1+1=3 G.E. Marx Vigo, a third mind

In the context of the civil-military dictatorship in the Argentine Republic, emergency strategies begin to be produced in order to make known the reality of the country silenced by censorship and the complicity of general public opinion. Correo Art begins to transform into the bastion of resistance...

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Autor principal: Madoery, Alicia
Formato: Artículo revista
Lenguaje:Español
Publicado: Editorial de la Facultad de Artes 2024
Materias:
red
net
Acceso en línea:https://revistas.unc.edu.ar/index.php/avances/article/view/45514
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spelling I10-R310-article-455142025-03-28T18:16:45Z 1+1=3 G.E. Marx Vigo, a third mind 1+1=3 G.E. Marx Vigo, una tercera mente Madoery, Alicia Arte Correo red firma conjunta montaje alegoría Mail Art net joint-signature mounting allegory In the context of the civil-military dictatorship in the Argentine Republic, emergency strategies begin to be produced in order to make known the reality of the country silenced by censorship and the complicity of general public opinion. Correo Art begins to transform into the bastion of resistance to the attacks of repression. In 1976, the son of the plastic artist Edgardo Antonio Vigo, Palomo, was kidnapped from his home. In 1977, Vigo proposed to work as a joint firm with the artist from La Plata, Graciela Gutiérrez Marx, as a form of support to gather strength to communicate what was happening and combat the horror of disappearances. The joint firm was born based on the game of their names merged. The idea of a third mind coined by Vittore Baroni suggests a splitting of subjectivities to try to express what hurts directly, an alter ego that allows witnessing and expressing what trauma does not allow. Faced with the logic of horror promoted by the state, this performative action of reinventing a third level of speech becomes the outlet that allows the process of mourning and a certain melancholy of disaffection. En el contexto de la dictadura cívico-militar en la República Argentina comienzan a producirse estrategias de emergencia para poder dar a conocer la realidad del país acallada por la censura y la complicidad de la opinión pública general. El Arte Correo comienza a transformarse en el bastión de resistencia a los embates de la represión. En 1976 el hijo del artista plástico Edgardo Antonio Vigo, Palomo, es secuestrado de su hogar. En el año 1977 Vigo le propone a la artista platense Graciela Gutiérrez Marx trabajar en firma conjunta, como un modo de apoyo para reunir fuerzas para comunicar lo que sucedía y combatir el horror de las desapariciones. A partir de allí, nace la firma conjunta en base al juego de sus nombres fusionados. La idea de una tercera mente, acuñada por Vittore Baroni (2007), hace pensar en un desdoblamiento de las subjetividades para intentar expresar aquello que hiere de manera directa; un alter ego que permita testimoniar y expresar lo que el trauma no permite. Ante la lógica del horror propiciada por el Estado, esta acción performática de reinventar un tercer estamento del habla se transforma en la salida que permite el proceso de duelo y cierta melancolía de la desafectación. Editorial de la Facultad de Artes 2024-07-05 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Double-Blind Peer Review Paper Artículo revisados por pares (doble ciego) application/pdf text/html application/epub+zip https://revistas.unc.edu.ar/index.php/avances/article/view/45514 Avances; Núm. 33 (2024); 297-313 2718-6555 1667-927X spa https://revistas.unc.edu.ar/index.php/avances/article/view/45514/45660 https://revistas.unc.edu.ar/index.php/avances/article/view/45514/45661 https://revistas.unc.edu.ar/index.php/avances/article/view/45514/45663 Derechos de autor 2024 Alicia Madoery https://creativecommons.org/licenses/by-nc-sa/4.0
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-310
container_title_str Avances
language Español
format Artículo revista
topic Arte Correo
red
firma conjunta
montaje
alegoría
Mail Art
net
joint-signature
mounting
allegory
spellingShingle Arte Correo
red
firma conjunta
montaje
alegoría
Mail Art
net
joint-signature
mounting
allegory
Madoery, Alicia
1+1=3 G.E. Marx Vigo, a third mind
topic_facet Arte Correo
red
firma conjunta
montaje
alegoría
Mail Art
net
joint-signature
mounting
allegory
author Madoery, Alicia
author_facet Madoery, Alicia
author_sort Madoery, Alicia
title 1+1=3 G.E. Marx Vigo, a third mind
title_short 1+1=3 G.E. Marx Vigo, a third mind
title_full 1+1=3 G.E. Marx Vigo, a third mind
title_fullStr 1+1=3 G.E. Marx Vigo, a third mind
title_full_unstemmed 1+1=3 G.E. Marx Vigo, a third mind
title_sort 1+1=3 g.e. marx vigo, a third mind
description In the context of the civil-military dictatorship in the Argentine Republic, emergency strategies begin to be produced in order to make known the reality of the country silenced by censorship and the complicity of general public opinion. Correo Art begins to transform into the bastion of resistance to the attacks of repression. In 1976, the son of the plastic artist Edgardo Antonio Vigo, Palomo, was kidnapped from his home. In 1977, Vigo proposed to work as a joint firm with the artist from La Plata, Graciela Gutiérrez Marx, as a form of support to gather strength to communicate what was happening and combat the horror of disappearances. The joint firm was born based on the game of their names merged. The idea of a third mind coined by Vittore Baroni suggests a splitting of subjectivities to try to express what hurts directly, an alter ego that allows witnessing and expressing what trauma does not allow. Faced with the logic of horror promoted by the state, this performative action of reinventing a third level of speech becomes the outlet that allows the process of mourning and a certain melancholy of disaffection.
publisher Editorial de la Facultad de Artes
publishDate 2024
url https://revistas.unc.edu.ar/index.php/avances/article/view/45514
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first_indexed 2024-09-03T20:28:54Z
last_indexed 2025-05-10T05:09:25Z
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