiographical studies collecting memory anarchivism machine of remembering estudios autobiográficos coleccionismo memoria anarchivismo máquina de recordar |
| author |
Anderlini, Silvia Susana |
| author_facet |
Anderlini, Silvia Susana |
| author_sort |
Anderlini, Silvia Susana |
| title |
I remember… Anarchivist autobiographical writings |
| title_short |
I remember… Anarchivist autobiographical writings |
| title_full |
I remember… Anarchivist autobiographical writings |
| title_fullStr |
I remember… Anarchivist autobiographical writings |
| title_full_unstemmed |
I remember… Anarchivist autobiographical writings |
| title_sort |
i remember… anarchivist autobiographical writings |
| description |
The work raises questions about the representation of memory in certain contemporary autobiographical texts, investigating a probable emancipatory dimension produced from the interruption of the narrative structure and the chronological linearity of memories. These writings of life are approached from an anarchivist perspective, as counter-critique of an archivistic autobiographical paradigm, whether this referential, subjectivist or deconstructionist. The emergence of such writings from the 70s (as I remember by Joe Brainard and I remember by George Perec) challenge the usual approaches in autobiographical studies (focusing on either bios, autos or graphe). The antecedentes of a possible postgraphe would be in certain sides of Walter Benjamin’s –sometimes heterogeneous and fragmentary –thought and work, such as the antisubjetivism and collecting, as well as in collector and obliquely autobiographical representations of some atlas (like those of Warburg, Serres and Richter) with enumerations structures, lists, and catalogues, also present in One Way Street and in The Passages. From this perspective, we address aspects of current works of Édouard Levé, Margo Glantz, and Martín Kohan, who also were put in operation this “machine of remembering”, considering the link with digital networks (as in the case of Glantz), and the critical and participatory potentiality -because they can be copied and continued by others- that resides in these apparently banal writings of memory.
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| publisher |
Facultad de Filosofía y Humanidades. Escuela de Letras |
| publishDate |
2021 |
| url |
https://revistas.unc.edu.ar/index.php/heterotopias/article/view/36348 |
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2024-09-03T21:09:47Z |
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I10-R333-article-363482022-01-08T00:30:58Z I remember… Anarchivist autobiographical writings Me acuerdo… Escrituras autobiográficas anarchivistas Anderlini, Silvia Susana autobiographical studies collecting memory anarchivism machine of remembering estudios autobiográficos coleccionismo memoria anarchivismo máquina de recordar The work raises questions about the representation of memory in certain contemporary autobiographical texts, investigating a probable emancipatory dimension produced from the interruption of the narrative structure and the chronological linearity of memories. These writings of life are approached from an anarchivist perspective, as counter-critique of an archivistic autobiographical paradigm, whether this referential, subjectivist or deconstructionist. The emergence of such writings from the 70s (as I remember by Joe Brainard and I remember by George Perec) challenge the usual approaches in autobiographical studies (focusing on either bios, autos or graphe). The antecedentes of a possible postgraphe would be in certain sides of Walter Benjamin’s –sometimes heterogeneous and fragmentary –thought and work, such as the antisubjetivism and collecting, as well as in collector and obliquely autobiographical representations of some atlas (like those of Warburg, Serres and Richter) with enumerations structures, lists, and catalogues, also present in One Way Street and in The Passages. From this perspective, we address aspects of current works of Édouard Levé, Margo Glantz, and Martín Kohan, who also were put in operation this “machine of remembering”, considering the link with digital networks (as in the case of Glantz), and the critical and participatory potentiality -because they can be copied and continued by others- that resides in these apparently banal writings of memory. El trabajo plantea interrogantes acerca de la representación de la memoria en determinados textos autobiográficos contemporáneos; indaga en una probable dimensión emancipatoria producida a partir de la interrupción de la estructura narrativa y la linealidad cronológica de los recuerdos. Estas escrituras de vida son abordadas desde una perspectiva anarchivista, a modo de contracrítica de un paradigma autobiográfico archivístico, ya sea este referencial, subjetivista o deconstruccionista. El surgimiento de tales escrituras a partir de los años setenta (como Me acuerdo de Joe Brainard [1970] y Me acuerdo de George Perec [1978]) desafían los enfoques habituales en los estudios autobiográficos (centrados ya sea en bios, autos o grafé). Los antecedentes de una tentativa posgrafé se hallarían en ciertos costados del pensamiento y de la obra –a veces heterogénea y fragmentaria– de Walter Benjamin, tales como el antisubjetivismo y el coleccionismo, así como en las representaciones coleccionistas y oblicuamente autobiográficas de algunos atlas (como los de Warburg, Serres y Richter) con estructuras de enumeraciones, listas y catálogos, presentes también en Calle de mano única y en el Libro de los Pasajes. Desde esta perspectiva se abordan aspectos de las obras actuales de Édouard Levé, Margo Glantz y Martín Kohan, que también pusieron en funcionamiento esta máquina de recordar, considerando el vínculo con las redes digitales (como en el caso de Glantz) y la potencialidad crítica y participativa –al ser factibles de ser copiadas y continuadas por otros– que reside en estas escrituras –aparentemente banales– de la memoria. Facultad de Filosofía y Humanidades. Escuela de Letras 2021-12-27 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Scientific articles Artículos científicos application/pdf https://revistas.unc.edu.ar/index.php/heterotopias/article/view/36348 Heterotopías; Vol. 4 No. 8 (2021): “Estética, política y naturaleza: lenguajes y experiencias ecopoéticas". ; 1-18 Heterotopías; Vol. 4 Núm. 8 (2021): “Estética, política y naturaleza: lenguajes y experiencias ecopoéticas". ; 1-18 2618-2726 spa https://revistas.unc.edu.ar/index.php/heterotopias/article/view/36348/36675 https://creativecommons.org/licenses/by-nc-sa/4.0 |