I don´t like to talk about art. Interview with Marcos López

Marcos López describes himself as an Andy Warhol of the underdeveloped world. In his work, he managed to eradicate the melancholy tonality of Latin American photography in order to bring us closer to a carnival of shots and stories where local identity comes into unprecedented prominence.We wanted t...

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Autor principal: Duarte, Juan Pablo
Formato: Artículo revista
Lenguaje:Inglés
Español
Publicado: Facultad de Psicología. Maestría en Teoría Psicoanalítica Lacaniana 2018
Acceso en línea:https://revistas.unc.edu.ar/index.php/lapso/article/view/20992
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spelling I10-R318-article-209922022-03-17T17:27:08Z I don´t like to talk about art. Interview with Marcos López No me gusta hablar de arte. Entrevista a Marcos López Duarte, Juan Pablo Marcos López describes himself as an Andy Warhol of the underdeveloped world. In his work, he managed to eradicate the melancholy tonality of Latin American photography in order to bring us closer to a carnival of shots and stories where local identity comes into unprecedented prominence.We wanted to invite him to write about the relationship between belief and image, as well as about those contemporary phenomena which have influenced his work. We also told him the words anxiety, sex, violence, body, and pornography so that he would give us his opinion about the images that are capable of moving us today.When his text arrived, we decided to establish it according to the four statements inspired by the reading of Jacques Lacan’s Seminar 23. “A New imaginary,” the syntagma which inspires this issue of LAPSO and appears in the eighth class of that seminar, prompted us to give greater prominence to the images in López’s work which motivated our questions. Marcos López se describe como un Andy Warhol del subdesarrollo. En su obra supo erradicar la tonalidad melancólica de la fotografía latinoamericana para acercarnos a un carnaval de planos y relatos donde la identidad local toma un protagonismo inédito.Quisimos invitarlo a escribir acerca de la relación entre creencia e imagen, así como aquellos fenómenos contemporáneos con influencia en su obra. También le mencionamos las palabras angustia, sexo, violencia, cuerpo y pornografía para que nos brinde una opinión acerca de las imágenes que en la actualidad logran conmover.Cuando recibimos su texto, decidimos establecerlo en función de cuatro enunciados inspirados por la lectura del Seminario 23 de Jacques Lacan. “Un nuevo imaginario”, el sintagma que inspira el presente número de LAPSO y aparece en la octava clase de este seminario, nos movió a dar un mayor protagonismo a las imágenes de la obra de López que impulsaron nuestras preguntas.  Facultad de Psicología. Maestría en Teoría Psicoanalítica Lacaniana 2018-08-22 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf application/pdf https://revistas.unc.edu.ar/index.php/lapso/article/view/20992 Lapso; Núm. 3 (2018): Un nuevo imaginario; 49-50 2525-0965 eng spa https://revistas.unc.edu.ar/index.php/lapso/article/view/20992/20593 https://revistas.unc.edu.ar/index.php/lapso/article/view/20992/21009 Derechos de autor 2018 Lapso
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-318
container_title_str Lapso
language Inglés
Español
format Artículo revista
author Duarte, Juan Pablo
spellingShingle Duarte, Juan Pablo
I don´t like to talk about art. Interview with Marcos López
author_facet Duarte, Juan Pablo
author_sort Duarte, Juan Pablo
title I don´t like to talk about art. Interview with Marcos López
title_short I don´t like to talk about art. Interview with Marcos López
title_full I don´t like to talk about art. Interview with Marcos López
title_fullStr I don´t like to talk about art. Interview with Marcos López
title_full_unstemmed I don´t like to talk about art. Interview with Marcos López
title_sort i don´t like to talk about art. interview with marcos lópez
description Marcos López describes himself as an Andy Warhol of the underdeveloped world. In his work, he managed to eradicate the melancholy tonality of Latin American photography in order to bring us closer to a carnival of shots and stories where local identity comes into unprecedented prominence.We wanted to invite him to write about the relationship between belief and image, as well as about those contemporary phenomena which have influenced his work. We also told him the words anxiety, sex, violence, body, and pornography so that he would give us his opinion about the images that are capable of moving us today.When his text arrived, we decided to establish it according to the four statements inspired by the reading of Jacques Lacan’s Seminar 23. “A New imaginary,” the syntagma which inspires this issue of LAPSO and appears in the eighth class of that seminar, prompted us to give greater prominence to the images in López’s work which motivated our questions.
publisher Facultad de Psicología. Maestría en Teoría Psicoanalítica Lacaniana
publishDate 2018
url https://revistas.unc.edu.ar/index.php/lapso/article/view/20992
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