Webs of life in the Latin American of despojo. Fragments of experiences, theoretical tissues and inventions of re-existences

In the motley call we wrote, we launched the desire to make fragments appear for a polyphony of vocalities, to let the dossier be inhabited by heteroglossia. Perhaps we imagined making of it a device of availability for a (necessarily) unfinished carto-chrono-polyphony that would safeguard traces an...

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Autores principales: Antonelli, Mirta A., Fobbio, Laura, Wagner, Lucrecia
Formato: Artículo revista
Lenguaje:Español
Publicado: Facultad de Filosofía y Humanidades. Escuela de Letras 2021
Materias:
introduction;
Latin American of despojo;
introducción;
Latino América del despojo;
Acceso en línea:https://revistas.unc.edu.ar/index.php/heterotopias/article/view/36318
Aporte de:
Heterotopías de Universidad Nacional de Córdoba
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record_format ojs
spelling I10-R333-article-363182022-02-25T02:35:46Z Webs of life in the Latin American of despojo. Fragments of experiences, theoretical tissues and inventions of re-existences Tramas de vida en la América Latina del despojo. Fragmentos de experiencias, tejidos teóricos e invenciones de re-existencia Antonelli, Mirta A. Fobbio, Laura Wagner, Lucrecia introduction; Latin American of despojo; introducción; Latino América del despojo; In the motley call we wrote, we launched the desire to make fragments appear for a polyphony of vocalities, to let the dossier be inhabited by heteroglossia. Perhaps we imagined making of it a device of availability for a (necessarily) unfinished carto-chrono-polyphony that would safeguard traces and traces of languages that our phonatory apparatus has not learned to utter, before which our body is mute, or inoperative, impotent. And also, a polyphony that would shelter and evoke plural tones and distinctive oralities; to bring in the box and the wind; the river and the mountain, the plateau and the highlands, the jungle and the mountain, the living understood, with the Latin American pronouncement of twenty years ago, as "great family" (Manifiesto por la vida, 2002). The out of frame of the dominant smooth surfaces and of the "scenography of the gaze" (Richard, 2011), in games of figure and background with the pit, the mine, the dam (Villalobos-Ruminott, 2016). En la abigarrada convocatoria que escribimos, lanzábamos el deseo de hacer aparecer fragmentos para una polifonía de vocalidades, dejar habitar el dossier por la heteroglosia. Tal vez imaginamos hacer de él un dispositivo de disponibilidad para una (necesariamente) inconclusa carto-crono-polifonía que resguardara trazos y trazas de lenguas que nuestro aparato fonador no ha aprendido a proferir, ante la que nuestro cuerpo es mudo, o inoperante, impotente. Y también, una polifonía que cobijara e hiciera evocar tonadas plurales y oralidades distintivas; hacer entrar la caja y el viento; el río y la montaña, la meseta y la sierra, la selva y el monte, lo viviente entendido, con el pronunciamiento latinoamericano de hace veinte años, como “gran familia” (Manifiesto por la vida, 2002). Lo fuera de marco de las superficies lisas dominantes y de la “escenografía de la mirada” (Richard, 2011), en juegos de figura y fondo con la fosa, la mina, la represa (Villalobos-Ruminott, 2016). La ilustración pertenece a Fragmentos cartográficos (Hilda Zagaglia, 2004, óleo collage sobre tela, 120 x 0.50 cm). Esta pintura será parte del libro sobre la artista Hilda Zagaglia (Alta Gracia, Córdoba, Argentina) que editará digitalmente, en abril 2022, Bosquemadura E-ditorial de Arte. Artista y Directora de la E-ditorial autorizan a la Revista Heterotopías de la Escuela de Letras, FFyH UNC a su publicación en el número que se está componiendo actualmente. Facultad de Filosofía y Humanidades. Escuela de Letras 2021-12-27 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://revistas.unc.edu.ar/index.php/heterotopias/article/view/36318 Heterotopías; Vol. 4 No. 8 (2021): “Estética, política y naturaleza: lenguajes y experiencias ecopoéticas". ; 1-25 Heterotopías; Vol. 4 Núm. 8 (2021): “Estética, política y naturaleza: lenguajes y experiencias ecopoéticas". ; 1-25 2618-2726 spa https://revistas.unc.edu.ar/index.php/heterotopias/article/view/36318/36653 https://creativecommons.org/licenses/by-nc-sa/4.0
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-333
container_title_str Heterotopías
language Español
format Artículo revista
topic introduction;
Latin American of despojo;
introducción;
Latino América del despojo;
spellingShingle introduction;
Latin American of despojo;
introducción;
Latino América del despojo;
Antonelli, Mirta A.
Fobbio, Laura
Wagner, Lucrecia
Webs of life in the Latin American of despojo. Fragments of experiences, theoretical tissues and inventions of re-existences
topic_facet introduction;
Latin American of despojo;
introducción;
Latino América del despojo;
author Antonelli, Mirta A.
Fobbio, Laura
Wagner, Lucrecia
author_facet Antonelli, Mirta A.
Fobbio, Laura
Wagner, Lucrecia
author_sort Antonelli, Mirta A.
title Webs of life in the Latin American of despojo. Fragments of experiences, theoretical tissues and inventions of re-existences
title_short Webs of life in the Latin American of despojo. Fragments of experiences, theoretical tissues and inventions of re-existences
title_full Webs of life in the Latin American of despojo. Fragments of experiences, theoretical tissues and inventions of re-existences
title_fullStr Webs of life in the Latin American of despojo. Fragments of experiences, theoretical tissues and inventions of re-existences
title_full_unstemmed Webs of life in the Latin American of despojo. Fragments of experiences, theoretical tissues and inventions of re-existences
title_sort webs of life in the latin american of despojo. fragments of experiences, theoretical tissues and inventions of re-existences
description In the motley call we wrote, we launched the desire to make fragments appear for a polyphony of vocalities, to let the dossier be inhabited by heteroglossia. Perhaps we imagined making of it a device of availability for a (necessarily) unfinished carto-chrono-polyphony that would safeguard traces and traces of languages that our phonatory apparatus has not learned to utter, before which our body is mute, or inoperative, impotent. And also, a polyphony that would shelter and evoke plural tones and distinctive oralities; to bring in the box and the wind; the river and the mountain, the plateau and the highlands, the jungle and the mountain, the living understood, with the Latin American pronouncement of twenty years ago, as "great family" (Manifiesto por la vida, 2002). The out of frame of the dominant smooth surfaces and of the "scenography of the gaze" (Richard, 2011), in games of figure and background with the pit, the mine, the dam (Villalobos-Ruminott, 2016).
publisher Facultad de Filosofía y Humanidades. Escuela de Letras
publishDate 2021
url https://revistas.unc.edu.ar/index.php/heterotopias/article/view/36318
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first_indexed 2024-09-03T21:09:46Z
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