Collecting and allegory in the theater by Mauricio Kartun and Ricardo Bartís
Taking as a starting point the Benjaminian figures of the collector and the allegorist, this article comparatively analyzes the modes of production of two leading figures in current Argentine theater: Mauricio Kartun and Ricardo Bartís. This analysis focuses on the way each of these artists relates...
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| Formato: | Artículo revista |
| Lenguaje: | Español |
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Editorial de la Facultad de Artes
2024
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| Acceso en línea: | https://revistas.unc.edu.ar/index.php/avances/article/view/45507 |
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I10-R310-article-455072025-03-28T18:11:39Z Collecting and allegory in the theater by Mauricio Kartun and Ricardo Bartís Coleccionismo y alegoría en el teatro de Mauricio Kartun y Ricardo Bartís Ferreyra, Sandra coleccionismo alegoría teatro argentino restos culturales collecting allegory argentine theatre cultural remains Taking as a starting point the Benjaminian figures of the collector and the allegorist, this article comparatively analyzes the modes of production of two leading figures in current Argentine theater: Mauricio Kartun and Ricardo Bartís. This analysis focuses on the way each of these artists relates to the history of Argentine culture through the incorporation of disused objects, obsolete machinery, and outdated images. We maintain that while Kartun works as the collector in the rescue of treasures of our culture, especially of popular culture, Bartís operates as the allegorist who exhibits the objects in which these have transitory and failed objects, because that is where his expressive power resides, its transfiguration into language. Tomando como punto de partida las figuras benjaminianas del coleccionista y del alegorista, el presente artículo analiza comparativamente los modos de producción de dos figuras destacadas del teatro argentino actual: Mauricio Kartun y Ricardo Bartís. Este análisis se centra en la manera en que cada uno de estos artistas se relaciona con la historia de la cultura argentina a partir de la incorporación de objetos en desuso, maquinarias obsoletas, imágenes anticuadas. Sostenemos que mientras que Kartun trabaja como el coleccionista en el rescate de tesoros de nuestra cultura, especialmente de la cultura popular, Bartís opera como el alegorista que exhibe los objetos en lo que estos tienen transitorios y fallidos, porque es ahí donde reside su potencia expresiva, su transfiguración en lenguaje. Editorial de la Facultad de Artes 2024-07-05 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Double-Blind Peer Review Paper Artículo revisados por pares (doble ciego) application/pdf text/html application/epub+zip https://revistas.unc.edu.ar/index.php/avances/article/view/45507 Avances; Núm. 33 (2024); 207-220 2718-6555 1667-927X spa https://revistas.unc.edu.ar/index.php/avances/article/view/45507/45630 https://revistas.unc.edu.ar/index.php/avances/article/view/45507/45631 https://revistas.unc.edu.ar/index.php/avances/article/view/45507/45632 Derechos de autor 2024 Sandra Ferreyra https://creativecommons.org/licenses/by-nc-sa/4.0 |
| institution |
Universidad Nacional de Córdoba |
| institution_str |
I-10 |
| repository_str |
R-310 |
| container_title_str |
Avances |
| language |
Español |
| format |
Artículo revista |
| topic |
coleccionismo alegoría teatro argentino restos culturales collecting allegory argentine theatre cultural remains |
| spellingShingle |
coleccionismo alegoría teatro argentino restos culturales collecting allegory argentine theatre cultural remains Ferreyra, Sandra Collecting and allegory in the theater by Mauricio Kartun and Ricardo Bartís |
| topic_facet |
coleccionismo alegoría teatro argentino restos culturales collecting allegory argentine theatre cultural remains |
| author |
Ferreyra, Sandra |
| author_facet |
Ferreyra, Sandra |
| author_sort |
Ferreyra, Sandra |
| title |
Collecting and allegory in the theater by Mauricio Kartun and Ricardo Bartís |
| title_short |
Collecting and allegory in the theater by Mauricio Kartun and Ricardo Bartís |
| title_full |
Collecting and allegory in the theater by Mauricio Kartun and Ricardo Bartís |
| title_fullStr |
Collecting and allegory in the theater by Mauricio Kartun and Ricardo Bartís |
| title_full_unstemmed |
Collecting and allegory in the theater by Mauricio Kartun and Ricardo Bartís |
| title_sort |
collecting and allegory in the theater by mauricio kartun and ricardo bartís |
| description |
Taking as a starting point the Benjaminian figures of the collector and the allegorist, this article comparatively analyzes the modes of production of two leading figures in current Argentine theater: Mauricio Kartun and Ricardo Bartís. This analysis focuses on the way each of these artists relates to the history of Argentine culture through the incorporation of disused objects, obsolete machinery, and outdated images. We maintain that while Kartun works as the collector in the rescue of treasures of our culture, especially of popular culture, Bartís operates as the allegorist who exhibits the objects in which these have transitory and failed objects, because that is where his expressive power resides, its transfiguration into language. |
| publisher |
Editorial de la Facultad de Artes |
| publishDate |
2024 |
| url |
https://revistas.unc.edu.ar/index.php/avances/article/view/45507 |
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AT ferreyrasandra collectingandallegoryinthetheaterbymauriciokartunandricardobartis AT ferreyrasandra coleccionismoyalegoriaenelteatrodemauriciokartunyricardobartis |
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2024-09-03T20:28:53Z |
| last_indexed |
2025-05-10T05:09:24Z |
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1831708932642439168 |