Light marks, traces of the instant: registration, rewriting and legibility of digital audiovisual records
This work deals with what we still generically call digital "photography", that is, the proliferation of meticulous daily records, countless electronic traces –visual and audiovisual– that articulate new practices, rituals and routines, as archival traces of the present, problematic tempor...
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| Formato: | Artículo revista |
| Lenguaje: | Español |
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Facultad de Filosofía y Humanidades. Escuela de Letras
2019
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| Acceso en línea: | https://revistas.unc.edu.ar/index.php/heterotopias/article/view/24759 |
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I10-R333-article-247592020-02-14T18:27:49Z Light marks, traces of the instant: registration, rewriting and legibility of digital audiovisual records Huellas de luz, rastros del instante: inscripción, reescritura y legibilidad de los registros audiovisuales digitales Sánchez, Isaura Digital photography archive memory forgetting fotografía digital archivo memoria olvido This work deals with what we still generically call digital "photography", that is, the proliferation of meticulous daily records, countless electronic traces –visual and audiovisual– that articulate new practices, rituals and routines, as archival traces of the present, problematic temporal zone, diffuse and in permanent displacement. Images-information whose flow shapes new memory economies and signifies the production of contemporary subjectivities. When questioning the destinies of the daily audio-visual records, based on their inscriptionality in digital new media, we try to situate the problem of the archive and the memory-forgetting tensions in the context of the current sociotechnical conditions, since we consider, it is not only at stake the availability and readability of these traces, but the horizon of negotiation and dispute over the control of filing processes. Este trabajo se ocupa de aquello que aún llamamos de forma genérica “fotografía” digital, es decir, la proliferación de minuciosos registros cotidianos, incontables rastros electrónicos –visuales y audiovisuales– que articulan nuevas prácticas, ritualidades y rutinas, en cuanto huellas archivables del presente, zona temporal problemática, difusa y en permanente desplazamiento. Imágenes-información cuyo flujo configura nuevas economías de la memoria y signa la producción de subjetividades contemporáneas. Al interrogar los itinerarios y destinos de los registros audiovisuales cotidianos, en función de su inscripcionalidad en nuevos soportes digitales, intentamos situar el problema del archivo y las tensiones memoria-olvido en el contexto sociotécnico actual, puesto que consideramos no solo está en juego la disponibilidad y legibilidad de dichas huellas, sino el horizonte de negociación y disputa por el control de los procesos de archivación. Facultad de Filosofía y Humanidades. Escuela de Letras 2019-06-30 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://revistas.unc.edu.ar/index.php/heterotopias/article/view/24759 Heterotopías; Vol. 2 No. 3 (2019): "Escrituras virtuales y subjetivación. Los nuevos escribientes de la Red" Heterotopías; Vol. 2 Núm. 3 (2019): "Escrituras virtuales y subjetivación. Los nuevos escribientes de la Red" 2618-2726 spa https://revistas.unc.edu.ar/index.php/heterotopias/article/view/24759/24076 Derechos de autor 2019 Heterotopías |
| institution |
Universidad Nacional de Córdoba |
| institution_str |
I-10 |
| repository_str |
R-333 |
| container_title_str |
Heterotopías |
| language |
Español |
| format |
Artículo revista |
| topic |
Digital photography archive memory forgetting fotografía digital archivo memoria olvido |
| spellingShingle |
Digital photography archive memory forgetting fotografía digital archivo memoria olvido Sánchez, Isaura Light marks, traces of the instant: registration, rewriting and legibility of digital audiovisual records |
| topic_facet |
Digital photography archive memory forgetting fotografía digital archivo memoria olvido |
| author |
Sánchez, Isaura |
| author_facet |
Sánchez, Isaura |
| author_sort |
Sánchez, Isaura |
| title |
Light marks, traces of the instant: registration, rewriting and legibility of digital audiovisual records |
| title_short |
Light marks, traces of the instant: registration, rewriting and legibility of digital audiovisual records |
| title_full |
Light marks, traces of the instant: registration, rewriting and legibility of digital audiovisual records |
| title_fullStr |
Light marks, traces of the instant: registration, rewriting and legibility of digital audiovisual records |
| title_full_unstemmed |
Light marks, traces of the instant: registration, rewriting and legibility of digital audiovisual records |
| title_sort |
light marks, traces of the instant: registration, rewriting and legibility of digital audiovisual records |
| description |
This work deals with what we still generically call digital "photography", that is, the proliferation of meticulous daily records, countless electronic traces –visual and audiovisual– that articulate new practices, rituals and routines, as archival traces of the present, problematic temporal zone, diffuse and in permanent displacement. Images-information whose flow shapes new memory economies and signifies the production of contemporary subjectivities.
When questioning the destinies of the daily audio-visual records, based on their inscriptionality in digital new media, we try to situate the problem of the archive and the memory-forgetting tensions in the context of the current sociotechnical conditions, since we consider, it is not only at stake the availability and readability of these traces, but the horizon of negotiation and dispute over the control of filing processes.
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| publisher |
Facultad de Filosofía y Humanidades. Escuela de Letras |
| publishDate |
2019 |
| url |
https://revistas.unc.edu.ar/index.php/heterotopias/article/view/24759 |
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| first_indexed |
2024-09-03T21:09:13Z |
| last_indexed |
2024-09-03T21:09:13Z |
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