Another end of the world is possible. Art and politics in the situated museum. Interview with Ana Longoni

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Luis Ignacio García interviews the writer, researcher and curator Ana Longoni from a distance and virtually. The conversation assumes and tries to explore the limits of the technical mediation that has framed most of our exchanges in the teaching and research activity in this complex year. The topic...

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Autor principal: García, Luis Ignacio
Formato: Artículo revista
Lenguaje:Español
Publicado: Facultad de Filosofía y Humanidades. Escuela de Letras 2020
Materias:
Ana Longoni; interview; Museo Reina Sofía; museum located, networked and feminist
Ana Longoni; entrevista; Museo Reina Sofía; museo situado, en red y feminista
Acceso en línea:https://revistas.unc.edu.ar/index.php/heterotopias/article/view/31806
Aporte de:
Heterotopías de Universidad Nacional de Córdoba
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spelling I10-R333-article-318062021-04-23T00:25:24Z Another end of the world is possible. Art and politics in the situated museum. Interview with Ana Longoni Otro fin del mundo es posible. Arte y política en el museo situado. Entrevista con Ana Longoni García, Luis Ignacio Ana Longoni; interview; Museo Reina Sofía; museum located, networked and feminist Ana Longoni; entrevista; Museo Reina Sofía; museo situado, en red y feminista Luis Ignacio García interviews the writer, researcher and curator Ana Longoni from a distance and virtually. The conversation assumes and tries to explore the limits of the technical mediation that has framed most of our exchanges in the teaching and research activity in this complex year. The topics addressed cover the multiplicity of facets of Longoni's production and action around the tensions between art and politics, with special emphasis on her work in recent years as Director of Public Activities at the Reina Sofía Museum, and especially on the policies deployed by the museum throughout the pandemic. The expanded forms of a situated, networked and feminist museum for which Longoni works in its concrete praxis and management were at the center of the exchange. The following text transcribes the conversation, adapting it to the writing, but trying to maintain the fluidity and rhythm of the orality from which it starts.     Luis Ignacio García entrevista a la distancia y de manera virtual a la escritora, investigadora y curadora Ana Longoni. La conversación asume e intenta tematizar los límites de la mediación técnica que ha enmarcado la mayor parte de nuestros intercambios en la actividad docente y de investigación en este año tan complejo. Los temas abordados recorren la multiplicidad de facetas de la producción y acción de Longoni en torno a las tensiones entre arte y política, haciendo especial hincapié en su trabajo de los últimos años como directora de Actividades Públicas del museo Reina Sofía, y especialmente en las políticas desplegadas por el museo a lo largo de la pandemia. Las formas expandidas de un museo situado, en red y feminista por el que trabaja Longoni en su praxis y gestión concreta ocuparon el centro del intercambio.El siguiente texto transcribe la conversación, adaptándola a la escritura, pero procurando mantener la fluidez y el ritmo de la oralidad de la que parte. Facultad de Filosofía y Humanidades. Escuela de Letras 2020-12-30 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://revistas.unc.edu.ar/index.php/heterotopias/article/view/31806 Heterotopías; Vol. 3 No. 6 (2020): "Experience of the pause and pause of experience: thought, speeches and practices in detention"; 1-24 Heterotopías; Vol. 3 Núm. 6 (2020): "Experiencia de la pausa y pausa de la experiencia: pensamiento, discursos y prácticas en la detención"; 1-24 2618-2726 spa https://revistas.unc.edu.ar/index.php/heterotopias/article/view/31806/32666 https://creativecommons.org/licenses/by-nc-sa/4.0
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-333
container_title_str Heterotopías
language Español
format Artículo revista
topic Ana Longoni; interview; Museo Reina Sofía; museum located, networked and feminist
Ana Longoni; entrevista; Museo Reina Sofía; museo situado, en red y feminista
spellingShingle Ana Longoni; interview; Museo Reina Sofía; museum located, networked and feminist
Ana Longoni; entrevista; Museo Reina Sofía; museo situado, en red y feminista
García, Luis Ignacio
Another end of the world is possible. Art and politics in the situated museum. Interview with Ana Longoni
topic_facet Ana Longoni; interview; Museo Reina Sofía; museum located, networked and feminist
Ana Longoni; entrevista; Museo Reina Sofía; museo situado, en red y feminista
author García, Luis Ignacio
author_facet García, Luis Ignacio
author_sort García, Luis Ignacio
title Another end of the world is possible. Art and politics in the situated museum. Interview with Ana Longoni
title_short Another end of the world is possible. Art and politics in the situated museum. Interview with Ana Longoni
title_full Another end of the world is possible. Art and politics in the situated museum. Interview with Ana Longoni
title_fullStr Another end of the world is possible. Art and politics in the situated museum. Interview with Ana Longoni
title_full_unstemmed Another end of the world is possible. Art and politics in the situated museum. Interview with Ana Longoni
title_sort another end of the world is possible. art and politics in the situated museum. interview with ana longoni
description Luis Ignacio García interviews the writer, researcher and curator Ana Longoni from a distance and virtually. The conversation assumes and tries to explore the limits of the technical mediation that has framed most of our exchanges in the teaching and research activity in this complex year. The topics addressed cover the multiplicity of facets of Longoni's production and action around the tensions between art and politics, with special emphasis on her work in recent years as Director of Public Activities at the Reina Sofía Museum, and especially on the policies deployed by the museum throughout the pandemic. The expanded forms of a situated, networked and feminist museum for which Longoni works in its concrete praxis and management were at the center of the exchange. The following text transcribes the conversation, adapting it to the writing, but trying to maintain the fluidity and rhythm of the orality from which it starts.    
publisher Facultad de Filosofía y Humanidades. Escuela de Letras
publishDate 2020
url https://revistas.unc.edu.ar/index.php/heterotopias/article/view/31806
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first_indexed 2024-09-03T21:09:31Z
last_indexed 2024-09-03T21:09:31Z
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