Aporophobia, segregation and descent into hell
Rejection of the poor and segregation appear very clearly in Korean film Parasite. In this paper this film is analyzed, which represents a clear example of the social problems of the most disadvantaged classes, relating the narrative aspects to the legal ones, showing throughout the story the differ...
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| Formato: | Artículo revista |
| Lenguaje: | Español |
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Centro de Investigaciones y Estudios sobre Cultura y Sociedad
2021
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| Acceso en línea: | https://revistas.unc.edu.ar/index.php/eticaycine/article/view/32570 |
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I10-R324-article-325702021-03-28T22:50:55Z Aporophobia, segregation and descent into hell Aporofobia, segregación y descenso a los infiernos Ramón Fernández, Francisca Prósper Ribes, Josep Parasite Aporophobia Segregation Human Rights Parásitos Aporofobia Segregación Derechos Humanos Rejection of the poor and segregation appear very clearly in Korean film Parasite. In this paper this film is analyzed, which represents a clear example of the social problems of the most disadvantaged classes, relating the narrative aspects to the legal ones, showing throughout the story the different social situation that the characters have depending on their work and of their wealth. The most disadvantaged social classes emit an odor that provokes the rejection of the well-off social classes. An odor that cannot be removed by cleaning, but is a symbol of the lower classes. The separation of social classes is manifested through architectural spaces, cinematographic plans and details, where the rich are always at the top, and the poor are at the bottom. Cinema becomes a spokesperson for social and legal aspects, as well as the lack of ethics and shows us a sick and degraded society, to its ultimate consequences El rechazo al pobre y la segregación aparecen de forma muy evidente en el film coreano Parásitos. En el presente trabajo se analiza esta película que representa un ejemplo de los problemas sociales de las clases más desfavorecidas, relacionando los aspectos narrativos con los jurídicos, mostrando a lo largo del relato la distinta situación social que tienen los personajes dependiendo de su trabajo y de su riqueza. Las clases sociales más desfavorecidas emanan un olor que no se puede eliminar con la limpieza y que provoca el rechazo de las clases sociales acomodadas. La separación de clases sociales se manifiesta a través de espacios arquitectónicos, planos cinematográficos y detalles, donde siempre el rico está en lo más alto, y el pobre, en lo más bajo. El cine se convierte en un portavoz de aspectos sociales y jurídicos y nos muestra una sociedad enferma y degradada, hasta sus últimas consecuencias. Centro de Investigaciones y Estudios sobre Cultura y Sociedad 2021-03-28 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://revistas.unc.edu.ar/index.php/eticaycine/article/view/32570 10.31056/2250.5415.v11.n1.32570 Ética y Cine Journal; Vol. 11 Núm. 1 (2021): Segregación; 31-39 2250-5415 2250-5660 10.31056/2250.5415.v11.n1 spa https://revistas.unc.edu.ar/index.php/eticaycine/article/view/32570/33285 https://creativecommons.org/licenses/by-sa/4.0/ |
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Universidad Nacional de Córdoba |
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I-10 |
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R-324 |
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Ética y Cine Journal |
| language |
Español |
| format |
Artículo revista |
| topic |
Parasite Aporophobia Segregation Human Rights Parásitos Aporofobia Segregación Derechos Humanos |
| spellingShingle |
Parasite Aporophobia Segregation Human Rights Parásitos Aporofobia Segregación Derechos Humanos Ramón Fernández, Francisca Prósper Ribes, Josep Aporophobia, segregation and descent into hell |
| topic_facet |
Parasite Aporophobia Segregation Human Rights Parásitos Aporofobia Segregación Derechos Humanos |
| author |
Ramón Fernández, Francisca Prósper Ribes, Josep |
| author_facet |
Ramón Fernández, Francisca Prósper Ribes, Josep |
| author_sort |
Ramón Fernández, Francisca |
| title |
Aporophobia, segregation and descent into hell |
| title_short |
Aporophobia, segregation and descent into hell |
| title_full |
Aporophobia, segregation and descent into hell |
| title_fullStr |
Aporophobia, segregation and descent into hell |
| title_full_unstemmed |
Aporophobia, segregation and descent into hell |
| title_sort |
aporophobia, segregation and descent into hell |
| description |
Rejection of the poor and segregation appear very clearly in Korean film Parasite. In this paper this film is analyzed, which represents a clear example of the social problems of the most disadvantaged classes, relating the narrative aspects to the legal ones, showing throughout the story the different social situation that the characters have depending on their work and of their wealth. The most disadvantaged social classes emit an odor that provokes the rejection of the well-off social classes. An odor that cannot be removed by cleaning, but is a symbol of the lower classes. The separation of social classes is manifested through architectural spaces, cinematographic plans and details, where the rich are always at the top, and the poor are at the bottom. Cinema becomes a spokesperson for social and legal aspects, as well as the lack of ethics and shows us a sick and degraded society, to its ultimate consequences |
| publisher |
Centro de Investigaciones y Estudios sobre Cultura y Sociedad |
| publishDate |
2021 |
| url |
https://revistas.unc.edu.ar/index.php/eticaycine/article/view/32570 |
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