The ominous is the family
From the Sharp Objects series, we will be redirected to think about the concept of the ominous. Here we will take two lines, the first leads us to connect this concept with the so-called child factor thanks to the philological perspective that brings it back to the term "familiar". However...
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| Formato: | Artículo revista |
| Lenguaje: | Español |
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Centro de Investigaciones y Estudios sobre Cultura y Sociedad
2023
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| Acceso en línea: | https://revistas.unc.edu.ar/index.php/eticaycine/article/view/43863 |
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I10-R324-article-43863 |
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I10-R324-article-438632023-12-21T19:01:16Z The ominous is the family Lo ominoso es la familia Rosental, Andrés Sharp Objects Ominous Child factor Trauma Sharp objects Ominoso Factor infantil Trauma From the Sharp Objects series, we will be redirected to think about the concept of the ominous. Here we will take two lines, the first leads us to connect this concept with the so-called child factor thanks to the philological perspective that brings it back to the term "familiar". However, with the contribution of the series, what appears as an adjective will become a noun in order to be able to maintain that the ominous is the family. The second line leads us to think the ominous under the particular forms of return. At this point we will deal with the particularities and modalities of the return of the oral object. The series also allows us to point out that the child factor becomes linked to the concept of trauma, which we will take here in the form of a time and a repetition characterised by a never-ending non-occurrence. Finally, with the material produced, a reading of trauma is proposed as that which allowed the protagonist to escape a fatal fate. A partir de la serie Sharp Objects nos reconduciremos a pensar el concepto de lo ominoso. Aquí tomaremos dos líneas, la primera nos lleva a conectar este concepto con el denominado factor infantil gracias a la perspectiva filológica que lo reconduce al término “familiar”. Sin embargo, con el aporte de la serie lo que aparece como adjetivo se volverá un sustantivo para poder sostener que lo ominoso es la familia. La segunda línea nos lleva a pensar lo ominoso bajo las formas particulares del retorno. En este punto se tratará de las particularidades y modalidades del retorno del objeto oral. La serie además permite puntuar que el factor infantil condesciende a enlazarse al concepto de trauma, que aquí lo tomaremos bajo la forma de un tiempo y una repetición caracterizada por un no cesar de no suceder. Por último, se propone con el material producido una lectura del trauma como aquello que le permitió a la protagonista escurrirse de un fatal destino. Centro de Investigaciones y Estudios sobre Cultura y Sociedad 2023-12-21 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://revistas.unc.edu.ar/index.php/eticaycine/article/view/43863 10.31056/2250.5415.v13.n3.43863 Ética y Cine Journal; Vol. 13 Núm. 3 (2023): Lo ominoso infantil; 31-35 2250-5415 2250-5660 10.31056/2250.5415.v13.n3 spa https://revistas.unc.edu.ar/index.php/eticaycine/article/view/43863/44052 Derechos de autor 2023 Ética y Cine Journal https://creativecommons.org/licenses/by-sa/4.0/ |
| institution |
Universidad Nacional de Córdoba |
| institution_str |
I-10 |
| repository_str |
R-324 |
| container_title_str |
Ética y Cine Journal |
| language |
Español |
| format |
Artículo revista |
| topic |
Sharp Objects Ominous Child factor Trauma Sharp objects Ominoso Factor infantil Trauma |
| spellingShingle |
Sharp Objects Ominous Child factor Trauma Sharp objects Ominoso Factor infantil Trauma Rosental, Andrés The ominous is the family |
| topic_facet |
Sharp Objects Ominous Child factor Trauma Sharp objects Ominoso Factor infantil Trauma |
| author |
Rosental, Andrés |
| author_facet |
Rosental, Andrés |
| author_sort |
Rosental, Andrés |
| title |
The ominous is the family |
| title_short |
The ominous is the family |
| title_full |
The ominous is the family |
| title_fullStr |
The ominous is the family |
| title_full_unstemmed |
The ominous is the family |
| title_sort |
ominous is the family |
| description |
From the Sharp Objects series, we will be redirected to think about the concept of the ominous. Here we will take two lines, the first leads us to connect this concept with the so-called child factor thanks to the philological perspective that brings it back to the term "familiar". However, with the contribution of the series, what appears as an adjective will become a noun in order to be able to maintain that the ominous is the family. The second line leads us to think the ominous under the particular forms of return. At this point we will deal with the particularities and modalities of the return of the oral object. The series also allows us to point out that the child factor becomes linked to the concept of trauma, which we will take here in the form of a time and a repetition characterised by a never-ending non-occurrence. Finally, with the material produced, a reading of trauma is proposed as that which allowed the protagonist to escape a fatal fate. |
| publisher |
Centro de Investigaciones y Estudios sobre Cultura y Sociedad |
| publishDate |
2023 |
| url |
https://revistas.unc.edu.ar/index.php/eticaycine/article/view/43863 |
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AT rosentalandres theominousisthefamily AT rosentalandres loominosoeslafamilia AT rosentalandres ominousisthefamily |
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2024-09-03T20:51:32Z |
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2024-09-03T20:51:32Z |
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