Spatial distance and practice of the encounter. A conversation around the hiatus in performing arts
Where does the specificity of the performing arts lie? In the unattainable of the event, in the co-presence of bodies? Without denying the enormous permeability that exists today between different artistic languages -and theater is not an exception-, the sanitary measures that are being applied, in...
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| Formato: | Artículo revista |
| Lenguaje: | Español |
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Facultad de Filosofía y Humanidades. Escuela de Letras
2020
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| Acceso en línea: | https://revistas.unc.edu.ar/index.php/heterotopias/article/view/31827 |
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I10-R333-article-31827 |
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I10-R333-article-318272021-04-14T12:14:32Z Spatial distance and practice of the encounter. A conversation around the hiatus in performing arts Trazados de distancia y ensayos de encuentro. Una conversación en torno a la pausa en las artes escénicas Otaño, Estefanía Paz Sena, Leticia Performing arts; Body; Hiatus Artes escénicas; Cuerpo; Pausa Where does the specificity of the performing arts lie? In the unattainable of the event, in the co-presence of bodies? Without denying the enormous permeability that exists today between different artistic languages -and theater is not an exception-, the sanitary measures that are being applied, in some way, gives prominence to the question of specificity. Since March, in Argentina, theatrical performances have been on hiatus for both spectators and practitioners, because the scene is emotional contagion, it is proximity, it is reunion. What does this stop mean? Is the very existence of the theater at risk? Does the pause enable some other form of the performing arts or it means its dissolution? While we are awaiting a return to the known state of affairs, we may find ourselves in a position to configure a welcome to the unknown. In this work, spectator and performer exchange and go over questions about what performing arts is rehearsing and imagining, but also about what they are not doing and about the power that could reside there. ¿Dónde reside la especificidad de las artes escénicas? ¿En lo incapturable del acontecimiento, en la copresencia de cuerpos? Sin negar la enorme permeabilidad que hay hoy entre diferentes lenguajes artísticos, de la que el teatro no está exento, las medidas sanitarias que se vienen aplicando de algún modo le devuelven protagonismo a la pregunta por la especificidad. Desde marzo, en Argentina, la experiencia teatral está en pausa tanto para espectadorxs como para hacedorxs, porque la escena es contagio, es proximidad, es reunión. ¿Qué supone este detenimiento? ¿Está en riesgo la existencia misma del teatro? ¿Habilita la pausa una forma otra de las artes escénicas o significa esto su disolución? Puede que, al mismo tiempo que estamos esperando un regreso de lo conocido, nos veamos en situación de configurar una bienvenida a lo desconocido. En este trabajo, una espectadora y una hacedora dialogan y recorren interrogantes sobre lo que las artes escénicas ensayan e imaginan, pero también sobre lo que no están haciendo y sobre la potencia que allí podría residir. Facultad de Filosofía y Humanidades. Escuela de Letras 2020-12-30 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://revistas.unc.edu.ar/index.php/heterotopias/article/view/31827 Heterotopías; Vol. 3 No. 6 (2020): "Experience of the pause and pause of experience: thought, speeches and practices in detention"; 1-18 Heterotopías; Vol. 3 Núm. 6 (2020): "Experiencia de la pausa y pausa de la experiencia: pensamiento, discursos y prácticas en la detención"; 1-18 2618-2726 spa https://revistas.unc.edu.ar/index.php/heterotopias/article/view/31827/32684 https://creativecommons.org/licenses/by-nc-sa/4.0 |
| institution |
Universidad Nacional de Córdoba |
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I-10 |
| repository_str |
R-333 |
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Heterotopías |
| language |
Español |
| format |
Artículo revista |
| topic |
Performing arts; Body; Hiatus Artes escénicas; Cuerpo; Pausa |
| spellingShingle |
Performing arts; Body; Hiatus Artes escénicas; Cuerpo; Pausa Otaño, Estefanía Paz Sena, Leticia Spatial distance and practice of the encounter. A conversation around the hiatus in performing arts |
| topic_facet |
Performing arts; Body; Hiatus Artes escénicas; Cuerpo; Pausa |
| author |
Otaño, Estefanía Paz Sena, Leticia |
| author_facet |
Otaño, Estefanía Paz Sena, Leticia |
| author_sort |
Otaño, Estefanía |
| title |
Spatial distance and practice of the encounter. A conversation around the hiatus in performing arts |
| title_short |
Spatial distance and practice of the encounter. A conversation around the hiatus in performing arts |
| title_full |
Spatial distance and practice of the encounter. A conversation around the hiatus in performing arts |
| title_fullStr |
Spatial distance and practice of the encounter. A conversation around the hiatus in performing arts |
| title_full_unstemmed |
Spatial distance and practice of the encounter. A conversation around the hiatus in performing arts |
| title_sort |
spatial distance and practice of the encounter. a conversation around the hiatus in performing arts |
| description |
Where does the specificity of the performing arts lie? In the unattainable of the event, in the co-presence of bodies? Without denying the enormous permeability that exists today between different artistic languages -and theater is not an exception-, the sanitary measures that are being applied, in some way, gives prominence to the question of specificity. Since March, in Argentina, theatrical performances have been on hiatus for both spectators and practitioners, because the scene is emotional contagion, it is proximity, it is reunion. What does this stop mean? Is the very existence of the theater at risk? Does the pause enable some other form of the performing arts or it means its dissolution? While we are awaiting a return to the known state of affairs, we may find ourselves in a position to configure a welcome to the unknown. In this work, spectator and performer exchange and go over questions about what performing arts is rehearsing and imagining, but also about what they are not doing and about the power that could reside there.
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| publisher |
Facultad de Filosofía y Humanidades. Escuela de Letras |
| publishDate |
2020 |
| url |
https://revistas.unc.edu.ar/index.php/heterotopias/article/view/31827 |
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