Three Ages of Iconoclasm: Actions, Procedures and Screens Against Images

Given the structural diagnosis that we define as screen-centric, that is, a scopic system characterized by the ubiquity of screens in our daily lives, iconoclasm emerges as a possible critical action. In dialogue with a variety of contributions from different disciplines, this paper seeks to account...

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Autores principales: Molina, Manuel, Roldán, Eugenia
Formato: Artículo revista
Lenguaje:Español
Publicado: Editorial de la Facultad de Artes 2024
Materias:
imágenes
critica
ataque
montaje
pantallas
image
critic
attack
montage
screen
Acceso en línea:https://revistas.unc.edu.ar/index.php/avances/article/view/45518
Aporte de:
Avances de Universidad Nacional de Córdoba
id I10-R310-article-45518
record_format ojs
spelling I10-R310-article-455182025-03-28T18:19:28Z Three Ages of Iconoclasm: Actions, Procedures and Screens Against Images Las tres eras de la iconoclasia: gestos, procedimientos y pantallas contra las imágenes Molina, Manuel Roldán, Eugenia imágenes critica ataque montaje pantallas image critic attack montage screen Given the structural diagnosis that we define as screen-centric, that is, a scopic system characterized by the ubiquity of screens in our daily lives, iconoclasm emerges as a possible critical action. In dialogue with a variety of contributions from different disciplines, this paper seeks to account for the contradiction we face when thinking about iconoclasm against digital images. On the one hand, today, images, due to their excess and overabundance, become self-canceling: the contemporary visual system works in an iconoclastic way insofar as it generates a hypervisuality that becomes unconsumable for any human being. On the other hand, we trace within this same saturated regime of screens the coordinates to recover the critical potentials stored in the historical movements of iconoclasm. To this end, we periodize iconoclasm by transposing what José Luis Brea called three eras of the image. We then conceptualize the three eras of iconoclasm: as gestures of destruction of the images-matter; as montage procedures in film images; and as a technological system in e-image. Ante el diagnóstico estructural que definimos como pantallacéntrico, esto es, un régimen escópico caracterizado por la ubicuidad de las pantallas en nuestra vida cotidiana, surge la iconoclasia como acción crítica posible. Pero en diálogo con una variedad de aportes provenientes de distintas disciplinas, este trabajo busca dar cuenta de la contradicción a la que nos enfrentamos al pensar la iconoclasia frente a las imágenes digitales. Por un lado, en la actualidad, las imágenes, por excesivas y superabundantes, se vuelven sobre sí mismas autocancelándose: el sistema visual contemporáneo funciona de modo iconoclasta en la medida en que genera una hipervisualidad que se vuelve inconsumible para cualquier ser humano. Por otro lado, trazamos dentro de este mismo régimen saturado de pantallas las coordenadas para recuperar los potenciales críticos alojados en los movimientos históricos de la iconoclasia. Para ello, periodizamos la iconoclasia extrapolando lo que José Luis Brea (2010) denominó tres eras de la imagen. Conceptualizamos entonces las tres eras de la iconoclasia: como gestos de destrucción de las imágenes-materia; como procedimientos de montaje en las imágenes film; y como sistema tecnológico en las e-image. Editorial de la Facultad de Artes 2024-07-05 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Double-Blind Peer Review Paper Artículo revisados por pares (doble ciego) application/pdf text/html application/epub+zip https://revistas.unc.edu.ar/index.php/avances/article/view/45518 Avances; Núm. 33 (2024); 355-373 2718-6555 1667-927X spa https://revistas.unc.edu.ar/index.php/avances/article/view/45518/45674 https://revistas.unc.edu.ar/index.php/avances/article/view/45518/45675 https://revistas.unc.edu.ar/index.php/avances/article/view/45518/45676 Derechos de autor 2024 Manuel Molina, Eugenia Roldán https://creativecommons.org/licenses/by-nc-sa/4.0
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-310
container_title_str Avances
language Español
format Artículo revista
topic imágenes
critica
ataque
montaje
pantallas
image
critic
attack
montage
screen
spellingShingle imágenes
critica
ataque
montaje
pantallas
image
critic
attack
montage
screen
Molina, Manuel
Roldán, Eugenia
Three Ages of Iconoclasm: Actions, Procedures and Screens Against Images
topic_facet imágenes
critica
ataque
montaje
pantallas
image
critic
attack
montage
screen
author Molina, Manuel
Roldán, Eugenia
author_facet Molina, Manuel
Roldán, Eugenia
author_sort Molina, Manuel
title Three Ages of Iconoclasm: Actions, Procedures and Screens Against Images
title_short Three Ages of Iconoclasm: Actions, Procedures and Screens Against Images
title_full Three Ages of Iconoclasm: Actions, Procedures and Screens Against Images
title_fullStr Three Ages of Iconoclasm: Actions, Procedures and Screens Against Images
title_full_unstemmed Three Ages of Iconoclasm: Actions, Procedures and Screens Against Images
title_sort three ages of iconoclasm: actions, procedures and screens against images
description Given the structural diagnosis that we define as screen-centric, that is, a scopic system characterized by the ubiquity of screens in our daily lives, iconoclasm emerges as a possible critical action. In dialogue with a variety of contributions from different disciplines, this paper seeks to account for the contradiction we face when thinking about iconoclasm against digital images. On the one hand, today, images, due to their excess and overabundance, become self-canceling: the contemporary visual system works in an iconoclastic way insofar as it generates a hypervisuality that becomes unconsumable for any human being. On the other hand, we trace within this same saturated regime of screens the coordinates to recover the critical potentials stored in the historical movements of iconoclasm. To this end, we periodize iconoclasm by transposing what José Luis Brea called three eras of the image. We then conceptualize the three eras of iconoclasm: as gestures of destruction of the images-matter; as montage procedures in film images; and as a technological system in e-image.
publisher Editorial de la Facultad de Artes
publishDate 2024
url https://revistas.unc.edu.ar/index.php/avances/article/view/45518
work_keys_str_mv AT molinamanuel threeagesoficonoclasmactionsproceduresandscreensagainstimages
AT roldaneugenia threeagesoficonoclasmactionsproceduresandscreensagainstimages
AT molinamanuel lastreserasdelaiconoclasiagestosprocedimientosypantallascontralasimagenes
AT roldaneugenia lastreserasdelaiconoclasiagestosprocedimientosypantallascontralasimagenes
first_indexed 2024-09-03T20:28:55Z
last_indexed 2025-05-10T05:09:26Z
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