THE CREATION OF A DEITY: THE CASE OF THE MAIDEN OF LLULLAILLACO

The following work constitutes an approximation, through a semiotic approach, to the cultural significance of the Andean cephalic adornments. There are many evidences concerning this particular element, but few studies on its significance in the past. Considering them as corporate emblems, taking in...

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Autor principal: Velardez Fresia, M. Belén
Formato: Artículo revista
Lenguaje:Español
Publicado: Centro de Estudios Históricos. UA CONICET 2019
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Acceso en línea:https://revistas.unc.edu.ar/index.php/comechingonia/article/view/25599
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spelling I10-R319-article-255992025-08-04T16:16:34Z THE CREATION OF A DEITY: THE CASE OF THE MAIDEN OF LLULLAILLACO La creación de una deidad: el caso de la doncella del Llullaillaco. Velardez Fresia, M. Belén feather art rituality Inca Semiotics arte plumario ritualidad Inca semiótica The following work constitutes an approximation, through a semiotic approach, to the cultural significance of the Andean cephalic adornments. There are many evidences concerning this particular element, but few studies on its significance in the past. Considering them as corporate emblems, taking into account their specific materiality and the long continuity of Andean traditions, which still include feather adornments in their rituality and daily life, we achieve an approximation to the role played by these objects / agents within Inca society. The analysis of a particular Inca context, the ritual practice known as Capacocha, in which a young woman took part in the volcano Llullaillaco, allows us to enter into the understanding of the processes of constitution of personal identity, and the sacredness of objects in a constant interaction between person/object. It is these relationships that will define the role and meaning of feather adornments within past societies. El siguiente trabajo constituye una aproximación, mediante un enfoque semiótico, a la significación cultural otorgada a los adornos cefálicos andinos. Múltiples son las evidencias referentes a este particular elemento, pero pocos los estudios respecto de su significación en el pasado. Teniendo en cuenta su materialidad específica y la larga continuidad de tradiciones andinas, que aún incluyen los adornos plumarios en su ritualidad y cotidianidad, logramos una aproximación al rol jugado por estos objetos/agentes dentro de la sociedad inca. El análisis de un contexto incaico particular, la practica ritual conocida como Capacocha, en la cual participó una joven aclla en el volcán Llullaillaco, permite adentrarnos en la comprensión de los procesos de constitución de la identidad personal y el rol de los adornos cefálicos en una interacción constante entre persona/objeto. Son estas relaciones las que van a definir el significado de estos elementos plumarios dentro de las sociedades pasadas. Centro de Estudios Históricos. UA CONICET 2019-10-04 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://revistas.unc.edu.ar/index.php/comechingonia/article/view/25599 10.37603/2250.7728.v22.n2.25599 Comechingonia. Revista de Arqueología; Vol. 22 No. 2 (2018): Comechingonia Revista de Arqueología. ; 217-249 Comechingonia. Revista de Arqueología; Vol. 22 Núm. 2 (2018): Comechingonia Revista de Arqueología. ; 217-249 Comechingonia. Revista de Arqueología; v. 22 n. 2 (2018): Comechingonia Revista de Arqueología. ; 217-249 2250-7728 0326-7911 10.37603/2250.7728.v22.n2 spa https://revistas.unc.edu.ar/index.php/comechingonia/article/view/25599/27339 Derechos de autor 2018 Comechingonia
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-319
container_title_str Comechingonia. Revista de Arqueología
language Español
format Artículo revista
topic feather art
rituality
Inca
Semiotics
arte plumario
ritualidad
Inca
semiótica
spellingShingle feather art
rituality
Inca
Semiotics
arte plumario
ritualidad
Inca
semiótica
Velardez Fresia, M. Belén
THE CREATION OF A DEITY: THE CASE OF THE MAIDEN OF LLULLAILLACO
topic_facet feather art
rituality
Inca
Semiotics
arte plumario
ritualidad
Inca
semiótica
author Velardez Fresia, M. Belén
author_facet Velardez Fresia, M. Belén
author_sort Velardez Fresia, M. Belén
title THE CREATION OF A DEITY: THE CASE OF THE MAIDEN OF LLULLAILLACO
title_short THE CREATION OF A DEITY: THE CASE OF THE MAIDEN OF LLULLAILLACO
title_full THE CREATION OF A DEITY: THE CASE OF THE MAIDEN OF LLULLAILLACO
title_fullStr THE CREATION OF A DEITY: THE CASE OF THE MAIDEN OF LLULLAILLACO
title_full_unstemmed THE CREATION OF A DEITY: THE CASE OF THE MAIDEN OF LLULLAILLACO
title_sort creation of a deity: the case of the maiden of llullaillaco
description The following work constitutes an approximation, through a semiotic approach, to the cultural significance of the Andean cephalic adornments. There are many evidences concerning this particular element, but few studies on its significance in the past. Considering them as corporate emblems, taking into account their specific materiality and the long continuity of Andean traditions, which still include feather adornments in their rituality and daily life, we achieve an approximation to the role played by these objects / agents within Inca society. The analysis of a particular Inca context, the ritual practice known as Capacocha, in which a young woman took part in the volcano Llullaillaco, allows us to enter into the understanding of the processes of constitution of personal identity, and the sacredness of objects in a constant interaction between person/object. It is these relationships that will define the role and meaning of feather adornments within past societies.
publisher Centro de Estudios Históricos. UA CONICET
publishDate 2019
url https://revistas.unc.edu.ar/index.php/comechingonia/article/view/25599
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