Annotations on Un texto camino (sung and spoken by Caistulo, listened/transcribed by Dani Zelko)

We are interested in raising some questions about Un texto camino, a text that is part of the series under construction Movimiento por la lengua, edited by Dani Zelko using a specific procedure that links orality, listening, transcription and editing. Unlike other texts in the series, the case of th...

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Autor principal: Boero, María Soledad
Formato: Artículo revista
Lenguaje:Español
Publicado: Editorial de la Facultad de Artes 2024
Materias:
escucha
procedimiento
poema
afecto
signo
listening
procedure
poem
affection
sign
Acceso en línea:https://revistas.unc.edu.ar/index.php/avances/article/view/45498
Aporte de:
Avances de Universidad Nacional de Córdoba
id I10-R310-article-45498
record_format ojs
spelling I10-R310-article-454982025-03-28T18:03:11Z Annotations on Un texto camino (sung and spoken by Caistulo, listened/transcribed by Dani Zelko) Anotaciones sobre Un texto camino (cantado y hablado por Caístulo, escuchado/transcripto por Dani Zelko) Boero, María Soledad escucha procedimiento poema afecto signo listening procedure poem affection sign We are interested in raising some questions about Un texto camino, a text that is part of the series under construction Movimiento por la lengua, edited by Dani Zelko using a specific procedure that links orality, listening, transcription and editing. Unlike other texts in the series, the case of the testimony/song of Caístulo —inhabitant of a Wichi community in the Gran Chaco, located on the border between Argentina, Bolivia and Paraguay, crossed by extremely precarious historical conditions— arises after an extreme experience he lived at the time of the pandemic/2020: after remaining in a coma for several hours in the bush, he wakes up and begins to sing in Wichí ihämtes, certain messages —he says— “that the mothers, what we usually call trees, transmit to them”. We wonder about this “song” and the subsequent narration that gave rise to this text: how this voice bursts into the public space, what affects/thoughts it gives rise to and how the procedure implemented by Zelko would operate in this sensitive emergence. Listening as a mode of relation allows us to inquire into the voice/word of Caístulo, in the images of thought that he deploys, in the use of signs and their connections, at the same time that it would stress certain codified forms of listening, which prompts us to reflect on other ways of intervention in the aesthetic and political imagination. Nos interesa plantear algunos interrogantes en torno a Un texto camino, escritura que forma parte de la serie en construcción Movimiento por la lengua, editada por Dani Zelko a partir de un procedimiento específico que vincula oralidad, escucha, transcripción y edición. A diferencia de otros textos de la serie, el caso del testimonio/canto de Caístulo —habitante de una comunidad wichi del Gran Chaco, situada en la frontera entre Argentina, Bolivia y Paraguay, atravesada por condiciones históricas de precariedad extremas— surge después de una experiencia límite que este vivió en el momento de la pandemia/2020: luego de permanecer en coma durante varias horas en el monte, se despierta y comienza a cantar en wichí ihämtes ciertos mensajes —dice— “que les transmiten las madres, lo que solemos llamar árboles”. Nos preguntamos sobre ese “canto” y la narración posterior que dio lugar a ese texto camino: cómo irrumpe esa voz en el espacio público, a qué afectos/pensamientos da lugar y cómo el procedimiento implementado por Zelko operaría en esa emergencia sensible. La escucha como modo de relación nos permite indagar en la voz/palabra de Caístulo, en las imágenes de pensamiento que despliega, en el uso de los signos y sus conexiones, a la vez que tensionaría ciertas formas codificadas de la escucha, lo que nos impulsa a reflexionar sobre otras maneras de intervención en la imaginación estética y política. Editorial de la Facultad de Artes 2024-07-05 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Double-Blind Peer Review Paper Artículo revisados por pares (doble ciego) application/pdf text/html application/epub+zip https://revistas.unc.edu.ar/index.php/avances/article/view/45498 Avances; Núm. 33 (2024); 37-54 2718-6555 1667-927X spa https://revistas.unc.edu.ar/index.php/avances/article/view/45498/45643 https://revistas.unc.edu.ar/index.php/avances/article/view/45498/45550 https://revistas.unc.edu.ar/index.php/avances/article/view/45498/45549 Derechos de autor 2024 María Soledad Boero https://creativecommons.org/licenses/by-nc-sa/4.0
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-310
container_title_str Avances
language Español
format Artículo revista
topic escucha
procedimiento
poema
afecto
signo
listening
procedure
poem
affection
sign
spellingShingle escucha
procedimiento
poema
afecto
signo
listening
procedure
poem
affection
sign
Boero, María Soledad
Annotations on Un texto camino (sung and spoken by Caistulo, listened/transcribed by Dani Zelko)
topic_facet escucha
procedimiento
poema
afecto
signo
listening
procedure
poem
affection
sign
author Boero, María Soledad
author_facet Boero, María Soledad
author_sort Boero, María Soledad
title Annotations on Un texto camino (sung and spoken by Caistulo, listened/transcribed by Dani Zelko)
title_short Annotations on Un texto camino (sung and spoken by Caistulo, listened/transcribed by Dani Zelko)
title_full Annotations on Un texto camino (sung and spoken by Caistulo, listened/transcribed by Dani Zelko)
title_fullStr Annotations on Un texto camino (sung and spoken by Caistulo, listened/transcribed by Dani Zelko)
title_full_unstemmed Annotations on Un texto camino (sung and spoken by Caistulo, listened/transcribed by Dani Zelko)
title_sort annotations on un texto camino (sung and spoken by caistulo, listened/transcribed by dani zelko)
description We are interested in raising some questions about Un texto camino, a text that is part of the series under construction Movimiento por la lengua, edited by Dani Zelko using a specific procedure that links orality, listening, transcription and editing. Unlike other texts in the series, the case of the testimony/song of Caístulo —inhabitant of a Wichi community in the Gran Chaco, located on the border between Argentina, Bolivia and Paraguay, crossed by extremely precarious historical conditions— arises after an extreme experience he lived at the time of the pandemic/2020: after remaining in a coma for several hours in the bush, he wakes up and begins to sing in Wichí ihämtes, certain messages —he says— “that the mothers, what we usually call trees, transmit to them”. We wonder about this “song” and the subsequent narration that gave rise to this text: how this voice bursts into the public space, what affects/thoughts it gives rise to and how the procedure implemented by Zelko would operate in this sensitive emergence. Listening as a mode of relation allows us to inquire into the voice/word of Caístulo, in the images of thought that he deploys, in the use of signs and their connections, at the same time that it would stress certain codified forms of listening, which prompts us to reflect on other ways of intervention in the aesthetic and political imagination.
publisher Editorial de la Facultad de Artes
publishDate 2024
url https://revistas.unc.edu.ar/index.php/avances/article/view/45498
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first_indexed 2024-09-03T20:28:51Z
last_indexed 2025-05-10T05:09:21Z
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