Theatrical Conceptions of Precarity: Metaphors for Dealing with the Strangeness of a Complex World

Within the theatrical landscape of Buenos Aires, we have consistently observed how metaphor seeps into the expressions of theatrical creators, shaping distinctive scenic conceptions and delineating poetic areas of convergence. This suggests that the intersections not achieved through collaborative w...

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Autor principal: Pessolano, Carla
Formato: Artículo revista
Lenguaje:Español
Publicado: Editorial de la Facultad de Artes 2024
Materias:
metáfora
escena
praxis escénica
actuación
dirección
metaphor
scene
theatrical praxis
performance
stage direction
Acceso en línea:https://revistas.unc.edu.ar/index.php/avances/article/view/45520
Aporte de:
Avances de Universidad Nacional de Córdoba
id I10-R310-article-45520
record_format ojs
spelling I10-R310-article-455202025-03-28T18:21:05Z Theatrical Conceptions of Precarity: Metaphors for Dealing with the Strangeness of a Complex World Concepciones escénicas de lo precario: metáforas para lidiar con la extrañeza de un mundo complejo Pessolano, Carla metáfora escena praxis escénica actuación dirección metaphor scene theatrical praxis performance stage direction Within the theatrical landscape of Buenos Aires, we have consistently observed how metaphor seeps into the expressions of theatrical creators, shaping distinctive scenic conceptions and delineating poetic areas of convergence. This suggests that the intersections not achieved through collaborative work are, in these instances, realized through a shared language. Upon detecting these recurrences emerging from the stage, traversing language, and returning to the stage, the possibility of constructing a policy for conserving these words becomes, at the very least, tempting. Such a potential inventory of evanescent terms could account for the network that forms a lexical tapestry referring to a constellation of creators engaged in dialogue—whether real or virtual—as well as specific and situated performance concepts. But what interest lies in inventorying the precariousness of the expressions circulating within the theatrical realm? We contend that, although not their ultimate purpose, these categories that permeate the scenes function as immediate-use resources while simultaneously enriching enduring poetic trajectories, distinguishing characteristic local methods of creation. Dentro del campo teatral de Buenos Aires hemos visto que, de modo insistente, la metáfora se cuela en los decires de creadoras y creadores escénicos delineando concepciones escénicas peculiares, pero también trazando zonas poéticas de coincidencia. Esto significa que aquellos cruces que no se dan por medio de la convivencia en el trabajo se dan, en estos casos, por medio de un lenguaje en común. Ante la detección de estas recurrencias que surgen de la escena, pasan por el lenguaje y vuelven a la escena, la posibilidad de construir una política de conservación de las palabras se vuelve cuando menos tentadora. Ese posible inventario de términos evanescentes podría dar cuenta de la red que configura un entretejido lexical que refiere tanto a una constelación de creadoras y creadores en diálogo —real o virtual— como a concepciones de actuación específicas y situadas. ¿Pero qué interés tendría inventariar lo precario del decir que circula por lo escénico? Pensamos que, sin que ese sea su fin último, cada tanto aquellas categorías que atraviesan las escenas funcionan como recursos de uso inmediato pero, al mismo tiempo, se encuentran abonando en trazados poéticos que perduran a través del tiempo y distinguen característicos modos del hacer local.  Editorial de la Facultad de Artes 2024-07-05 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Double-Blind Peer Review Paper Artículo revisados por pares (doble ciego) application/pdf text/html application/epub+zip https://revistas.unc.edu.ar/index.php/avances/article/view/45520 Avances; Núm. 33 (2024); 391-402 2718-6555 1667-927X spa https://revistas.unc.edu.ar/index.php/avances/article/view/45520/45681 https://revistas.unc.edu.ar/index.php/avances/article/view/45520/45682 https://revistas.unc.edu.ar/index.php/avances/article/view/45520/45683 Derechos de autor 2024 Carla Pessolano https://creativecommons.org/licenses/by-nc-sa/4.0
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-310
container_title_str Avances
language Español
format Artículo revista
topic metáfora
escena
praxis escénica
actuación
dirección
metaphor
scene
theatrical praxis
performance
stage direction
spellingShingle metáfora
escena
praxis escénica
actuación
dirección
metaphor
scene
theatrical praxis
performance
stage direction
Pessolano, Carla
Theatrical Conceptions of Precarity: Metaphors for Dealing with the Strangeness of a Complex World
topic_facet metáfora
escena
praxis escénica
actuación
dirección
metaphor
scene
theatrical praxis
performance
stage direction
author Pessolano, Carla
author_facet Pessolano, Carla
author_sort Pessolano, Carla
title Theatrical Conceptions of Precarity: Metaphors for Dealing with the Strangeness of a Complex World
title_short Theatrical Conceptions of Precarity: Metaphors for Dealing with the Strangeness of a Complex World
title_full Theatrical Conceptions of Precarity: Metaphors for Dealing with the Strangeness of a Complex World
title_fullStr Theatrical Conceptions of Precarity: Metaphors for Dealing with the Strangeness of a Complex World
title_full_unstemmed Theatrical Conceptions of Precarity: Metaphors for Dealing with the Strangeness of a Complex World
title_sort theatrical conceptions of precarity: metaphors for dealing with the strangeness of a complex world
description Within the theatrical landscape of Buenos Aires, we have consistently observed how metaphor seeps into the expressions of theatrical creators, shaping distinctive scenic conceptions and delineating poetic areas of convergence. This suggests that the intersections not achieved through collaborative work are, in these instances, realized through a shared language. Upon detecting these recurrences emerging from the stage, traversing language, and returning to the stage, the possibility of constructing a policy for conserving these words becomes, at the very least, tempting. Such a potential inventory of evanescent terms could account for the network that forms a lexical tapestry referring to a constellation of creators engaged in dialogue—whether real or virtual—as well as specific and situated performance concepts. But what interest lies in inventorying the precariousness of the expressions circulating within the theatrical realm? We contend that, although not their ultimate purpose, these categories that permeate the scenes function as immediate-use resources while simultaneously enriching enduring poetic trajectories, distinguishing characteristic local methods of creation.
publisher Editorial de la Facultad de Artes
publishDate 2024
url https://revistas.unc.edu.ar/index.php/avances/article/view/45520
work_keys_str_mv AT pessolanocarla theatricalconceptionsofprecaritymetaphorsfordealingwiththestrangenessofacomplexworld
AT pessolanocarla concepcionesescenicasdeloprecariometaforasparalidiarconlaextranezadeunmundocomplejo
first_indexed 2024-09-03T20:28:55Z
last_indexed 2025-05-10T05:09:27Z
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