Open Mount proyect. An ode to Crafts

In this paper we analyze the Open Mount project, which represented Argentina at the third London Design Biennale with thepurpose of knowing the relationships established between Crafts, Design and Art. We analyze the installation from the Semioticperspective (Peirce) as a dynamic sign that acquires...

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Detalles Bibliográficos
Autor principal: Martínez, Amalia Soledad
Formato: Artículo revista
Lenguaje:Español
Publicado: Editorial de la Facultad de Artes 2023
Materias:
Artesanía
Diseño
Patrimonio
Sociosemiótica
Discurso
Crafts
Design
Heritage
Sociosemiotic
Discourse
Acceso en línea:https://revistas.unc.edu.ar/index.php/avances/article/view/41722
Aporte de:
Avances de Universidad Nacional de Córdoba
id I10-R310-article-41722
record_format ojs
spelling I10-R310-article-417222025-03-28T18:33:33Z Open Mount proyect. An ode to Crafts Monte abierto. Oda a la artesanía Martínez, Amalia Soledad Artesanía Diseño Patrimonio Sociosemiótica Discurso Crafts Design Heritage Sociosemiotic Discourse In this paper we analyze the Open Mount project, which represented Argentina at the third London Design Biennale with thepurpose of knowing the relationships established between Crafts, Design and Art. We analyze the installation from the Semioticperspective (Peirce) as a dynamic sign that acquires different levels of meaning. And from the socio-semiotic perspective (Verón 1993) as a significant configuration that contains traces that account for its production conditions and its effects. Open Monte was designed by Cristián Mohaded with the purpose of putting design in dialogue with craftsmanship, making the craftsmanship of Lorenzo Reyes visible. The raw material of this installation is the "simbol", a weed that grows naturally in the mountains of Catamarca. Our hypothesis is that the design constitutes a device destined to value the craft through aestheticization operations. En esta ponencia analizamos el proyecto Monte abierto, que representó a Argentina en la Tercera Bienal de Diseño de Londres con el propósito de conocer las relaciones que se establecen entre artesanía, diseño y arte. Analizamos la instalación desde la perspectiva semiótica de Peirce (Houser y Kloesel, 2012) como signo dinámico que adquiere diferentes niveles de significación. Y desde la perspectiva sociosemiótica (Verón, 1993) como una configuración significante que contiene huellas que dan cuenta de sus condiciones de producción y sus efectos. Monte abierto fue diseñada por Cristián Mohaded con el propósito de poner en diálogo el diseño con la artesanía haciendo visible el trabajo artesanal de Lorenzo Reyes. La materia prima de esta instalación es el simbol, un yuyo que crece naturalmente en el monte catamarqueño. Nuestra hipótesis es que el diseño se constituye en dispositivo destinado a poner en valor la artesanía a través de operaciones de estetización. Editorial de la Facultad de Artes 2023-07-01 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Double-Blind Peer Review Paper Artículo revisados por pares (doble ciego) application/pdf text/html application/epub+zip https://revistas.unc.edu.ar/index.php/avances/article/view/41722 Avances; Núm. 32 (2023); 221-236 2718-6555 1667-927X spa https://revistas.unc.edu.ar/index.php/avances/article/view/41722/41844 https://revistas.unc.edu.ar/index.php/avances/article/view/41722/41878 https://revistas.unc.edu.ar/index.php/avances/article/view/41722/41879 Derechos de autor 2023 Amalia Soledad Martínez https://creativecommons.org/licenses/by-nc-sa/4.0
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-310
container_title_str Avances
language Español
format Artículo revista
topic Artesanía
Diseño
Patrimonio
Sociosemiótica
Discurso
Crafts
Design
Heritage
Sociosemiotic
Discourse
spellingShingle Artesanía
Diseño
Patrimonio
Sociosemiótica
Discurso
Crafts
Design
Heritage
Sociosemiotic
Discourse
Martínez, Amalia Soledad
Open Mount proyect. An ode to Crafts
topic_facet Artesanía
Diseño
Patrimonio
Sociosemiótica
Discurso
Crafts
Design
Heritage
Sociosemiotic
Discourse
author Martínez, Amalia Soledad
author_facet Martínez, Amalia Soledad
author_sort Martínez, Amalia Soledad
title Open Mount proyect. An ode to Crafts
title_short Open Mount proyect. An ode to Crafts
title_full Open Mount proyect. An ode to Crafts
title_fullStr Open Mount proyect. An ode to Crafts
title_full_unstemmed Open Mount proyect. An ode to Crafts
title_sort open mount proyect. an ode to crafts
description In this paper we analyze the Open Mount project, which represented Argentina at the third London Design Biennale with thepurpose of knowing the relationships established between Crafts, Design and Art. We analyze the installation from the Semioticperspective (Peirce) as a dynamic sign that acquires different levels of meaning. And from the socio-semiotic perspective (Verón 1993) as a significant configuration that contains traces that account for its production conditions and its effects. Open Monte was designed by Cristián Mohaded with the purpose of putting design in dialogue with craftsmanship, making the craftsmanship of Lorenzo Reyes visible. The raw material of this installation is the "simbol", a weed that grows naturally in the mountains of Catamarca. Our hypothesis is that the design constitutes a device destined to value the craft through aestheticization operations.
publisher Editorial de la Facultad de Artes
publishDate 2023
url https://revistas.unc.edu.ar/index.php/avances/article/view/41722
work_keys_str_mv AT martinezamaliasoledad openmountproyectanodetocrafts
AT martinezamaliasoledad monteabiertoodaalaartesania
first_indexed 2024-09-03T20:28:50Z
last_indexed 2025-05-10T05:09:20Z
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