Vibrant matter and animated geography: The case of Pacha, Barro Somos

An analysis of the animated production La Pacha and its ceremony is proposed, considering the proposal of Laura Marks (2002) of the image as a connective tissue, a palimpsest of events and circumstances that unfold in and from the image to the world. The articulation is built here on three sections:...

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Autor principal: Martinez, Luján Ailen
Formato: Artículo revista
Lenguaje:Español
Publicado: Editorial de la Facultad de Artes 2023
Materias:
Animación latinoamericana
Stop motion
Materialidades
Espacios
Geografía afectiva
Latin American animation
Materialities
Spaces
Affective geography
Acceso en línea:https://revistas.unc.edu.ar/index.php/avances/article/view/41481
Aporte de:
Avances de Universidad Nacional de Córdoba
id I10-R310-article-41481
record_format ojs
spelling I10-R310-article-414812025-03-28T18:34:07Z Vibrant matter and animated geography: The case of Pacha, Barro Somos Materia vibrante y geografía animada: El caso de Pacha, barro somos Martinez, Luján Ailen Animación latinoamericana Stop motion Materialidades Espacios Geografía afectiva Latin American animation Stop motion Materialities Spaces Affective geography An analysis of the animated production La Pacha and its ceremony is proposed, considering the proposal of Laura Marks (2002) of the image as a connective tissue, a palimpsest of events and circumstances that unfold in and from the image to the world. The articulation is built here on three sections: 1) The territory and its narrative; 2) Matter, technology and trance; and 3) A living landscape. The first aims to think about the context of production of the narrative in question and its anchorage in the Andeanterritory, its geography, its culture, its history, its cosmogony. The second focuses on the formal power of animation, on the operation of matter as a narrative and symbolic element, and the links that are proposed in the story between the human and nature following Andermann's proposal in his work Tierras en Trance (2018). In the third, the division between culture and nature in the Andean territory is put in tension through authors such as De la Cadena (2015) and Adams and Mulligan (2003), and the new possibilities of linking matter and sensibility, the real and the imaginary, through art and technology. Se propone un análisis de la producción animada La Pacha y su ceremonia, dirigida por la argentina Aldana Loiseau (2019), considerando la propuesta de Marks (2002) de la imagen como un tejido conectivo, un palimpsesto de acontecimientos y circunstancias que se despliegan en y desde la imagen hacia el mundo. La articulación se construye aquí sobre tres apartados:1) El territorio y su narrativa; 2) Materia, tecnología y trance; y 3) Un paisaje viviente. El primero apunta a pensar en el contexto deproducción de la narrativa que se trata y su anclaje en el territorio cordillerano, su geografía, su cultura, sus historia, su cosmogonía.El segundo, se concentra en la potencia formal de la animación, en la operación de la materia como elemento narrativo y simbólico,y los vínculos que se proponen en el relato entre lo humano y la naturaleza siguiendo la propuesta de Andermann (2018) en su trabajo Tierras en Trance. En el tercero, se pone en tensión la división entre cultura y naturaleza en el territorio andino a través de autores como De la Cadena (2015) y Adams y Mulligan (2003), y las nuevas posibilidades de vincular materia y sensibilidad, lo real y lo imaginario, a través del arte y la tecnología. Editorial de la Facultad de Artes 2023-07-01 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Double-Blind Peer Review Paper Artículo revisados por pares (doble ciego) application/pdf text/html application/epub+zip https://revistas.unc.edu.ar/index.php/avances/article/view/41481 Avances; Núm. 32 (2023); 237-249 2718-6555 1667-927X spa https://revistas.unc.edu.ar/index.php/avances/article/view/41481/41845 https://revistas.unc.edu.ar/index.php/avances/article/view/41481/41880 https://revistas.unc.edu.ar/index.php/avances/article/view/41481/41881 Derechos de autor 2023 Luján Ailen Martinez https://creativecommons.org/licenses/by-nc-sa/4.0
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-310
container_title_str Avances
language Español
format Artículo revista
topic Animación latinoamericana
Stop motion
Materialidades
Espacios
Geografía afectiva
Latin American animation
Stop motion
Materialities
Spaces
Affective geography
spellingShingle Animación latinoamericana
Stop motion
Materialidades
Espacios
Geografía afectiva
Latin American animation
Stop motion
Materialities
Spaces
Affective geography
Martinez, Luján Ailen
Vibrant matter and animated geography: The case of Pacha, Barro Somos
topic_facet Animación latinoamericana
Stop motion
Materialidades
Espacios
Geografía afectiva
Latin American animation
Stop motion
Materialities
Spaces
Affective geography
author Martinez, Luján Ailen
author_facet Martinez, Luján Ailen
author_sort Martinez, Luján Ailen
title Vibrant matter and animated geography: The case of Pacha, Barro Somos
title_short Vibrant matter and animated geography: The case of Pacha, Barro Somos
title_full Vibrant matter and animated geography: The case of Pacha, Barro Somos
title_fullStr Vibrant matter and animated geography: The case of Pacha, Barro Somos
title_full_unstemmed Vibrant matter and animated geography: The case of Pacha, Barro Somos
title_sort vibrant matter and animated geography: the case of pacha, barro somos
description An analysis of the animated production La Pacha and its ceremony is proposed, considering the proposal of Laura Marks (2002) of the image as a connective tissue, a palimpsest of events and circumstances that unfold in and from the image to the world. The articulation is built here on three sections: 1) The territory and its narrative; 2) Matter, technology and trance; and 3) A living landscape. The first aims to think about the context of production of the narrative in question and its anchorage in the Andeanterritory, its geography, its culture, its history, its cosmogony. The second focuses on the formal power of animation, on the operation of matter as a narrative and symbolic element, and the links that are proposed in the story between the human and nature following Andermann's proposal in his work Tierras en Trance (2018). In the third, the division between culture and nature in the Andean territory is put in tension through authors such as De la Cadena (2015) and Adams and Mulligan (2003), and the new possibilities of linking matter and sensibility, the real and the imaginary, through art and technology.
publisher Editorial de la Facultad de Artes
publishDate 2023
url https://revistas.unc.edu.ar/index.php/avances/article/view/41481
work_keys_str_mv AT martinezlujanailen vibrantmatterandanimatedgeographythecaseofpachabarrosomos
AT martinezlujanailen materiavibranteygeografiaanimadaelcasodepachabarrosomos
first_indexed 2024-09-03T20:28:48Z
last_indexed 2025-05-10T05:09:17Z
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