Party, sexual dissidence and community in the post-pandemic era
Based on an empirical description of the practice Entrenar la fiesta by Grupo ORGIE and a genealogical approach to the meaning of the festival in the history of Western dance, the following article proposes three possible interpretations. First, we argue that the performance conducts a disruptive po...
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| Formato: | Artículo revista |
| Lenguaje: | Español |
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Editorial de la Facultad de Artes
2023
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| Acceso en línea: | https://revistas.unc.edu.ar/index.php/avances/article/view/41681 |
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| Sumario: | Based on an empirical description of the practice Entrenar la fiesta by Grupo ORGIE and a genealogical approach to the meaning of the festival in the history of Western dance, the following article proposes three possible interpretations. First, we argue that the performance conducts a disruptive political intervention on the moral economy of affects. In this sense, it engages in a reflection on the festival as a political ritual opposed to the symbolic apparatus of representation. However, Entrenar la fiesta goes beyond the sense of a demonstration on behalf of sexual minorities to propose new ways of understanding life in common through a choreographic experience. |
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