Aira on the carousel
This article approaches the aesthetic proposal of César Aira's writing. For this purpose, the concept of the bricoleur artist has been constructed from the essay-poetic writing of the writer. The aforementioned concept has also been used in the heuristic design of a textual device that may allo...
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| Formato: | Artículo revista |
| Lenguaje: | Español |
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Facultad de Filosofía y Humanidades. Escuela de Letras
2020
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| Acceso en línea: | https://revistas.unc.edu.ar/index.php/heterotopias/article/view/29116 |
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I10-R333-article-29116 |
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I10-R333-article-291162020-12-06T22:40:54Z Aira on the carousel Aira en el carrusel Muñoz Chipre, Sergio proceadure bricoleur artista counter-theological reader procedimiento artista bricoleur lector contrateológico This article approaches the aesthetic proposal of César Aira's writing. For this purpose, the concept of the bricoleur artist has been constructed from the essay-poetic writing of the writer. The aforementioned concept has also been used in the heuristic design of a textual device that may allows us to read in a poetic key Aira’s inflection in the alussion to the becoming line that the Macedonio’s moment implies for the writing system of the argentine literature in 20th century. It is worth saying that in the system of proper names that genealogize the Aira’s inflection two eminent tutelary presences of the aireano system are included, we refer with this words to Marcel Duchamp and Raymond Rusell. It is since the artistic inventiveness, proposed by the modern concepts of both proper names for the general system of arts, that it is able to built the artistic becoming machine which is the aireana writing. The Aira carousel would be a device to operate with a reading that moves and travels trough the essays texts of the aireana writing to deline more than a reader, a reading space of multiples writings. En el presente artículo se aborda la propuesta estética de la escritura de César Aira. Para este fin, se ha construido el concepto de artista bricoleur a partir de la escritura ensayístico-poética del mismo escritor. A su vez, se ha operado con el mencionado concepto el diseño heurístico de un dispositivo textual que nos permita leer en clave poética la inflexión Aira en la alusión a la línea de devenir que implica, para el sistema escritural de la literatura argentina del siglo XX, el momento Macedonio Fernández. Cabe mencionar que, en el sistema de nombres propios que genealogizan la inflexión Aira, se incluyen a dos eminentes presencias tutelares del sistema aireano, nos referimos de este modo a Marcel Duchamp y a Raymond Roussel. Es a partir de la inventiva artística, propuesta por los modernos conceptos de ambos nombres propios para el sistema general de las artes, que se puede construir la máquina de devenir artística que es la escritura aireana. El carrusel Aira sería un dispositivo para operar con una lectura que se desplaza y recorre los textos ensayísticos de la escritura aireana para delinear más que un lector, un espacio de lectura de escrituras múltiples. Facultad de Filosofía y Humanidades. Escuela de Letras 2020-06-24 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Scientific articles Artículos científicos application/pdf https://revistas.unc.edu.ar/index.php/heterotopias/article/view/29116 Heterotopías; Vol. 3 No. 5 (2020): "Affective Turn and Social Discourses: Criticisms, Representations and Policies" ; 1-10 Heterotopías; Vol. 3 Núm. 5 (2020): “Giro afectivo y discursos sociales: críticas, representaciones y políticas” ; 1-10 2618-2726 spa https://revistas.unc.edu.ar/index.php/heterotopias/article/view/29116/29935 https://creativecommons.org/licenses/by-nc-sa/4.0 |
| institution |
Universidad Nacional de Córdoba |
| institution_str |
I-10 |
| repository_str |
R-333 |
| container_title_str |
Heterotopías |
| language |
Español |
| format |
Artículo revista |
| topic |
proceadure bricoleur artista counter-theological reader procedimiento artista bricoleur lector contrateológico |
| spellingShingle |
proceadure bricoleur artista counter-theological reader procedimiento artista bricoleur lector contrateológico Muñoz Chipre, Sergio Aira on the carousel |
| topic_facet |
proceadure bricoleur artista counter-theological reader procedimiento artista bricoleur lector contrateológico |
| author |
Muñoz Chipre, Sergio |
| author_facet |
Muñoz Chipre, Sergio |
| author_sort |
Muñoz Chipre, Sergio |
| title |
Aira on the carousel |
| title_short |
Aira on the carousel |
| title_full |
Aira on the carousel |
| title_fullStr |
Aira on the carousel |
| title_full_unstemmed |
Aira on the carousel |
| title_sort |
aira on the carousel |
| description |
This article approaches the aesthetic proposal of César Aira's writing. For this purpose, the concept of the bricoleur artist has been constructed from the essay-poetic writing of the writer. The aforementioned concept has also been used in the heuristic design of a textual device that may allows us to read in a poetic key Aira’s inflection in the alussion to the becoming line that the Macedonio’s moment implies for the writing system of the argentine literature in 20th century. It is worth saying that in the system of proper names that genealogize the Aira’s inflection two eminent tutelary presences of the aireano system are included, we refer with this words to Marcel Duchamp and Raymond Rusell. It is since the artistic inventiveness, proposed by the modern concepts of both proper names for the general system of arts, that it is able to built the artistic becoming machine which is the aireana writing.
The Aira carousel would be a device to operate with a reading that moves and travels trough the essays texts of the aireana writing to deline more than a reader, a reading space of multiples writings. |
| publisher |
Facultad de Filosofía y Humanidades. Escuela de Letras |
| publishDate |
2020 |
| url |
https://revistas.unc.edu.ar/index.php/heterotopias/article/view/29116 |
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AT munozchipresergio airaonthecarousel AT munozchipresergio airaenelcarrusel |
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2024-09-03T21:09:27Z |
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2024-09-03T21:09:27Z |
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