Freud and “cinematic intuition”: psychoanalysis, cinema and epistemology
On the basis of a brief historiographic analysis, this article examines the network of relations between psychoanalysis and cinema by using a new method of inquiry that crosses these “twin” spheres from an epistemological perspective. The approach consists of questioning the way in which psychoanaly...
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| Formato: | Artículo revista |
| Lenguaje: | Español |
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Centro de Investigaciones y Estudios sobre Cultura y Sociedad
2024
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| Acceso en línea: | https://revistas.unc.edu.ar/index.php/eticaycine/article/view/45756 |
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I10-R324-article-457562024-07-29T18:37:13Z Freud and “cinematic intuition”: psychoanalysis, cinema and epistemology Freud y la “intuición cinematográfica”: psicoanálisis, cine y epistemología Berton, Mireille Psychoanalysis Cinema Psicoanálisis Cine On the basis of a brief historiographic analysis, this article examines the network of relations between psychoanalysis and cinema by using a new method of inquiry that crosses these “twin” spheres from an epistemological perspective. The approach consists of questioning the way in which psychoanalytic theory is put into play in response to the cinematographic apparatus. This means examining the syntagm “psychoanalysis and cinema” on the larger field of the study of the episteme in which it is inscribed: an episteme which implicitly makes cinema function within the psychoanalytic field just as it liberates it from its “auxiliary” status. Este artículo propone, a partir de una breve evaluación historiográfica, considerar las redes de relaciones entre psicoanálisis y cine según una nueva modalidad que atravesaría estas dos esferas “gemelas” en una perspectiva epistemológica. El planteamiento de la autora consiste en cuestionar la manera en que la teoría psicoanalítica pone en juego algo que se relaciona con el dispositivo cinematográfico. Se trata entonces de involucrar el sintagma “psicoanálisis y cine” en el campo de un estudio más amplio de la episteme de la que forma parte y que implícitamente hace funcionar al cine dentro del propio campo psicoanalítico, al tiempo que lo emancipa, lo libera de su “estado auxiliar”. Centro de Investigaciones y Estudios sobre Cultura y Sociedad 2024-07-24 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://revistas.unc.edu.ar/index.php/eticaycine/article/view/45756 10.31056/2250.5415.v14.n2.45756 Ética y Cine Journal; Vol. 14 Núm. 2 (2024): Puesta en abismo; 35-44 2250-5415 2250-5660 10.31056/2250.5415.v14.n2 spa https://revistas.unc.edu.ar/index.php/eticaycine/article/view/45756/45887 Derechos de autor 2024 Ética y Cine Journal https://creativecommons.org/licenses/by-sa/4.0/ |
| institution |
Universidad Nacional de Córdoba |
| institution_str |
I-10 |
| repository_str |
R-324 |
| container_title_str |
Ética y Cine Journal |
| language |
Español |
| format |
Artículo revista |
| topic |
Psychoanalysis Cinema Psicoanálisis Cine |
| spellingShingle |
Psychoanalysis Cinema Psicoanálisis Cine Berton, Mireille Freud and “cinematic intuition”: psychoanalysis, cinema and epistemology |
| topic_facet |
Psychoanalysis Cinema Psicoanálisis Cine |
| author |
Berton, Mireille |
| author_facet |
Berton, Mireille |
| author_sort |
Berton, Mireille |
| title |
Freud and “cinematic intuition”: psychoanalysis, cinema and epistemology |
| title_short |
Freud and “cinematic intuition”: psychoanalysis, cinema and epistemology |
| title_full |
Freud and “cinematic intuition”: psychoanalysis, cinema and epistemology |
| title_fullStr |
Freud and “cinematic intuition”: psychoanalysis, cinema and epistemology |
| title_full_unstemmed |
Freud and “cinematic intuition”: psychoanalysis, cinema and epistemology |
| title_sort |
freud and “cinematic intuition”: psychoanalysis, cinema and epistemology |
| description |
On the basis of a brief historiographic analysis, this article examines the network of relations between psychoanalysis and cinema by using a new method of inquiry that crosses these “twin” spheres from an epistemological perspective. The approach consists of questioning the way in which psychoanalytic theory is put into play in response to the cinematographic apparatus. This means examining the syntagm “psychoanalysis and cinema” on the larger field of the study of the episteme in which it is inscribed: an episteme which implicitly makes cinema function within the psychoanalytic field just as it liberates it from its “auxiliary” status. |
| publisher |
Centro de Investigaciones y Estudios sobre Cultura y Sociedad |
| publishDate |
2024 |
| url |
https://revistas.unc.edu.ar/index.php/eticaycine/article/view/45756 |
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AT bertonmireille freudandcinematicintuitionpsychoanalysiscinemaandepistemology AT bertonmireille freudylaintuicioncinematograficapsicoanalisiscineyepistemologia |
| first_indexed |
2024-09-03T20:51:38Z |
| last_indexed |
2025-02-05T22:04:46Z |
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1831708958880956416 |