“I have a scream” Enunciaciones disidentes en torno al 15M en España
In this article, we analyze the first Grito Mudo or Silent Scream —a collective act of disobedience committed by the Indignados movement in Madrid´s Puerta del Sol Square in May 2011— as a glottopolitical scene. In this act, the self-summoned multitude remained silent for one minute just before midn...
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| Autores principales: | , |
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| Formato: | Artículo revista |
| Lenguaje: | Español |
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Facultad de Filosofía y Humanidades. Escuela de Letras
2019
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| Acceso en línea: | https://revistas.unc.edu.ar/index.php/heterotopias/article/view/27338 |
| Aporte de: |
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Universidad Nacional de Córdoba |
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Heterotopías |
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I have sceam Enunciaciones disidentes 15m |
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I have sceam Enunciaciones disidentes 15m Castro Picón, Natalia Del Valle, José “I have a scream” Enunciaciones disidentes en torno al 15M en España |
| topic_facet |
I have sceam Enunciaciones disidentes 15m |
| author |
Castro Picón, Natalia Del Valle, José |
| author_facet |
Castro Picón, Natalia Del Valle, José |
| author_sort |
Castro Picón, Natalia |
| title |
“I have a scream” Enunciaciones disidentes en torno al 15M en España |
| title_short |
“I have a scream” Enunciaciones disidentes en torno al 15M en España |
| title_full |
“I have a scream” Enunciaciones disidentes en torno al 15M en España |
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“I have a scream” Enunciaciones disidentes en torno al 15M en España |
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“I have a scream” Enunciaciones disidentes en torno al 15M en España |
| title_sort |
“i have a scream” enunciaciones disidentes en torno al 15m en españa |
| description |
In this article, we analyze the first Grito Mudo or Silent Scream —a collective act of disobedience committed by the Indignados movement in Madrid´s Puerta del Sol Square in May 2011— as a glottopolitical scene. In this act, the self-summoned multitude remained silent for one minute just before midnight, when the High Court´s sentence declaring the gathering illegal was to become effective. This collective performance brings together different discursive forms (including language, silence and bodies) to conflictually challenge the normative regimes that place limits on how political participation and democracy are conceived. Glottopolitical scenes, according to Elvira Arnoux, “alter to some degree that which is automatically accepted as well as communicative routines, and force those who are involved to engage in an interpretive action that accounts for the anomalous effect that was generated”. From this perspective, we analyze first how the indignados´ ritual is discursively established through the active rejection of the lettered forms that establish the political limits of liberal democracy —originating in legal discourse— according to Carl Schmitt and Walter Benjamin. We will then analyze the potencial of this gesture to shape, through its aesthetic and discursive form, a new collective political subject. The silent scream will then be analyzed in contrast with Spain´s New Year´s Eve grape-eating ritual, celebrated annually in the same urban space wrapped in similar aesthetic forms. Through De Certeau´s theory on the common´s daily political practices and, later, Turner´s theorization of “liminal states”, we will explain how the Silent Scream, on the basis of its ritual condition, expresses a new political subject and democratic ideal through a series of antidisciplinary practices where the aesthetic formulations of the multitude reinterpret, loosen and circumvent the limitations of official grammar. |
| publisher |
Facultad de Filosofía y Humanidades. Escuela de Letras |
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2019 |
| url |
https://revistas.unc.edu.ar/index.php/heterotopias/article/view/27338 |
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I10-R333-article-273382020-02-27T15:31:21Z “I have a scream” Enunciaciones disidentes en torno al 15M en España Castro Picón, Natalia Del Valle, José I have sceam Enunciaciones disidentes 15m In this article, we analyze the first Grito Mudo or Silent Scream —a collective act of disobedience committed by the Indignados movement in Madrid´s Puerta del Sol Square in May 2011— as a glottopolitical scene. In this act, the self-summoned multitude remained silent for one minute just before midnight, when the High Court´s sentence declaring the gathering illegal was to become effective. This collective performance brings together different discursive forms (including language, silence and bodies) to conflictually challenge the normative regimes that place limits on how political participation and democracy are conceived. Glottopolitical scenes, according to Elvira Arnoux, “alter to some degree that which is automatically accepted as well as communicative routines, and force those who are involved to engage in an interpretive action that accounts for the anomalous effect that was generated”. From this perspective, we analyze first how the indignados´ ritual is discursively established through the active rejection of the lettered forms that establish the political limits of liberal democracy —originating in legal discourse— according to Carl Schmitt and Walter Benjamin. We will then analyze the potencial of this gesture to shape, through its aesthetic and discursive form, a new collective political subject. The silent scream will then be analyzed in contrast with Spain´s New Year´s Eve grape-eating ritual, celebrated annually in the same urban space wrapped in similar aesthetic forms. Through De Certeau´s theory on the common´s daily political practices and, later, Turner´s theorization of “liminal states”, we will explain how the Silent Scream, on the basis of its ritual condition, expresses a new political subject and democratic ideal through a series of antidisciplinary practices where the aesthetic formulations of the multitude reinterpret, loosen and circumvent the limitations of official grammar. En este artículo analizaremos el primer Grito Mudo, gesto colectivo de desobediencia realizado por el movimiento de los Indignados en la Puerta del Sol de Madrid en mayo de 2011, como escena glotopolítica. En esta acción, que consistió en que la multitud auto-convocada guardase un minuto de silencio justo antes de la medianoche, cuando entraba en vigor la sentencia que ilegalizaba la concentración, convergen diferentes formas discursivas (que incluyen el lenguaje, el silencio y los cuerpos) que ponen en conflicto los regímenes normativos que limitan el sentido de la participación política y los límites de la democracia. Este tipo de escenas glotopolíticas, según Elvira Arnoux, “irrumpen alterando en cierta medida lo aceptado o las rutinas comunicativas y obligan a una actividad interpretativa que dé cuenta del efecto de anomalía que generan”. Con arreglo a esta perspectiva, empezaremos analizando cómo el ritual de los indignados se instaura discursivamente a través del rechazo activo de las formas letradas que establecen los límites políticos de la democracia liberal, con origen en el discurso jurídico, de acuerdo con Carl Schmitt y Walter Benjamin. Después analizaremos las potencias de este gesto para conformar, a través de su forma estética y discursiva, un nuevo sujeto político colectivo. El grito mudo, se estudiará entonces en contraste con el ritual de la Nochevieja, que se realiza anualmente en el mismo espacio urbano y cuya estética coincide en muchos puntos. A partir de la teoría de De Certeau sobre las tácticas políticas cotidianas del común y, posteriormente, de la teorización de los “estados liminales” de Turner, explicaremos cómo el Grito Mudo, en tanto que ritual, expresa un sujeto político y un ideal democrático nuevos, mediante una serie de prácticas antidisciplinarias en donde las formulaciones estéticas de la multitud reinterpretan, luxan y esquivan las limitaciones de la gramática oficial. Facultad de Filosofía y Humanidades. Escuela de Letras 2019-12-31 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://revistas.unc.edu.ar/index.php/heterotopias/article/view/27338 Heterotopías; Vol. 2 No. 4 (2019): “Languages and dissenting speeches”; 1-15 Heterotopías; Vol. 2 Núm. 4 (2019): “Lenguas y discursos disidentes”; 1-15 2618-2726 spa https://revistas.unc.edu.ar/index.php/heterotopias/article/view/27338/28962 |