The Lost Daughter or what cinema can teach us of the ominous infantile and the rejection of the feminine in speaking beings

This work is based on the fiction of "The Lost Daughter", an original novel written by Elena Ferrante and adapted for film by director Maggy Gyleenhall. From the interpretations that this film presents, a development is made around the concept of the ominous raised by Freud and taken up by...

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Detalles Bibliográficos
Autor principal: Szrank, Luciana
Formato: Artículo revista
Lenguaje:Español
Publicado: Centro de Investigaciones y Estudios sobre Cultura y Sociedad 2023
Materias:
Ominous
Feminine
Speaking bodies
Departures
Enjoyment
Desire
Lo ominoso
Lo femenino
Cuerpos hablantes
Salidas
Goce
Deseo
Acceso en línea:https://revistas.unc.edu.ar/index.php/eticaycine/article/view/43864
Aporte de:
Ética y Cine Journal de Universidad Nacional de Córdoba
id I10-R324-article-43864
record_format ojs
spelling I10-R324-article-438642023-12-21T19:01:16Z The Lost Daughter or what cinema can teach us of the ominous infantile and the rejection of the feminine in speaking beings La Hija Oscura o lo que el cine puede enseñarnos de lo ominoso infantil y del rechazo a lo femenino en los seres hablantes Szrank, Luciana Ominous Feminine Speaking bodies Departures Enjoyment Desire Lo ominoso Lo femenino Cuerpos hablantes Salidas Goce Deseo This work is based on the fiction of "The Lost Daughter", an original novel written by Elena Ferrante and adapted for film by director Maggy Gyleenhall. From the interpretations that this film presents, a development is made around the concept of the ominous raised by Freud and taken up by Lacan in his teaching, specified in his Seminar on anxiety. Furthermore, this essay works in relation to the generalized rejection that occurs in speaking beings regarding the feminine, beyond gender. And about the discursive burdens that speaking bodies go through as well as the different positions/outputs with which they deal with desire, enjoyment and the impossible to say. Likewise, we work on the complexity inherent to motherhood, mother-daughter relationships and the uniqueness of parents. El presente trabajo toma base para su elaboración en la ficción de "La hija oscura", novela original escrita por Elena Ferrante y adaptada cinematográficamente por la directora Maggy Gyleenhall. A partir de las interpretaciones que esta película presenta se realiza un desarrollo en torno al concepto de lo ominoso planteado por Freud y retomado por Lacan en su enseñanza, puntualizado en su Seminario sobre la angustia. Además, este ensayo trabaja en relación al rechazo generalizado que se da en los seres hablantes respecto a lo femenino, más allá del género. Y sobre las cargas discursivas que atraviesan los cuerpos hablantes así como las distintas posiciones/salidas con que estos se las arreglan con el deseo, con el goce y con lo imposible de decir. Así también, se trabaja sobre la complejidad inherente a la maternidad, a las relaciones madre-hija y a la singularidad de los parletres. Centro de Investigaciones y Estudios sobre Cultura y Sociedad 2023-12-21 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://revistas.unc.edu.ar/index.php/eticaycine/article/view/43864 10.31056/2250.5415.v13.n3.43864 Ética y Cine Journal; Vol. 13 Núm. 3 (2023): Lo ominoso infantil; 37-43 2250-5415 2250-5660 10.31056/2250.5415.v13.n3 spa https://revistas.unc.edu.ar/index.php/eticaycine/article/view/43864/44053 Derechos de autor 2023 Ética y Cine Journal https://creativecommons.org/licenses/by-sa/4.0/
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-324
container_title_str Ética y Cine Journal
language Español
format Artículo revista
topic Ominous
Feminine
Speaking bodies
Departures
Enjoyment
Desire
Lo ominoso
Lo femenino
Cuerpos hablantes
Salidas
Goce
Deseo
spellingShingle Ominous
Feminine
Speaking bodies
Departures
Enjoyment
Desire
Lo ominoso
Lo femenino
Cuerpos hablantes
Salidas
Goce
Deseo
Szrank, Luciana
The Lost Daughter or what cinema can teach us of the ominous infantile and the rejection of the feminine in speaking beings
topic_facet Ominous
Feminine
Speaking bodies
Departures
Enjoyment
Desire
Lo ominoso
Lo femenino
Cuerpos hablantes
Salidas
Goce
Deseo
author Szrank, Luciana
author_facet Szrank, Luciana
author_sort Szrank, Luciana
title The Lost Daughter or what cinema can teach us of the ominous infantile and the rejection of the feminine in speaking beings
title_short The Lost Daughter or what cinema can teach us of the ominous infantile and the rejection of the feminine in speaking beings
title_full The Lost Daughter or what cinema can teach us of the ominous infantile and the rejection of the feminine in speaking beings
title_fullStr The Lost Daughter or what cinema can teach us of the ominous infantile and the rejection of the feminine in speaking beings
title_full_unstemmed The Lost Daughter or what cinema can teach us of the ominous infantile and the rejection of the feminine in speaking beings
title_sort lost daughter or what cinema can teach us of the ominous infantile and the rejection of the feminine in speaking beings
description This work is based on the fiction of "The Lost Daughter", an original novel written by Elena Ferrante and adapted for film by director Maggy Gyleenhall. From the interpretations that this film presents, a development is made around the concept of the ominous raised by Freud and taken up by Lacan in his teaching, specified in his Seminar on anxiety. Furthermore, this essay works in relation to the generalized rejection that occurs in speaking beings regarding the feminine, beyond gender. And about the discursive burdens that speaking bodies go through as well as the different positions/outputs with which they deal with desire, enjoyment and the impossible to say. Likewise, we work on the complexity inherent to motherhood, mother-daughter relationships and the uniqueness of parents.
publisher Centro de Investigaciones y Estudios sobre Cultura y Sociedad
publishDate 2023
url https://revistas.unc.edu.ar/index.php/eticaycine/article/view/43864
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AT szrankluciana lostdaughterorwhatcinemacanteachusoftheominousinfantileandtherejectionofthefeminineinspeakingbeings
first_indexed 2024-09-03T20:51:32Z
last_indexed 2024-09-03T20:51:32Z
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