A file to include the images in the story
The audiovisual records that are part of the Audiovisual Archives of Crimes Against Humanity are the visible document of the legal cases processed by the federal courts acting upon Santa Fe's territory. The vision shared in these images becomes a political and cultural movement that is official...
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| Formato: | Artículo revista |
| Lenguaje: | Español |
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Facultad de Filosofía y Humanidades. Escuela de Letras
2018
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| Acceso en línea: | https://revistas.unc.edu.ar/index.php/heterotopias/article/view/22812 |
| Aporte de: |
| Sumario: | The audiovisual records that are part of the Audiovisual Archives of Crimes Against Humanity are the visible document of the legal cases processed by the federal courts acting upon Santa Fe's territory. The vision shared in these images becomes a political and cultural movement that is officially established with the opening of these archives to the community. An inauguration that, from the moment of its creation, lays out new questions regarding the political and theoretical tensions that are generated between the recording of the testimony originally stated in the judicial headquarters and their inclusion in the archives material. Even though that their material conservation, the accessibility it offers regarding queries and actions focused on its transmission constitute different functions, but nonetheless complementary in their goal, the almost simultaneity in the recording of the trails and its transformation in a memory device would seem to expose a misalignment regarding the conventional timing an archive creation requires. In that temporal misalignment, caused by a present that is characterized for recording and archiving facts simultaneously, those images are here to propose us a new way of relating to history. We will not only be looking at a past preserved in the archives, distant in time from our present, but we will have created a device that will favor the emergence of a new relationship between historic moments. |
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