Blasphemous club: libertarian sensitivities and negative affects on the argentine postdictatorship

The return of democracy socially meant the building of a political promise of possible reparation for Argentine society. As a cultural project, it was capable to condense the widespread fantasies of justice and the desires for freedom that were seized by the cruel night of dictatorial terror. But th...

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Detalles Bibliográficos
Autor principal: Cuello, Nicolás
Formato: Artículo revista
Lenguaje:Español
Publicado: Facultad de Filosofía y Humanidades. Escuela de Letras 2020
Materias:
cultural uncovering
libertarian sensitivities
negative affects
artistic practices
destape cultural
sensibilidades libertarias
afectos negativos
prácticas artísticas
Acceso en línea:https://revistas.unc.edu.ar/index.php/heterotopias/article/view/29039
Aporte de:
Heterotopías de Universidad Nacional de Córdoba
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record_format ojs
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-333
container_title_str Heterotopías
language Español
format Artículo revista
topic cultural uncovering
libertarian sensitivities
negative affects
artistic practices
destape cultural
sensibilidades libertarias
afectos negativos
prácticas artísticas
spellingShingle cultural uncovering
libertarian sensitivities
negative affects
artistic practices
destape cultural
sensibilidades libertarias
afectos negativos
prácticas artísticas
Cuello, Nicolás
Blasphemous club: libertarian sensitivities and negative affects on the argentine postdictatorship
topic_facet cultural uncovering
libertarian sensitivities
negative affects
artistic practices
destape cultural
sensibilidades libertarias
afectos negativos
prácticas artísticas
author Cuello, Nicolás
author_facet Cuello, Nicolás
author_sort Cuello, Nicolás
title Blasphemous club: libertarian sensitivities and negative affects on the argentine postdictatorship
title_short Blasphemous club: libertarian sensitivities and negative affects on the argentine postdictatorship
title_full Blasphemous club: libertarian sensitivities and negative affects on the argentine postdictatorship
title_fullStr Blasphemous club: libertarian sensitivities and negative affects on the argentine postdictatorship
title_full_unstemmed Blasphemous club: libertarian sensitivities and negative affects on the argentine postdictatorship
title_sort blasphemous club: libertarian sensitivities and negative affects on the argentine postdictatorship
description The return of democracy socially meant the building of a political promise of possible reparation for Argentine society. As a cultural project, it was capable to condense the widespread fantasies of justice and the desires for freedom that were seized by the cruel night of dictatorial terror. But the effects of subjectivation produced by the repressive imaginaries and especially, by their remnant in the public apparatus of political representation will give way to the articulation of underground structures of disillusionment in the margins of the new democratic common. Faced with the silent and shadowed permanence of the repressive power, enraged with the hypocrisy of political duty while distanced from modern utopian projects regarding the transformation of the real, a new matrix of alternative political action was conjugated: a type of sensibility connected with the anarchist heritage that will mostly make use of affects rendered negative like procrastination, grudge, chemical delirium, blasphemy and sexual debauchery as part of its privileged expressive language. The intersectional work of feminists, sex perverts, alcoholic poets, transhumant anarchists, punks, vagrants, sex workers, underground stars and other left melancholics has produced a series of events hitherto little revisited in the historiographies of the post-dictatorial Destape such as The Pagan March (1986) and the Commission in Repudiation of the Pope (1987). This presentation aims to value these experiences as paradigmatic cases in which these expressive languages based on the sensible power of disconformity and dissociation were implemented, operating as strange forms of reverie that rehearsed new affective repertoires for an antagonistic political imagination.
publisher Facultad de Filosofía y Humanidades. Escuela de Letras
publishDate 2020
url https://revistas.unc.edu.ar/index.php/heterotopias/article/view/29039
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first_indexed 2024-09-03T21:09:23Z
