Dancing community to imagine other worlds: popular dances in artistic interventions in the City of Córdoba
This article revolves around the intervention called “Somos el monte que marcha” carried out in the city of Córdoba between 2016 and 2021 and the way in which a state of body and consciousness was generated through movement in that intervention. In the first instance, the historical process of the e...
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| Formato: | Artículo revista |
| Lenguaje: | Español |
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Editorial de la Facultad de Artes
2024
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| Acceso en línea: | https://revistas.unc.edu.ar/index.php/avances/article/view/45504 |
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I10-R310-article-455042025-03-28T18:09:36Z Dancing community to imagine other worlds: popular dances in artistic interventions in the City of Córdoba Bailar comunidad para imaginar otros mundos: las danzas populares en intervenciones artísticas en la ciudad de Córdoba Díaz Sardoy, Guadalupe Estudios de danza Estudios de Performance intervenciones danza popular Antropología del cuerpo Dance Studies Performance Studies interventions popular dancing anthropology of the body This article revolves around the intervention called “Somos el monte que marcha” carried out in the city of Córdoba between 2016 and 2021 and the way in which a state of body and consciousness was generated through movement in that intervention. In the first instance, the historical process of the emergence of folk dance in our country is analyzed, as well as new ways of dancing that give rise to what in the investigated context was named “popular dance.” Then the way in which these dances were taught to dance is described, characterized by the relationship between the ideas of “own dancing” and “community dancing” to finally describe the main characteristics of the intervention that generated a state of “connection” that people described as “deep and real” and that is understood through Victor Turner's concept of spontaneous communitas. It will be shown how the intervention allowed people to experience the community dance that they defended, thus reinforcing the group's convictions. El presente artículo gira en torno a la intervención llamada “Somos el monte que marcha” realizada en la ciudad de Córdoba entre los años 2016 y 2021 y el modo en que se generaba un estado corporal y de conciencia a través del movimiento en dicha intervención. En una primera instancia se analiza el proceso histórico de surgimiento de la danza folklórica en nuestro país, así como de nuevos modos de bailar que dan lugar a lo que en el contexto indagado se nombraba como “danza popular”. Luego se describe el modo en que se enseñaba a bailar esas danzas, caracterizado por la relación entre las ideas de “bailar propio” y “bailar comunitario”, para finalmente llegar a describir las características principales de la intervención que generaban un estado “de conexión” que las personas describen como “profundo y real” y que se entiende a través del concepto de communitas espontánea de Víctor Turner (1988). Se mostrará como la intervención permitía a las personas experimentar la danza comunitaria que defendían reforzando así las convicciones del grupo. Editorial de la Facultad de Artes 2024-07-05 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Double-Blind Peer Review Paper Artículo revisados por pares (doble ciego) application/pdf text/html application/epub+zip https://revistas.unc.edu.ar/index.php/avances/article/view/45504 Avances; Núm. 33 (2024); 151-168 2718-6555 1667-927X spa https://revistas.unc.edu.ar/index.php/avances/article/view/45504/45621 https://revistas.unc.edu.ar/index.php/avances/article/view/45504/45622 https://revistas.unc.edu.ar/index.php/avances/article/view/45504/45623 Derechos de autor 2024 Guadalupe Díaz Sardoy https://creativecommons.org/licenses/by-nc-sa/4.0 |
| institution |
Universidad Nacional de Córdoba |
| institution_str |
I-10 |
| repository_str |
R-310 |
| container_title_str |
Avances |
| language |
Español |
| format |
Artículo revista |
| topic |
Estudios de danza Estudios de Performance intervenciones danza popular Antropología del cuerpo Dance Studies Performance Studies interventions popular dancing anthropology of the body |
| spellingShingle |
Estudios de danza Estudios de Performance intervenciones danza popular Antropología del cuerpo Dance Studies Performance Studies interventions popular dancing anthropology of the body Díaz Sardoy, Guadalupe Dancing community to imagine other worlds: popular dances in artistic interventions in the City of Córdoba |
| topic_facet |
Estudios de danza Estudios de Performance intervenciones danza popular Antropología del cuerpo Dance Studies Performance Studies interventions popular dancing anthropology of the body |
| author |
Díaz Sardoy, Guadalupe |
| author_facet |
Díaz Sardoy, Guadalupe |
| author_sort |
Díaz Sardoy, Guadalupe |
| title |
Dancing community to imagine other worlds: popular dances in artistic interventions in the City of Córdoba |
| title_short |
Dancing community to imagine other worlds: popular dances in artistic interventions in the City of Córdoba |
| title_full |
Dancing community to imagine other worlds: popular dances in artistic interventions in the City of Córdoba |
| title_fullStr |
Dancing community to imagine other worlds: popular dances in artistic interventions in the City of Córdoba |
| title_full_unstemmed |
Dancing community to imagine other worlds: popular dances in artistic interventions in the City of Córdoba |
| title_sort |
dancing community to imagine other worlds: popular dances in artistic interventions in the city of córdoba |
| description |
This article revolves around the intervention called “Somos el monte que marcha” carried out in the city of Córdoba between 2016 and 2021 and the way in which a state of body and consciousness was generated through movement in that intervention. In the first instance, the historical process of the emergence of folk dance in our country is analyzed, as well as new ways of dancing that give rise to what in the investigated context was named “popular dance.” Then the way in which these dances were taught to dance is described, characterized by the relationship between the ideas of “own dancing” and “community dancing” to finally describe the main characteristics of the intervention that generated a state of “connection” that people described as “deep and real” and that is understood through Victor Turner's concept of spontaneous communitas. It will be shown how the intervention allowed people to experience the community dance that they defended, thus reinforcing the group's convictions. |
| publisher |
Editorial de la Facultad de Artes |
| publishDate |
2024 |
| url |
https://revistas.unc.edu.ar/index.php/avances/article/view/45504 |
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2024-09-03T20:28:52Z |
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2025-05-10T05:09:23Z |
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