Spatiality of time: from document’s declassification to counter-archive
Following scholars such as Hal Foster o Anna Maria Guasch we could recognize an archival turn that proposes new challenges to art history in general, but more precisely to the relationship between art and the couple history/memory, and the link that visual culture establishes with this paradigm sett...
Guardado en:
| Autor principal: | |
|---|---|
| Formato: | Artículo revista |
| Lenguaje: | Español |
| Publicado: |
Facultad de Filosofía y Humanidades. Escuela de Letras
2018
|
| Materias: | |
| Acceso en línea: | https://revistas.unc.edu.ar/index.php/heterotopias/article/view/22646 |
| Aporte de: |
| id |
I10-R333-article-22646 |
|---|---|
| record_format |
ojs |
| spelling |
I10-R333-article-226462019-12-27T16:18:44Z Spatiality of time: from document’s declassification to counter-archive En nuestra pequeña región de por acá: de la desclasificación del documento al contra-archivo en la obra de Voluspa Jarpa Taccetta, Natalia Archive Voluspa Jarpa archival turn Walter Benjamin counter-archive. archivo – Voluspa Jarpa archival turn Walter Benjamin contra-archivo Following scholars such as Hal Foster o Anna Maria Guasch we could recognize an archival turn that proposes new challenges to art history in general, but more precisely to the relationship between art and the couple history/memory, and the link that visual culture establishes with this paradigm settled for two decades as a generative mark of much of the artistic production. Actualizing Walter Benjamin’s and Aby Warburg’s concerns these pages try to think about the archive paradigm in relation to the exhibition En nuestra pequeña region de por acá (MALBA, 2016) of the Chilean artist Voluspa Jarpa who extremes the productivity of a notion that is not only the support of her work but the very essence of her positioning about memory, history and the ways of giving account of them. The exhibition draws from the CIA unclassified archives in fourteen Latin-American countries in order to think the relationships between politics, history and image. Archival logic requires its own way of reading, the deconstruction of the montage away from the legal-administrative logic and its own exploration of the aesthetic-politic potentialities as counter-archive. Según autores como Hal Foster o Anna Maria Guasch se asiste actualmente a un giro al archivo (archival turn) que propone nuevos desafíos a la historia del arte en general, pero, más específicamente, a la relación entre el arte y la dupla historia/memoria, y al vínculo que la cultura visual establece con este paradigma instalado hace dos décadas como marca generativa de gran parte de la producción artística. Actualizando inquietudes de Walter Benjamin o Aby Warburg, el artículo intenta pensar al paradigma del archivo en relación con la muestra En nuestra pequeña región de por acá (MALBA, 2016) de la artista chilena Voluspa Jarpa quien extrema la productividad de una noción que no es solo el soporte de su obra, sino la esencia misma de un posicionamiento en relación con la memoria, la historia y los modos de dar cuenta de ella. La exhibición trabaja a partir de los archivos desclasificados de la CIA en catorce países latinoamericanos a fin de repensar las relaciones entre política, historia e imagen. La lógica del archivo exige un modo de lectura propio, la deconstrucción de un montaje alejado de la lógica legal-administrativa y la exploración de sus potencialidades estético-políticas como contra-archivo. Facultad de Filosofía y Humanidades. Escuela de Letras 2018-12-20 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://revistas.unc.edu.ar/index.php/heterotopias/article/view/22646 Heterotopías; Vol. 1 No. 2 (2018): El archivo en la cultura contemporánea: políticas de la inscripción Heterotopías; Vol. 1 Núm. 2 (2018): El archivo en la cultura contemporánea: políticas de la inscripción 2618-2726 spa https://revistas.unc.edu.ar/index.php/heterotopias/article/view/22646/22400 Derechos de autor 2018 Heterotopías |
| institution |
Universidad Nacional de Córdoba |
| institution_str |
I-10 |
| repository_str |
R-333 |
| container_title_str |
Heterotopías |
| language |
Español |
| format |
Artículo revista |
| topic |
Archive Voluspa Jarpa archival turn Walter Benjamin counter-archive. archivo – Voluspa Jarpa archival turn Walter Benjamin contra-archivo |
| spellingShingle |
Archive Voluspa Jarpa archival turn Walter Benjamin counter-archive. archivo – Voluspa Jarpa archival turn Walter Benjamin contra-archivo Taccetta, Natalia Spatiality of time: from document’s declassification to counter-archive |
| topic_facet |
Archive Voluspa Jarpa archival turn Walter Benjamin counter-archive. archivo – Voluspa Jarpa archival turn Walter Benjamin contra-archivo |
| author |
Taccetta, Natalia |
| author_facet |
Taccetta, Natalia |
| author_sort |
Taccetta, Natalia |
| title |
Spatiality of time: from document’s declassification to counter-archive |
| title_short |
Spatiality of time: from document’s declassification to counter-archive |
| title_full |
Spatiality of time: from document’s declassification to counter-archive |
| title_fullStr |
Spatiality of time: from document’s declassification to counter-archive |
| title_full_unstemmed |
Spatiality of time: from document’s declassification to counter-archive |
| title_sort |
spatiality of time: from document’s declassification to counter-archive |
| description |
Following scholars such as Hal Foster o Anna Maria Guasch we could recognize an archival turn that proposes new challenges to art history in general, but more precisely to the relationship between art and the couple history/memory, and the link that visual culture establishes with this paradigm settled for two decades as a generative mark of much of the artistic production. Actualizing Walter Benjamin’s and Aby Warburg’s concerns these pages try to think about the archive paradigm in relation to the exhibition En nuestra pequeña region de por acá (MALBA, 2016) of the Chilean artist Voluspa Jarpa who extremes the productivity of a notion that is not only the support of her work but the very essence of her positioning about memory, history and the ways of giving account of them. The exhibition draws from the CIA unclassified archives in fourteen Latin-American countries in order to think the relationships between politics, history and image. Archival logic requires its own way of reading, the deconstruction of the montage away from the legal-administrative logic and its own exploration of the aesthetic-politic potentialities as counter-archive. |
| publisher |
Facultad de Filosofía y Humanidades. Escuela de Letras |
| publishDate |
2018 |
| url |
https://revistas.unc.edu.ar/index.php/heterotopias/article/view/22646 |
| work_keys_str_mv |
AT taccettanatalia spatialityoftimefromdocumentsdeclassificationtocounterarchive AT taccettanatalia ennuestrapequenaregiondeporacadeladesclasificaciondeldocumentoalcontraarchivoenlaobradevoluspajarpa |
| first_indexed |
2024-09-03T21:09:09Z |
| last_indexed |
2024-09-03T21:09:09Z |
| _version_ |
1809210670498971648 |