The fabric of the frame, to the screen, through dresses

Desire, the main and constituent issue of psychoanalysis, is the protagonist of the film “The Danish Girl”, in spite of the fact that it is a “biopic”. And here, the desire, is sometimes seen inhibited, sometimes subtle,sometimes excessive. The virtue of the film is not to aim to explain it, underst...

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Autor principal: Campbell, Sergio
Formato: Artículo revista
Lenguaje:Español
Publicado: Centro de Investigaciones y Estudios sobre Cultura y Sociedad 2016
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Acceso en línea:https://revistas.unc.edu.ar/index.php/eticaycine/article/view/16583
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spelling I10-R324-article-165832019-07-27T11:45:25Z The fabric of the frame, to the screen, through dresses La tela, del bastidor a la pantalla, pasando por los vestidos Campbell, Sergio Deseo No relación sexual Goce Desire No sexual relationship Enjoyment Desire, the main and constituent issue of psychoanalysis, is the protagonist of the film “The Danish Girl”, in spite of the fact that it is a “biopic”. And here, the desire, is sometimes seen inhibited, sometimes subtle,sometimes excessive. The virtue of the film is not to aim to explain it, understand or clarify it. It keeps the desire in its right place, its opaque place which causes permanent misunderstanding and gives place to Lacan ’s observation, which says there is no sexual relationship. El deseo, cuestión central y constitutiva del psicoanálisis, es el protagonista del filme La chica danesa (Hooper, 2015) más allá de que se trate de unabiopic. Y aquí, el protagonista, se muestra a veces inhibido, a veces sutil, a veces desbordado. La virtud del filme radica en no pretender explicarlo,comprenderlo ni aclararlo; mantiene al deseo en su justo lugar, su lugar de opacidad que produce el permanente malentendido y da consistencia a laobservación de Lacan de que no hay relación sexual. Centro de Investigaciones y Estudios sobre Cultura y Sociedad 2016-07-01 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://revistas.unc.edu.ar/index.php/eticaycine/article/view/16583 10.31056/2250.5415.v6.n2.16583 Ética y Cine Journal; Vol. 6 Núm. 2 (2016): Solo sexo; 13-17 2250-5415 2250-5660 10.31056/2250.5415.v6.n2 spa https://revistas.unc.edu.ar/index.php/eticaycine/article/view/16583/16389 Derechos de autor 2016 Ética&Cine Journal
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-324
container_title_str Ética y Cine Journal
language Español
format Artículo revista
topic Deseo
No relación sexual
Goce
Desire
No sexual relationship
Enjoyment
spellingShingle Deseo
No relación sexual
Goce
Desire
No sexual relationship
Enjoyment
Campbell, Sergio
The fabric of the frame, to the screen, through dresses
topic_facet Deseo
No relación sexual
Goce
Desire
No sexual relationship
Enjoyment
author Campbell, Sergio
author_facet Campbell, Sergio
author_sort Campbell, Sergio
title The fabric of the frame, to the screen, through dresses
title_short The fabric of the frame, to the screen, through dresses
title_full The fabric of the frame, to the screen, through dresses
title_fullStr The fabric of the frame, to the screen, through dresses
title_full_unstemmed The fabric of the frame, to the screen, through dresses
title_sort fabric of the frame, to the screen, through dresses
description Desire, the main and constituent issue of psychoanalysis, is the protagonist of the film “The Danish Girl”, in spite of the fact that it is a “biopic”. And here, the desire, is sometimes seen inhibited, sometimes subtle,sometimes excessive. The virtue of the film is not to aim to explain it, understand or clarify it. It keeps the desire in its right place, its opaque place which causes permanent misunderstanding and gives place to Lacan ’s observation, which says there is no sexual relationship.
publisher Centro de Investigaciones y Estudios sobre Cultura y Sociedad
publishDate 2016
url https://revistas.unc.edu.ar/index.php/eticaycine/article/view/16583
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first_indexed 2024-09-03T20:50:39Z
last_indexed 2024-09-03T20:50:39Z
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