Arts, politics and provocation: between El encierro y La encerrona
In this work we attempt to analyze the performance El encierro, carried out in 1968 in Rosario by the artist born in Marcos Juárez and resident in Rosario Graciela Carnevale. Likewise, it is related to an artistic action carried out at the Antibienal of Córdoba in 1966, with a similar theme. The obj...
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| Formato: | Artículo revista |
| Lenguaje: | Español |
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Editorial de la Facultad de Artes
2024
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| Acceso en línea: | https://revistas.unc.edu.ar/index.php/avances/article/view/45502 |
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I10-R310-article-45502 |
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I10-R310-article-455022025-03-28T18:07:22Z Arts, politics and provocation: between El encierro y La encerrona Arte, política y provocación: entre El encierro y La encerrona Cebollada, Julieta arte política represión encerrar performance art politics repression locking up performance In this work we attempt to analyze the performance El encierro, carried out in 1968 in Rosario by the artist born in Marcos Juárez and resident in Rosario Graciela Carnevale. Likewise, it is related to an artistic action carried out at the Antibienal of Córdoba in 1966, with a similar theme. The objectives of this research are focused on observing and comparing El encierro and La encerrona, their points of contact and differences within a very particular social and political moment in Argentina at that time. Jointly, the aim is to establish the connections between art and political action that implies a dematerialization of the work of art as an object to be contemplated as a rejection of the traditional institutions and circuits of circulation of those art works. In the same way, artistic performance is articulated as an expressive medium that involves the body and seeks to remove it from its numbness and provoke a reaction in the spectators. En el presente trabajo se procura analizar la performance El encierro, llevada a cabo en 1968 en Rosario por la artista nacida en Marcos Juárez y residente en Rosario, Graciela Carnevale. Asimismo, se la relaciona con una acción artística realizada en la antibienal de Córdoba en 1966, de similar temática. Los objetivos de dicha investigación están centrados en observar y comparar El encierro y La encerrona, sus puntos de contacto y diferencias dentro de un momento social y político muy particular en la Argentina de aquel entonces. Conjuntamente se pretende establecer las conexiones entre arte y acción política que implican una desmaterialización de la obra de arte en tanto objeto a contemplar y un rechazo a las instituciones y circuitos tradicionales de circulación de dichas obras. Del mismo modo se articula la performance artística como medio expresivo que involucra al cuerpo y busca sacarlo de su entumecimiento y provocar una reacción en los espectadores. Editorial de la Facultad de Artes 2024-07-05 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Double-Blind Peer Review Paper Artículo revisados por pares (doble ciego) application/pdf text/html application/epub+zip https://revistas.unc.edu.ar/index.php/avances/article/view/45502 Avances; Núm. 33 (2024); 107-124 2718-6555 1667-927X spa https://revistas.unc.edu.ar/index.php/avances/article/view/45502/45647 https://revistas.unc.edu.ar/index.php/avances/article/view/45502/45557 https://revistas.unc.edu.ar/index.php/avances/article/view/45502/45558 Derechos de autor 2024 Julieta Cebollada https://creativecommons.org/licenses/by-nc-sa/4.0 |
| institution |
Universidad Nacional de Córdoba |
| institution_str |
I-10 |
| repository_str |
R-310 |
| container_title_str |
Avances |
| language |
Español |
| format |
Artículo revista |
| topic |
arte política represión encerrar performance art politics repression locking up performance |
| spellingShingle |
arte política represión encerrar performance art politics repression locking up performance Cebollada, Julieta Arts, politics and provocation: between El encierro y La encerrona |
| topic_facet |
arte política represión encerrar performance art politics repression locking up performance |
| author |
Cebollada, Julieta |
| author_facet |
Cebollada, Julieta |
| author_sort |
Cebollada, Julieta |
| title |
Arts, politics and provocation: between El encierro y La encerrona |
| title_short |
Arts, politics and provocation: between El encierro y La encerrona |
| title_full |
Arts, politics and provocation: between El encierro y La encerrona |
| title_fullStr |
Arts, politics and provocation: between El encierro y La encerrona |
| title_full_unstemmed |
Arts, politics and provocation: between El encierro y La encerrona |
| title_sort |
arts, politics and provocation: between el encierro y la encerrona |
| description |
In this work we attempt to analyze the performance El encierro, carried out in 1968 in Rosario by the artist born in Marcos Juárez and resident in Rosario Graciela Carnevale. Likewise, it is related to an artistic action carried out at the Antibienal of Córdoba in 1966, with a similar theme. The objectives of this research are focused on observing and comparing El encierro and La encerrona, their points of contact and differences within a very particular social and political moment in Argentina at that time. Jointly, the aim is to establish the connections between art and political action that implies a dematerialization of the work of art as an object to be contemplated as a rejection of the traditional institutions and circuits of circulation of those art works. In the same way, artistic performance is articulated as an expressive medium that involves the body and seeks to remove it from its numbness and provoke a reaction in the spectators. |
| publisher |
Editorial de la Facultad de Artes |
| publishDate |
2024 |
| url |
https://revistas.unc.edu.ar/index.php/avances/article/view/45502 |
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AT cebolladajulieta artspoliticsandprovocationbetweenelencierroylaencerrona AT cebolladajulieta artepoliticayprovocacionentreelencierroylaencerrona |
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2024-09-03T20:28:52Z |
| last_indexed |
2025-05-10T05:09:22Z |
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1831708931123052544 |