The Conversion of a Saint: An Approach to the Cultural Biography of an Easel Painting
An approach to the cultural biography of a Baroque-style easel painting, which entered the TAREA Restoration Center (EAyP, UNSAM) in 2019, is presented. To this end, the artwork was studied from both the material and ichnographic points of view using a comprehensive methodological approach. Macrosco...
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| Formato: | Artículo revista |
| Lenguaje: | Español |
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Editorial de la Facultad de Artes
2024
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| Acceso en línea: | https://revistas.unc.edu.ar/index.php/avances/article/view/45511 |
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I10-R310-article-45511 |
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I10-R310-article-455112025-03-28T18:15:27Z The Conversion of a Saint: An Approach to the Cultural Biography of an Easel Painting La conversión de un santo: una aproximación a la biografía cultural de una pintura de caballete Iribarne Lucato, Florencia Agustina Gallegos, Damasia Gheco, Lucas Marte, Fernando conservación restauración biografía cultural pintura de caballete conservation restoration cultural biography easel painting An approach to the cultural biography of a Baroque-style easel painting, which entered the TAREA Restoration Center (EAyP, UNSAM) in 2019, is presented. To this end, the artwork was studied from both the material and ichnographic points of view using a comprehensive methodological approach. Macroscopic organoleptic and physicochemical studies were performed, along with an examination of documentary sources, as complementary and successive lines of evidence. As a result, an approximation to the different biographical episodes that the painting went through, from its creation to the present, was achieved. A tentative chronological framework was then provided for these episodes. Likewise, different characteristics of the artwork's pictorial technique were glimpsed, allowing for an estimation of the painting's origin. Additionally, the original elements, additions, and subsequent interventions were identified. Finally, the study and careful observation of the artwork put into tension the iconographic attribution with which the painting entered the Center, leading to a change in interpretation. Este trabajo presenta una aproximación a la biografía cultural de una pintura de caballete de estilo barroco, que ingresó en el año 2019 al Centro de restauración TAREA (EAyP, UNSAM). Para ello se investigó la obra material e iconográficamente a partir de un abordaje metodológico integral, empleando estudios organolépticos macroscópicos, estudios fisicoquímicos e investigación de fuentes documentales como líneas de evidencia complementarias y sucesivas. Como resultado, se logró un acercamiento a los distintos episodios biográficos por los que atravesó la obra, desde su creación hasta la actualidad, otorgándoles un marco cronológico tentativo. Del mismo modo, se vislumbraron distintas características de la técnica de ejecución de la obra, lo que nos permitió estimar el origen de la pieza. Asimismo, se identificaron los elementos originales, las adiciones e intervenciones posteriores. Por último, el estudio y la observación minuciosa de la obra pusieron en tensión la atribución iconográfica con la cual la pieza ingresó al Centro, lo cual hizo que derivara en un cambio de interpretación. Editorial de la Facultad de Artes 2024-07-05 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Double-Blind Peer Review Paper Artículo revisados por pares (doble ciego) application/pdf text/html application/epub+zip https://revistas.unc.edu.ar/index.php/avances/article/view/45511 Avances; Núm. 33 (2024); 257-277 2718-6555 1667-927X spa https://revistas.unc.edu.ar/index.php/avances/article/view/45511/45639 https://revistas.unc.edu.ar/index.php/avances/article/view/45511/45640 https://revistas.unc.edu.ar/index.php/avances/article/view/45511/45641 Derechos de autor 2024 Florencia Agustina Iribarne Lucato, Damasia Gallegos, Lucas Gheco, Fernando Marte https://creativecommons.org/licenses/by-nc-sa/4.0 |
| institution |
Universidad Nacional de Córdoba |
| institution_str |
I-10 |
| repository_str |
R-310 |
| container_title_str |
Avances |
| language |
Español |
| format |
Artículo revista |
| topic |
conservación restauración biografía cultural pintura de caballete conservation restoration cultural biography easel painting |
| spellingShingle |
conservación restauración biografía cultural pintura de caballete conservation restoration cultural biography easel painting Iribarne Lucato, Florencia Agustina Gallegos, Damasia Gheco, Lucas Marte, Fernando The Conversion of a Saint: An Approach to the Cultural Biography of an Easel Painting |
| topic_facet |
conservación restauración biografía cultural pintura de caballete conservation restoration cultural biography easel painting |
| author |
Iribarne Lucato, Florencia Agustina Gallegos, Damasia Gheco, Lucas Marte, Fernando |
| author_facet |
Iribarne Lucato, Florencia Agustina Gallegos, Damasia Gheco, Lucas Marte, Fernando |
| author_sort |
Iribarne Lucato, Florencia Agustina |
| title |
The Conversion of a Saint: An Approach to the Cultural Biography of an Easel Painting |
| title_short |
The Conversion of a Saint: An Approach to the Cultural Biography of an Easel Painting |
| title_full |
The Conversion of a Saint: An Approach to the Cultural Biography of an Easel Painting |
| title_fullStr |
The Conversion of a Saint: An Approach to the Cultural Biography of an Easel Painting |
| title_full_unstemmed |
The Conversion of a Saint: An Approach to the Cultural Biography of an Easel Painting |
| title_sort |
conversion of a saint: an approach to the cultural biography of an easel painting |
| description |
An approach to the cultural biography of a Baroque-style easel painting, which entered the TAREA Restoration Center (EAyP, UNSAM) in 2019, is presented. To this end, the artwork was studied from both the material and ichnographic points of view using a comprehensive methodological approach. Macroscopic organoleptic and physicochemical studies were performed, along with an examination of documentary sources, as complementary and successive lines of evidence.
As a result, an approximation to the different biographical episodes that the painting went through, from its creation to the present, was achieved. A tentative chronological framework was then provided for these episodes. Likewise, different characteristics of the artwork's pictorial technique were glimpsed, allowing for an estimation of the painting's origin. Additionally, the original elements, additions, and subsequent interventions were identified. Finally, the study and careful observation of the artwork put into tension the iconographic attribution with which the painting entered the Center, leading to a change in interpretation. |
| publisher |
Editorial de la Facultad de Artes |
| publishDate |
2024 |
| url |
https://revistas.unc.edu.ar/index.php/avances/article/view/45511 |
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2024-09-03T20:28:54Z |
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2025-05-10T05:09:25Z |
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