How theater reaches the publics which do not go to the theater. The role of Córdoba itinerant theater in the creation of new audiences

In this paper, we propose addressing the issue of studying the experience of new audiences, diving into the conditions of performing arts reception. For this, we raise the following questions: How are the initiation experiences of performing arts for the new publics in Córdoba? What are the receptio...

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Autor principal: Silbert, Ximena
Formato: Artículo revista
Lenguaje:Español
Publicado: Editorial de la Facultad de Artes 2023
Materias:
Teatro itinerante
Acceso al arte
Nuevos públicos
Campos
Periferia
Itinerant theatre
Access to arte
New audiences
Field
Fringe
Acceso en línea:https://revistas.unc.edu.ar/index.php/avances/article/view/41660
Aporte de:
Avances de Universidad Nacional de Córdoba
id I10-R310-article-41660
record_format ojs
spelling I10-R310-article-416602025-03-28T18:35:58Z How theater reaches the publics which do not go to the theater. The role of Córdoba itinerant theater in the creation of new audiences Cómo llega el teatro a los públicos que no llegan al teatro. El papel del teatro itinerante de Córdoba en la creación de nuevos públicos Silbert, Ximena Teatro itinerante Acceso al arte Nuevos públicos Campos Periferia Itinerant theatre Access to arte New audiences Field Fringe In this paper, we propose addressing the issue of studying the experience of new audiences, diving into the conditions of performing arts reception. For this, we raise the following questions: How are the initiation experiences of performing arts for the new publics in Córdoba? What are the reception conditions and contexts? We will characterize Cordoba Itinerant Theater, taking it as the field where the game of the performing arts circulation towards the new publics takes place. As a methodological approach, we will use the Field Theory by Pierre Bourdieu to autotomize a field as an object of study. We will question its autonomy process and its bond with external spheres. We will try to recognize the interests that define its game, focusing especially on specificity of the dispositions and practices that differentiate the agents of this field from agents of similar or wider fields, as Cordoba independent theater. Finally, we will analyze its relation with the State, as the product of a historical construction linked to the consolidation of the democratic values and therefore of the democratization of access to art. En este artículo proponemos abordar el problema de estudiar las experiencias de los nuevos públicos, profundizando en las condiciones en que se da el acceso a las artes escénicas. Para ello partimos de las siguientes preguntas: ¿Cómo son las experiencias de iniciación en artes escénicas para los nuevos públicos en Córdoba? ¿Cuáles son los contextos y condiciones de recepción?  Formularemos una caracterización del Teatro Itinerante de Córdoba, asumiéndolo como el campo en donde tiene lugar el juego de la circulación de las artes escénicas hacia nuevos públicos. Nos serviremos de la teoría de los campos de Pierre Bourdieu como enfoque metodológico para autonomizar un campo como objeto de estudio. Nos preguntaremos por dicho proceso de autonomización y su vínculo con esferas externas. Intentaremos reconocer los intereses que definen su juego, poniendo especial atención a la especificidad de las disposiciones y las prácticas que distinguen a los agentes de este campo de los agentes de campos similares o más amplios como el teatro independiente de Córdoba. Por último, analizaremos su vínculo con el Estado, como producto de una construcción histórica ligada a la consolidación de los valores democráticos y, por lo tanto, de la democratización del acceso al arte. Editorial de la Facultad de Artes 2023-07-01 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Double-Blind Peer Review Paper Artículo revisados por pares (doble ciego) application/pdf text/html application/epub+zip https://revistas.unc.edu.ar/index.php/avances/article/view/41660 Avances; Núm. 32 (2023); 291-309 2718-6555 1667-927X spa https://revistas.unc.edu.ar/index.php/avances/article/view/41660/41848 https://revistas.unc.edu.ar/index.php/avances/article/view/41660/41886 https://revistas.unc.edu.ar/index.php/avances/article/view/41660/41887 Derechos de autor 2023 Ximena Silbert https://creativecommons.org/licenses/by-nc-sa/4.0
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-310
container_title_str Avances
language Español
format Artículo revista
topic Teatro itinerante
Acceso al arte
Nuevos públicos
Campos
Periferia
Itinerant theatre
Access to arte
New audiences
Field
Fringe
spellingShingle Teatro itinerante
Acceso al arte
Nuevos públicos
Campos
Periferia
Itinerant theatre
Access to arte
New audiences
Field
Fringe
Silbert, Ximena
How theater reaches the publics which do not go to the theater. The role of Córdoba itinerant theater in the creation of new audiences
topic_facet Teatro itinerante
Acceso al arte
Nuevos públicos
Campos
Periferia
Itinerant theatre
Access to arte
New audiences
Field
Fringe
author Silbert, Ximena
author_facet Silbert, Ximena
author_sort Silbert, Ximena
title How theater reaches the publics which do not go to the theater. The role of Córdoba itinerant theater in the creation of new audiences
title_short How theater reaches the publics which do not go to the theater. The role of Córdoba itinerant theater in the creation of new audiences
title_full How theater reaches the publics which do not go to the theater. The role of Córdoba itinerant theater in the creation of new audiences
title_fullStr How theater reaches the publics which do not go to the theater. The role of Córdoba itinerant theater in the creation of new audiences
title_full_unstemmed How theater reaches the publics which do not go to the theater. The role of Córdoba itinerant theater in the creation of new audiences
title_sort how theater reaches the publics which do not go to the theater. the role of córdoba itinerant theater in the creation of new audiences
description In this paper, we propose addressing the issue of studying the experience of new audiences, diving into the conditions of performing arts reception. For this, we raise the following questions: How are the initiation experiences of performing arts for the new publics in Córdoba? What are the reception conditions and contexts? We will characterize Cordoba Itinerant Theater, taking it as the field where the game of the performing arts circulation towards the new publics takes place. As a methodological approach, we will use the Field Theory by Pierre Bourdieu to autotomize a field as an object of study. We will question its autonomy process and its bond with external spheres. We will try to recognize the interests that define its game, focusing especially on specificity of the dispositions and practices that differentiate the agents of this field from agents of similar or wider fields, as Cordoba independent theater. Finally, we will analyze its relation with the State, as the product of a historical construction linked to the consolidation of the democratic values and therefore of the democratization of access to art.
publisher Editorial de la Facultad de Artes
publishDate 2023
url https://revistas.unc.edu.ar/index.php/avances/article/view/41660
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first_indexed 2024-09-03T20:28:49Z
last_indexed 2025-05-10T05:09:18Z
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