Interruption and neuter in Maurice Blanchot

This article focuses on four texts published by Blanchot in the Nouvelle Nouvelle Revue Française in 1964, which five years later were part of The infinite conversation: "The interruption", "The Athenaeum", "The narrative voice" and "The wooden bridge ". Beyon...

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Detalles Bibliográficos
Autor principal: Cortés, Federico
Formato: Artículo revista
Lenguaje:Español
Publicado: Facultad de Filosofía y Humanidades. Escuela de Letras 2020
Materias:
Blanchot; interruption; neuter; reading
Blanchot; interrupción; neutro; lectura
Acceso en línea:https://revistas.unc.edu.ar/index.php/heterotopias/article/view/31712
Aporte de:
Heterotopías de Universidad Nacional de Córdoba
id I10-R333-article-31712
record_format ojs
spelling I10-R333-article-317122021-04-14T12:14:32Z Interruption and neuter in Maurice Blanchot Interrupción y neutro en Maurice Blanchot Cortés, Federico Blanchot; interruption; neuter; reading Blanchot; interrupción; neutro; lectura This article focuses on four texts published by Blanchot in the Nouvelle Nouvelle Revue Française in 1964, which five years later were part of The infinite conversation: "The interruption", "The Athenaeum", "The narrative voice" and "The wooden bridge ". Beyond the temporal criterion that brings them together, we consider that these texts allow us to organize Blanchot's work, focusing on the logic of interruption and the neuter in relationship with one of his most recurrent concerns: the reflection on the literary creative act, insofar as it introduces a specific relationship between a self and an other that interrupts the dialectical functioning of culture. To achieve this objective, we will review the history of Maurice Blanchot's work starting from one of the first episodes of its reception in English: The Blanchot reader published by Micheal Holland in 1995. En este trabajo analizaremos cuatro textos publicados por Blanchot en la Nouvelle Nouvelle Revue Française en 1964 que cinco años más tarde formaron parte de La conversación infinita: "La interrupción", "El Athenaeum", "La voz narrativa" y "El puente de madera". Más allá del criterio temporal que los reúne, consideramos que estos textos permiten organizar buena parte del recorrido de la obra de Blanchot focalizando en la lógica de la interrupción y el neutro en contacto con una una de sus preocupaciones más recurrentes: la reflexión sobre el acto creativo literario, en la medida en que introduce una relación específica entre un yo y un otro que interrumpe el funcionamiento dialéctico de la cultura. Para cumplir con este objetivo, realizaremos un breve recorrido sobre la historia de la obra de Maurice Blanchot a partir de uno de los primeros episodios de su recepción en lengua inglesa: The Blanchot reader publicado por Micheal Holland en 1995. Facultad de Filosofía y Humanidades. Escuela de Letras 2020-12-30 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://revistas.unc.edu.ar/index.php/heterotopias/article/view/31712 Heterotopías; Vol. 3 No. 6 (2020): "Experience of the pause and pause of experience: thought, speeches and practices in detention"; 1-18 Heterotopías; Vol. 3 Núm. 6 (2020): "Experiencia de la pausa y pausa de la experiencia: pensamiento, discursos y prácticas en la detención"; 1-18 2618-2726 spa https://revistas.unc.edu.ar/index.php/heterotopias/article/view/31712/32537 https://creativecommons.org/licenses/by-nc-sa/4.0
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-333
container_title_str Heterotopías
language Español
format Artículo revista
topic Blanchot; interruption; neuter; reading
Blanchot; interrupción; neutro; lectura
spellingShingle Blanchot; interruption; neuter; reading
Blanchot; interrupción; neutro; lectura
Cortés, Federico
Interruption and neuter in Maurice Blanchot
topic_facet Blanchot; interruption; neuter; reading
Blanchot; interrupción; neutro; lectura
author Cortés, Federico
author_facet Cortés, Federico
author_sort Cortés, Federico
title Interruption and neuter in Maurice Blanchot
title_short Interruption and neuter in Maurice Blanchot
title_full Interruption and neuter in Maurice Blanchot
title_fullStr Interruption and neuter in Maurice Blanchot
title_full_unstemmed Interruption and neuter in Maurice Blanchot
title_sort interruption and neuter in maurice blanchot
description This article focuses on four texts published by Blanchot in the Nouvelle Nouvelle Revue Française in 1964, which five years later were part of The infinite conversation: "The interruption", "The Athenaeum", "The narrative voice" and "The wooden bridge ". Beyond the temporal criterion that brings them together, we consider that these texts allow us to organize Blanchot's work, focusing on the logic of interruption and the neuter in relationship with one of his most recurrent concerns: the reflection on the literary creative act, insofar as it introduces a specific relationship between a self and an other that interrupts the dialectical functioning of culture. To achieve this objective, we will review the history of Maurice Blanchot's work starting from one of the first episodes of its reception in English: The Blanchot reader published by Micheal Holland in 1995.
publisher Facultad de Filosofía y Humanidades. Escuela de Letras
publishDate 2020
url https://revistas.unc.edu.ar/index.php/heterotopias/article/view/31712
work_keys_str_mv AT cortesfederico interruptionandneuterinmauriceblanchot
AT cortesfederico interrupcionyneutroenmauriceblanchot
first_indexed 2024-09-03T21:09:29Z
last_indexed 2024-09-03T21:09:29Z
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