Light marks, traces of the instant: registration, rewriting and legibility of digital audiovisual records
This work deals with what we still generically call digital "photography", that is, the proliferation of meticulous daily records, countless electronic traces –visual and audiovisual– that articulate new practices, rituals and routines, as archival traces of the present, problematic tempor...
Guardado en:
| Autor principal: | |
|---|---|
| Formato: | Artículo revista |
| Lenguaje: | Español |
| Publicado: |
Facultad de Filosofía y Humanidades. Escuela de Letras
2019
|
| Materias: | |
| Acceso en línea: | https://revistas.unc.edu.ar/index.php/heterotopias/article/view/24759 |
| Aporte de: |
| Sumario: | This work deals with what we still generically call digital "photography", that is, the proliferation of meticulous daily records, countless electronic traces –visual and audiovisual– that articulate new practices, rituals and routines, as archival traces of the present, problematic temporal zone, diffuse and in permanent displacement. Images-information whose flow shapes new memory economies and signifies the production of contemporary subjectivities.
When questioning the destinies of the daily audio-visual records, based on their inscriptionality in digital new media, we try to situate the problem of the archive and the memory-forgetting tensions in the context of the current sociotechnical conditions, since we consider, it is not only at stake the availability and readability of these traces, but the horizon of negotiation and dispute over the control of filing processes.
|
|---|