What burns in Candelaria is life
The definition of the feminine as jouissance constitutes the starting point of the article. Logic and consequence of such definition unfold, also the resonances with some authors of difference feminism. The film Candelaria, a latin american co-production and directed by Jhonny Hendrix Hinestroza, is...
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| Formato: | Artículo revista |
| Lenguaje: | Español |
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Centro de Investigaciones y Estudios sobre Cultura y Sociedad
2021
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| Acceso en línea: | https://revistas.unc.edu.ar/index.php/eticaycine/article/view/35928 |
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I10-R324-article-35928 |
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I10-R324-article-359282021-12-07T23:27:02Z What burns in Candelaria is life Lo que arde en Candelaria es la vida Virgilí Pino, Dalia feminine jouissance Other feminism look goce femenino Otro feminismo mirada The definition of the feminine as jouissance constitutes the starting point of the article. Logic and consequence of such definition unfold, also the resonances with some authors of difference feminism. The film Candelaria, a latin american co-production and directed by Jhonny Hendrix Hinestroza, is taken as a reference to account for the difficulties of capturing the feminine jouissance, either through the gaze or any instinctual aspect as well as through language. La definición de lo femenino como goce constituye el punto de partida del artículo. Se despliegan lógica y consecuencia de tal definición, así como las resonancias con algunas autoras del feminismo de la diferencia. Se toma como referencia la película Candelaria, de coproducción latinoamericana y dirigida por Jhonny Hendrix Hinestroza, para dar cuenta de las dificultades de captación del Goce Otro ya sea por la mirada o cualquier vertiente pulsional, así como por el lenguaje. Centro de Investigaciones y Estudios sobre Cultura y Sociedad 2021-12-07 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://revistas.unc.edu.ar/index.php/eticaycine/article/view/35928 10.31056/2250.5415.v11.n3.35928 Ética y Cine Journal; Vol. 11 Núm. 3 (2021): Lo femenino. Varidades, visibilidades y viralidades; 21-24 2250-5415 2250-5660 10.31056/2250.5415.v11.n3 spa https://revistas.unc.edu.ar/index.php/eticaycine/article/view/35928/36033 Derechos de autor 2021 Ética y Cine Journal https://creativecommons.org/licenses/by-sa/4.0/ |
| institution |
Universidad Nacional de Córdoba |
| institution_str |
I-10 |
| repository_str |
R-324 |
| container_title_str |
Ética y Cine Journal |
| language |
Español |
| format |
Artículo revista |
| topic |
feminine jouissance Other feminism look goce femenino Otro feminismo mirada |
| spellingShingle |
feminine jouissance Other feminism look goce femenino Otro feminismo mirada Virgilí Pino, Dalia What burns in Candelaria is life |
| topic_facet |
feminine jouissance Other feminism look goce femenino Otro feminismo mirada |
| author |
Virgilí Pino, Dalia |
| author_facet |
Virgilí Pino, Dalia |
| author_sort |
Virgilí Pino, Dalia |
| title |
What burns in Candelaria is life |
| title_short |
What burns in Candelaria is life |
| title_full |
What burns in Candelaria is life |
| title_fullStr |
What burns in Candelaria is life |
| title_full_unstemmed |
What burns in Candelaria is life |
| title_sort |
what burns in candelaria is life |
| description |
The definition of the feminine as jouissance constitutes the starting point of the article. Logic and consequence of such definition unfold, also the resonances with some authors of difference feminism. The film Candelaria, a latin american co-production and directed by Jhonny Hendrix Hinestroza, is taken as a reference to account for the difficulties of capturing the feminine jouissance, either through the gaze or any instinctual aspect as well as through language. |
| publisher |
Centro de Investigaciones y Estudios sobre Cultura y Sociedad |
| publishDate |
2021 |
| url |
https://revistas.unc.edu.ar/index.php/eticaycine/article/view/35928 |
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AT virgilipinodalia whatburnsincandelariaislife AT virgilipinodalia loqueardeencandelariaeslavida |
| first_indexed |
2024-09-03T20:51:17Z |
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2024-09-03T20:51:17Z |
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