Party, sexual dissidence and community in the post-pandemic era

Based on an empirical description of the practice Entrenar la fiesta by Grupo ORGIE and a genealogical approach to the meaning of the festival in the history of Western dance, the following article proposes three possible interpretations. First, we argue that the performance conducts a disruptive po...

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Detalles Bibliográficos
Autor principal: Vallejos, Juan Ignacio
Formato: Artículo revista
Lenguaje:Español
Publicado: Editorial de la Facultad de Artes 2023
Materias:
Fiesta
Comunidad
Feminismo
Pandemia
Performance
Party
Community
Feminism
Pandemic
Acceso en línea:https://revistas.unc.edu.ar/index.php/avances/article/view/41681
Aporte de:
Avances de Universidad Nacional de Córdoba
id I10-R310-article-41681
record_format ojs
spelling I10-R310-article-416812025-03-28T18:38:39Z Party, sexual dissidence and community in the post-pandemic era Fiesta, disidencia sexual y comunidad en la era de la pospandemia Vallejos, Juan Ignacio Fiesta Comunidad Feminismo Pandemia Performance Party Community Feminism Pandemic Performance Based on an empirical description of the practice Entrenar la fiesta by Grupo ORGIE and a genealogical approach to the meaning of the festival in the history of Western dance, the following article proposes three possible interpretations. First, we argue that the performance conducts a disruptive political intervention on the moral economy of affects. In this sense, it engages in a reflection on the festival as a political ritual opposed to the symbolic apparatus of representation. However, Entrenar la fiesta goes beyond the sense of a demonstration on behalf of sexual minorities to propose new ways of understanding life in common through a choreographic experience. A partir de una descripción experiencial de la práctica Entrenar la fiesta del Grupo ORGIE y de una mirada genealógica sobre el significado de la fiesta en la historia de la danza occidental, el siguiente artículo propone tres lecturas posibles. Primero, sostenemos que la performance realiza una intervención política en modo disidente sobre la economía moral de los afectos. En ese sentido, ejercita una reflexión acerca de la fiesta como ritual político contrapuesto al dispositivo simbólico de la representación. Sin embargo, Entrenar la fiesta excede el sentido de una reivindicación de las minorías sexuales y propone nuevas formas de entender la vida en común desde una experiencia coreográfica. Editorial de la Facultad de Artes 2023-07-01 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Double-Blind Peer Review Paper Artículo revisados por pares (doble ciego) application/pdf text/html application/epub+zip https://revistas.unc.edu.ar/index.php/avances/article/view/41681 Avances; Núm. 32 (2023); 367-382 2718-6555 1667-927X spa https://revistas.unc.edu.ar/index.php/avances/article/view/41681/41852 https://revistas.unc.edu.ar/index.php/avances/article/view/41681/41894 https://revistas.unc.edu.ar/index.php/avances/article/view/41681/41895 Derechos de autor 2023 Juan Ignacio Vallejos https://creativecommons.org/licenses/by-nc-sa/4.0
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-310
container_title_str Avances
language Español
format Artículo revista
topic Fiesta
Comunidad
Feminismo
Pandemia
Performance
Party
Community
Feminism
Pandemic
Performance
spellingShingle Fiesta
Comunidad
Feminismo
Pandemia
Performance
Party
Community
Feminism
Pandemic
Performance
Vallejos, Juan Ignacio
Party, sexual dissidence and community in the post-pandemic era
topic_facet Fiesta
Comunidad
Feminismo
Pandemia
Performance
Party
Community
Feminism
Pandemic
Performance
author Vallejos, Juan Ignacio
author_facet Vallejos, Juan Ignacio
author_sort Vallejos, Juan Ignacio
title Party, sexual dissidence and community in the post-pandemic era
title_short Party, sexual dissidence and community in the post-pandemic era
title_full Party, sexual dissidence and community in the post-pandemic era
title_fullStr Party, sexual dissidence and community in the post-pandemic era
title_full_unstemmed Party, sexual dissidence and community in the post-pandemic era
title_sort party, sexual dissidence and community in the post-pandemic era
description Based on an empirical description of the practice Entrenar la fiesta by Grupo ORGIE and a genealogical approach to the meaning of the festival in the history of Western dance, the following article proposes three possible interpretations. First, we argue that the performance conducts a disruptive political intervention on the moral economy of affects. In this sense, it engages in a reflection on the festival as a political ritual opposed to the symbolic apparatus of representation. However, Entrenar la fiesta goes beyond the sense of a demonstration on behalf of sexual minorities to propose new ways of understanding life in common through a choreographic experience.
publisher Editorial de la Facultad de Artes
publishDate 2023
url https://revistas.unc.edu.ar/index.php/avances/article/view/41681
work_keys_str_mv AT vallejosjuanignacio partysexualdissidenceandcommunityinthepostpandemicera
AT vallejosjuanignacio fiestadisidenciasexualycomunidadenlaeradelapospandemia
first_indexed 2024-09-03T20:28:50Z
last_indexed 2025-05-10T05:09:19Z
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