Counter-presentations, irony and parody in disputes over representation
aking as its starting point, the debate reopened by the publication of César González's book, El fetishismo de la marginidad (2021),this work reflects on the different ways of representing the other, specifically in those cases in which it refers to subjects in situationsof marginality and excl...
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| Formato: | Artículo revista |
| Lenguaje: | Español |
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Editorial de la Facultad de Artes
2023
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| Acceso en línea: | https://revistas.unc.edu.ar/index.php/avances/article/view/41661 |
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I10-R310-article-41661 |
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I10-R310-article-416612025-03-28T18:36:55Z Counter-presentations, irony and parody in disputes over representation Contrarrepresentaciones, ironía y parodia en las disputas por la representación Sola, Paola Triquell, Ximena Representaciones sociales Marginalidad Cine Argentino Social representations Marginality Argentinian cinema aking as its starting point, the debate reopened by the publication of César González's book, El fetishismo de la marginidad (2021),this work reflects on the different ways of representing the other, specifically in those cases in which it refers to subjects in situationsof marginality and exclusion. Overcoming the dichotomy representation - counter-representation, the article proposes to consider the potentialities offered by different resources such as irony, parody or satire, to confront dominant discourses and generate the conditions for the development of new representations. To do so, we consider the work of González himself, and two obligatoryreference texts, the Colombian film Agarrando pueblo (Ospina and Mayolo, 1977) and the Argentininian film Estrellas (León andMartínez, 2007). A partir del debate reabierto por la publicación del libro de César González (2021), El fetichismo de la marginalidad, el presente trabajo reflexiona sobre las diferentes maneras de representación del otro, específicamente en aquellos casos en que se hace referencia a sujetos en situaciones de marginalidad y exclusión. Superando la dicotomía representación - contrarrepresentación, el artículo propone considerar las potencialidades que ofrecen diferentes recursos como la ironía, la parodia o la sátira, para enfrentar los discursos dominantes y generar las condiciones para que surjan nuevas representaciones. Para hacerlo recurre a la obra del propio González, y a dos textos de referencia obligada, el film colombiano Agarrando pueblo (Ospina y Mayolo, 1977) y la película argentina Estrellas (León y Martínez, 2007). Editorial de la Facultad de Artes 2023-07-01 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Double-Blind Peer Review Paper Artículo revisados por pares (doble ciego) application/pdf text/html application/epub+zip https://revistas.unc.edu.ar/index.php/avances/article/view/41661 Avances; Núm. 32 (2023); 311-325 2718-6555 1667-927X spa https://revistas.unc.edu.ar/index.php/avances/article/view/41661/41849 https://revistas.unc.edu.ar/index.php/avances/article/view/41661/41888 https://revistas.unc.edu.ar/index.php/avances/article/view/41661/41889 Derechos de autor 2023 Paola Sola, Ximena Triquell https://creativecommons.org/licenses/by-nc-sa/4.0 |
| institution |
Universidad Nacional de Córdoba |
| institution_str |
I-10 |
| repository_str |
R-310 |
| container_title_str |
Avances |
| language |
Español |
| format |
Artículo revista |
| topic |
Representaciones sociales Marginalidad Cine Argentino Social representations Marginality Argentinian cinema |
| spellingShingle |
Representaciones sociales Marginalidad Cine Argentino Social representations Marginality Argentinian cinema Sola, Paola Triquell, Ximena Counter-presentations, irony and parody in disputes over representation |
| topic_facet |
Representaciones sociales Marginalidad Cine Argentino Social representations Marginality Argentinian cinema |
| author |
Sola, Paola Triquell, Ximena |
| author_facet |
Sola, Paola Triquell, Ximena |
| author_sort |
Sola, Paola |
| title |
Counter-presentations, irony and parody in disputes over representation |
| title_short |
Counter-presentations, irony and parody in disputes over representation |
| title_full |
Counter-presentations, irony and parody in disputes over representation |
| title_fullStr |
Counter-presentations, irony and parody in disputes over representation |
| title_full_unstemmed |
Counter-presentations, irony and parody in disputes over representation |
| title_sort |
counter-presentations, irony and parody in disputes over representation |
| description |
aking as its starting point, the debate reopened by the publication of César González's book, El fetishismo de la marginidad (2021),this work reflects on the different ways of representing the other, specifically in those cases in which it refers to subjects in situationsof marginality and exclusion. Overcoming the dichotomy representation - counter-representation, the article proposes to consider the potentialities offered by different resources such as irony, parody or satire, to confront dominant discourses and generate the conditions for the development of new representations. To do so, we consider the work of González himself, and two obligatoryreference texts, the Colombian film Agarrando pueblo (Ospina and Mayolo, 1977) and the Argentininian film Estrellas (León andMartínez, 2007). |
| publisher |
Editorial de la Facultad de Artes |
| publishDate |
2023 |
| url |
https://revistas.unc.edu.ar/index.php/avances/article/view/41661 |
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2024-09-03T20:28:49Z |
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2025-05-10T05:09:18Z |
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