The in-between and the landscape in the argentine theater of the XXI century: three works of Alejandra Tantanian
In the dramaturgy of the XXI century, the boundaries between fiction and reality, author and creation, work and readeres-spectators, between theater and other arts became porous. In this ar...
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Facultad de Filosofía y Humanidades. Escuela de Letras
2019
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| Acceso en línea: | https://revistas.unc.edu.ar/index.php/heterotopias/article/view/24797 |
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I10-R333-article-247972020-02-14T20:48:23Z The in-between and the landscape in the argentine theater of the XXI century: three works of Alejandra Tantanian El entre y el paisaje en el teatro argentino del siglo XXI: tres obras de Alejandro Tantanian Fobbio, Laura In-between Lanscape Alejandro Tantanian Argentine theater of the XXI century Poetry Entre Paisaje Alejandro Tantanian Teatro argentino del siglo XXI Poesía In the dramaturgy of the XXI century, the boundaries between fiction and reality, author and creation, work and readeres-spectators, between theater and other arts became porous. In this article we consider the crack edges –the passage from one literary genre to another, a text to another, from monologue to dialogue and vice versa-, to analyze what lies in-between, that third place where put a strain on different territories. We think the in-between from the theater of Alejandro Tantanian, taking into account this thoughts and three of his works, Tyse, Y nada más y Marina: there, the in-between es creative space and landscape where they intersect, cross and transform literature and theater, life and poetry, mise en page and staging, by various methods of dramaturgical writing we analyzed here. En las dramaturgias del siglo XXI se vuelven porosas las fronteras entre ficción y realidad, autor y creación, obra y lectores-espectadores, entre el teatro y otras artes. En este artículo consideramos la fisura de los bordes –el pasaje de un género a otro, de un texto a otro, de lo monologal a lo dialogal, y viceversa–, para analizar lo que se sitúa en el entre, ese tercer lugar donde se tensionan distintos territorios. Pensamos el entre desde el teatro de Alejandro Tantanian, teniendo en cuenta sus reflexiones y tres de sus obras, Tyse, Y nada más y Marina: allí, el entre es espacio de creación y paisaje donde se cruzan, atraviesan y transforman literatura y teatro, vida y poesía, puesta en página y puesta en escena, mediante diversos procedimientos de escritura dramatúrgica que aquí analizamos. Facultad de Filosofía y Humanidades. Escuela de Letras 2019-06-30 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Scientific articles Artículos científicos application/pdf https://revistas.unc.edu.ar/index.php/heterotopias/article/view/24797 Heterotopías; Vol. 2 No. 3 (2019): "Escrituras virtuales y subjetivación. Los nuevos escribientes de la Red" Heterotopías; Vol. 2 Núm. 3 (2019): "Escrituras virtuales y subjetivación. Los nuevos escribientes de la Red" 2618-2726 spa https://revistas.unc.edu.ar/index.php/heterotopias/article/view/24797/24061 Derechos de autor 2019 Heterotopías |
| institution |
Universidad Nacional de Córdoba |
| institution_str |
I-10 |
| repository_str |
R-333 |
| container_title_str |
Heterotopías |
| language |
Español |
| format |
Artículo revista |
| topic |
In-between Lanscape Alejandro Tantanian Argentine theater of the XXI century Poetry Entre Paisaje Alejandro Tantanian Teatro argentino del siglo XXI Poesía |
| spellingShingle |
In-between Lanscape Alejandro Tantanian Argentine theater of the XXI century Poetry Entre Paisaje Alejandro Tantanian Teatro argentino del siglo XXI Poesía Fobbio, Laura The in-between and the landscape in the argentine theater of the XXI century: three works of Alejandra Tantanian |
| topic_facet |
In-between Lanscape Alejandro Tantanian Argentine theater of the XXI century Poetry Entre Paisaje Alejandro Tantanian Teatro argentino del siglo XXI Poesía |
| author |
Fobbio, Laura |
| author_facet |
Fobbio, Laura |
| author_sort |
Fobbio, Laura |
| title |
The in-between and the landscape in the argentine theater of the XXI century: three works of Alejandra Tantanian |
| title_short |
The in-between and the landscape in the argentine theater of the XXI century: three works of Alejandra Tantanian |
| title_full |
The in-between and the landscape in the argentine theater of the XXI century: three works of Alejandra Tantanian |
| title_fullStr |
The in-between and the landscape in the argentine theater of the XXI century: three works of Alejandra Tantanian |
| title_full_unstemmed |
The in-between and the landscape in the argentine theater of the XXI century: three works of Alejandra Tantanian |
| title_sort |
in-between and the landscape in the argentine theater of the xxi century: three works of alejandra tantanian |
| description |
In the dramaturgy of the XXI century, the boundaries between fiction and reality, author and creation, work and readeres-spectators, between theater and other arts became porous. In this article we consider the crack edges –the passage from one literary genre to another, a text to another, from monologue to dialogue and vice versa-, to analyze what lies in-between, that third place where put a strain on different territories. We think the in-between from the theater of Alejandro Tantanian, taking into account this thoughts and three of his works, Tyse, Y nada más y Marina: there, the in-between es creative space and landscape where they intersect, cross and transform literature and theater, life and poetry, mise en page and staging, by various methods of dramaturgical writing we analyzed here.
|
| publisher |
Facultad de Filosofía y Humanidades. Escuela de Letras |
| publishDate |
2019 |
| url |
https://revistas.unc.edu.ar/index.php/heterotopias/article/view/24797 |
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