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spelling I10-R333-article-290392020-12-06T16:02:14Z Blasphemous club: libertarian sensitivities and negative affects on the argentine postdictatorship Club de blasfemos: sensibilidades libertarias y afectos negativos en la postdictadura argentina Cuello, Nicolás cultural uncovering libertarian sensitivities negative affects artistic practices destape cultural sensibilidades libertarias afectos negativos prácticas artísticas The return of democracy socially meant the building of a political promise of possible reparation for Argentine society. As a cultural project, it was capable to condense the widespread fantasies of justice and the desires for freedom that were seized by the cruel night of dictatorial terror. But the effects of subjectivation produced by the repressive imaginaries and especially, by their remnant in the public apparatus of political representation will give way to the articulation of underground structures of disillusionment in the margins of the new democratic common. Faced with the silent and shadowed permanence of the repressive power, enraged with the hypocrisy of political duty while distanced from modern utopian projects regarding the transformation of the real, a new matrix of alternative political action was conjugated: a type of sensibility connected with the anarchist heritage that will mostly make use of affects rendered negative like procrastination, grudge, chemical delirium, blasphemy and sexual debauchery as part of its privileged expressive language. The intersectional work of feminists, sex perverts, alcoholic poets, transhumant anarchists, punks, vagrants, sex workers, underground stars and other left melancholics has produced a series of events hitherto little revisited in the historiographies of the post-dictatorial Destape such as The Pagan March (1986) and the Commission in Repudiation of the Pope (1987). This presentation aims to value these experiences as paradigmatic cases in which these expressive languages based on the sensible power of disconformity and dissociation were implemented, operating as strange forms of reverie that rehearsed new affective repertoires for an antagonistic political imagination. El retorno de la democracia significó, socialmente, la edificación de una promesa política de posible reparación para la sociedad argentina. Como proyecto cultural, supo condensar las extendidas fantasías de justicia y los deseos de libertad arrebatados por la noche cruel del terror dictatorial. Pero los efectos de subjetivación producidos por los imaginarios represivos y, especialmente, su remanencia en los aparatos públicos de la representación política, darán paso a estructuras subterráneas de la desilusión, pronunciadas desde los márgenes del nuevo común democrático. Frente a la permanencia silenciosa y ensombrecida del poder represivo, entonces, se conjugará una nueva matriz de acción política alternativa; un tipo de sensibilidad conectada con la herencia anarquista, enfurecida con la hipocresía del deber político y distanciada de los proyectos utópicos modernos de transformación de lo real. Esta nueva sensibilidad, principalmente, hará del uso de afectos considerados negativos, como el rezagamiento, el rencor, el delirio químico, la blasfemia y el libertinaje sexual, su lenguaje expresivo privilegiado. El trabajo interseccional de feministas, perversos sexuales, poetas alcohólicos, anarquistas transhumantes, punks, vagabundos, profesionales del sexo, estrellas del underground y otros melancólicos de izquierda, produjo una serie de acontecimientos, como La Marcha Pagana (1986) y la Comisión en Repudio al Papa (1987), hasta el momento poco visitados en las historiografías del destape postdictatorial. Este trabajo busca poner en valor dichas experiencias como casos paradigmáticos, en donde se vieron implementados estos lenguajes expresivos basados en la potencia sensible de la disconformidad y la desvinculación, en tanto formas de ensoñación extrañas que ensayaron nuevos repertorios afectivos de una imaginación política antagonista. Facultad de Filosofía y Humanidades. Escuela de Letras 2020-06-24 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://revistas.unc.edu.ar/index.php/heterotopias/article/view/29039 Heterotopías; Vol. 3 No. 5 (2020): "Affective Turn and Social Discourses: Criticisms, Representations and Policies" ; 1 - 32 Heterotopías; Vol. 3 Núm. 5 (2020): “Giro afectivo y discursos sociales: críticas, representaciones y políticas” ; 1 - 32 2618-2726 spa https://revistas.unc.edu.ar/index.php/heterotopias/article/view/29039/29896 https://creativecommons.org/licenses/by-nc-sa/4.0

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