The Femme Fatale Function in Film Noir and Poetic Realism

In the present study we will carry out an investigation into the function of the femme fatale and femicide in Fritz Lang’s filmography, through a reading of the ethical, moral and religious aspects and his own conception as an author. To do this, we will make a comparison with a classic feature f il...

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Autor principal: Dardón, Juan M.
Formato: Artículo revista
Lenguaje:Español
Publicado: Centro de Investigaciones y Estudios sobre Cultura y Sociedad 2024
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Acceso en línea:https://revistas.unc.edu.ar/index.php/eticaycine/article/view/45755
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spelling I10-R324-article-457552024-07-29T18:37:13Z The Femme Fatale Function in Film Noir and Poetic Realism La función femme fatale en el filme noir y el realismo poético Dardón, Juan M. Femme fatale Filme noir Patriarchal violence Reification Desire Femme fatale Cine negro Violencia patriarcal Cosificación Deseo In the present study we will carry out an investigation into the function of the femme fatale and femicide in Fritz Lang’s filmography, through a reading of the ethical, moral and religious aspects and his own conception as an author. To do this, we will make a comparison with a classic feature f ilm by Jean Renoir that Lang later remade, analyzing the issue of the objectification of the female body and the bourgeois frustration at not achieving the commodification of their desire. In this comparison we will see how tragedy and parody are modalities of adaptation and naturalization of patriarchal violence. En el presente estudio realizaremos una indagación sobre la función de la femme fatale y el femicidio en la filmografía de Fritz Lang, a través de una lectura de los aspectos éticos, morales y religiosos y de su propia concepción como autor. Para esto llevaremos a cabo una comparación con un largometraje clásico de Jean Renoir que posteriormente reversionó Lang, analizando la cuestión de la cosificación del cuerpo femenino y la frustración burguesa por no alcanzar la mercantilización de su deseo. En esta comparación veremos el modo en que la tragedia y la parodia son modalidades de adecuación y naturalización de la violencia patriarcal. Centro de Investigaciones y Estudios sobre Cultura y Sociedad 2024-07-24 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://revistas.unc.edu.ar/index.php/eticaycine/article/view/45755 10.31056/2250.5415.v14.n2.45755 Ética y Cine Journal; Vol. 14 Núm. 2 (2024): Puesta en abismo; 27-33 2250-5415 2250-5660 10.31056/2250.5415.v14.n2 spa https://revistas.unc.edu.ar/index.php/eticaycine/article/view/45755/45886 Derechos de autor 2024 Ética y Cine Journal https://creativecommons.org/licenses/by-sa/4.0/
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-324
container_title_str Ética y Cine Journal
language Español
format Artículo revista
topic Femme fatale
Filme noir
Patriarchal violence
Reification
Desire
Femme fatale
Cine negro
Violencia patriarcal
Cosificación
Deseo
spellingShingle Femme fatale
Filme noir
Patriarchal violence
Reification
Desire
Femme fatale
Cine negro
Violencia patriarcal
Cosificación
Deseo
Dardón, Juan M.
The Femme Fatale Function in Film Noir and Poetic Realism
topic_facet Femme fatale
Filme noir
Patriarchal violence
Reification
Desire
Femme fatale
Cine negro
Violencia patriarcal
Cosificación
Deseo
author Dardón, Juan M.
author_facet Dardón, Juan M.
author_sort Dardón, Juan M.
title The Femme Fatale Function in Film Noir and Poetic Realism
title_short The Femme Fatale Function in Film Noir and Poetic Realism
title_full The Femme Fatale Function in Film Noir and Poetic Realism
title_fullStr The Femme Fatale Function in Film Noir and Poetic Realism
title_full_unstemmed The Femme Fatale Function in Film Noir and Poetic Realism
title_sort femme fatale function in film noir and poetic realism
description In the present study we will carry out an investigation into the function of the femme fatale and femicide in Fritz Lang’s filmography, through a reading of the ethical, moral and religious aspects and his own conception as an author. To do this, we will make a comparison with a classic feature f ilm by Jean Renoir that Lang later remade, analyzing the issue of the objectification of the female body and the bourgeois frustration at not achieving the commodification of their desire. In this comparison we will see how tragedy and parody are modalities of adaptation and naturalization of patriarchal violence.
publisher Centro de Investigaciones y Estudios sobre Cultura y Sociedad
publishDate 2024
url https://revistas.unc.edu.ar/index.php/eticaycine/article/view/45755
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first_indexed 2024-09-03T20:51:38Z
last_indexed 2025-02-05T22:04:46Z
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