The premise of argument as the quote of its norm. Domains of memory in the last words at the Videla 1 trial

The aim of this article is to describe and understand the judicial scenes of veridiction that, on agonistic semiotic means, dramatize reversing the procedural asymmetries and inscribe special domains of memory about the past of the Argentina's last dictatorship. For such purpose, we analyze the...

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Autor principal: Aniceto, Paulo Damian
Formato: Artículo revista
Lenguaje:Español
Publicado: Facultad de Filosofía y Humanidades. Escuela de Letras 2019
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Acceso en línea:https://revistas.unc.edu.ar/index.php/heterotopias/article/view/24796
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institution Universidad Nacional de Córdoba
institution_str I-10
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container_title_str Heterotopías
language Español
format Artículo revista
topic last words
trials for crime against humanity
strategic tension
Legal Semiotics
últimas palabras
juicios por crímenes de lesa humanidad
tensión estratégica
semiótica jurídica
spellingShingle last words
trials for crime against humanity
strategic tension
Legal Semiotics
últimas palabras
juicios por crímenes de lesa humanidad
tensión estratégica
semiótica jurídica
Aniceto, Paulo Damian
The premise of argument as the quote of its norm. Domains of memory in the last words at the Videla 1 trial
topic_facet last words
trials for crime against humanity
strategic tension
Legal Semiotics
últimas palabras
juicios por crímenes de lesa humanidad
tensión estratégica
semiótica jurídica
author Aniceto, Paulo Damian
author_facet Aniceto, Paulo Damian
author_sort Aniceto, Paulo Damian
title The premise of argument as the quote of its norm. Domains of memory in the last words at the Videla 1 trial
title_short The premise of argument as the quote of its norm. Domains of memory in the last words at the Videla 1 trial
title_full The premise of argument as the quote of its norm. Domains of memory in the last words at the Videla 1 trial
title_fullStr The premise of argument as the quote of its norm. Domains of memory in the last words at the Videla 1 trial
title_full_unstemmed The premise of argument as the quote of its norm. Domains of memory in the last words at the Videla 1 trial
title_sort premise of argument as the quote of its norm. domains of memory in the last words at the videla 1 trial
description The aim of this article is to describe and understand the judicial scenes of veridiction that, on agonistic semiotic means, dramatize reversing the procedural asymmetries and inscribe special domains of memory about the past of the Argentina's last dictatorship. For such purpose, we analyze the strategies of performance of perpetrators of crimes against humanity’s last words in final discussion at Videla I trial in Córdoba, in the year 2010. The reconfiguration of the field of duels where a regime of shadows regulated force relations was characterized by progressive irruption of a new state memory regime, a regime of light (Ferrero, 1999). The relevance of last words comes from its political nature as events. Perpetrators’ discourse, insofar as it appears in this context of dislocation of balances that closed the criminal route, objects the imminent court decision to object the semiotic means of that dislocation. Two theoretical operations lie behind our analysis: put back the event of legal discourse, only in appearance autonomous, into the general domain of social discourse and representation of the period that started with the reopening of the causes in the year 2005 as one of a discursive battle at every judicial rite. In a circular motion of strategic returning, the storytelling of last words emerge as historical quotes from the norm that should, regulating facts as those narrated in accordance with itself.    
publisher Facultad de Filosofía y Humanidades. Escuela de Letras
publishDate 2019
url https://revistas.unc.edu.ar/index.php/heterotopias/article/view/24796
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spelling I10-R333-article-247962020-02-14T19:32:31Z The premise of argument as the quote of its norm. Domains of memory in the last words at the Videla 1 trial La premisa del argumento como la cita de su norma. Los dominios de memoria en las últimas palabras del juicio Videla 1 Aniceto, Paulo Damian last words trials for crime against humanity strategic tension Legal Semiotics últimas palabras juicios por crímenes de lesa humanidad tensión estratégica semiótica jurídica The aim of this article is to describe and understand the judicial scenes of veridiction that, on agonistic semiotic means, dramatize reversing the procedural asymmetries and inscribe special domains of memory about the past of the Argentina's last dictatorship. For such purpose, we analyze the strategies of performance of perpetrators of crimes against humanity’s last words in final discussion at Videla I trial in Córdoba, in the year 2010. The reconfiguration of the field of duels where a regime of shadows regulated force relations was characterized by progressive irruption of a new state memory regime, a regime of light (Ferrero, 1999). The relevance of last words comes from its political nature as events. Perpetrators’ discourse, insofar as it appears in this context of dislocation of balances that closed the criminal route, objects the imminent court decision to object the semiotic means of that dislocation. Two theoretical operations lie behind our analysis: put back the event of legal discourse, only in appearance autonomous, into the general domain of social discourse and representation of the period that started with the reopening of the causes in the year 2005 as one of a discursive battle at every judicial rite. In a circular motion of strategic returning, the storytelling of last words emerge as historical quotes from the norm that should, regulating facts as those narrated in accordance with itself.     En este artículo, nos planteamos el objetivo de comprender y describir las escenas judiciales de veridicción (Foucault, 2014) que, en medios semióticos agonísticos, dramatizan la inversión de las asimetrías procesales e inscriben singulares dominios de memoria sobre el pasado dictatorial. Para esto, analizamos las estrategias que los performances de las últimas palabras de perpetradores de crímenes de lesa humanidad despliegan en la discusión final del juicio conocido como Videla I, realizado en Córdoba en 2010. La reconfiguración del campo de justas, donde las relaciones de fuerza eran reguladas por un régimen de sombras se caracterizó por la irrupción progresiva de un nuevo régimen de memoria estatal o régimen de luz (Ferrero, 1999). El interés de las últimas palabras proviene de la naturaleza política de su acontecimiento. El discurso de los perpetradores, en tanto que emerge en este contexto de dislocación de los equilibrios que clausuraban la vía penal, objeta la sentencia inminente para objetar el medio semiótico de esa dislocación. Dos operaciones teóricas subyacen a nuestro análisis: la devolución del acontecimiento del discurso jurídico, completamente autónomo en apariencia, al dominio de la discursividad social y la representación del período iniciado con la reapertura de las causas en 2005 como el de una justa discursiva librada en cada rito judicial. En un movimiento circular de retorno estratégico, los relatos de las últimas palabras emergen como citas históricas de la norma que debería, de conformidad con sí misma, regular hechos como los relatados.     Facultad de Filosofía y Humanidades. Escuela de Letras 2019-06-30 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Scientific articles Artículos científicos application/pdf https://revistas.unc.edu.ar/index.php/heterotopias/article/view/24796 Heterotopías; Vol. 2 No. 3 (2019): "Escrituras virtuales y subjetivación. Los nuevos escribientes de la Red" Heterotopías; Vol. 2 Núm. 3 (2019): "Escrituras virtuales y subjetivación. Los nuevos escribientes de la Red" 2618-2726 spa https://revistas.unc.edu.ar/index.php/heterotopias/article/view/24796/24059 Derechos de autor 2019 Heterotopías