Art and cultural policies in Santa Fe.The "Rosa Galisteo de Rodríguez" Museum (1922-1943)

The first two decades of the 20th century are essential to understand the different processes of institutionalization of the artistic field in Argentina. Unlike many other cases, the history of the Museum of Fine Arts in Santa Fe, Rosa Galisteo de Rodriguez, allows us to analyze the particular way i...

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Autores principales: Giménez, Juan Cruz, Walpen, Juan Bautista
Formato: Artículo revista
Lenguaje:Español
Publicado: Editorial de la Facultad de Artes 2023
Materias:
Museo
Campo artístico
institucionalización
Políticas culturales
Redes
Museum
Artistic field
Institutionalization
Cultural Policies
Networks
Acceso en línea:https://revistas.unc.edu.ar/index.php/avances/article/view/41479
Aporte de:
Avances de Universidad Nacional de Córdoba
id I10-R310-article-41479
record_format ojs
spelling I10-R310-article-414792025-03-28T18:31:00Z Art and cultural policies in Santa Fe.The "Rosa Galisteo de Rodríguez" Museum (1922-1943) Arte y políticas culturales en Santa Fe. El Museo "Rosa Galisteo de Rodríguez" (1922-1943) Giménez, Juan Cruz Walpen, Juan Bautista Museo Campo artístico institucionalización Políticas culturales Redes Museum Artistic field Institutionalization Cultural Policies Networks The first two decades of the 20th century are essential to understand the different processes of institutionalization of the artistic field in Argentina. Unlike many other cases, the history of the Museum of Fine Arts in Santa Fe, Rosa Galisteo de Rodriguez, allows us to analyze the particular way in which it was carried out. A political member of the local society, Mr. Martín Rodríguez Galisteo, built the museum and then donated it to the local government. In this way the process of institutionalization of the artistic field started in the city and in the province as well.To understand these two processes, the one carried out by the museum and the one in the city, two issues should be considered.One is the institutional development of the museum; for which three important aspects should be taken as backbones (for their importance in history and for the amount of sources available as well). They are: The Annual Art Show, the presence of Mr. HoracioCaillet Bois and the building extension between 1936 y 1943 (finished in 1944).On the other hand, we should mention and take into account an institution which cultural and political role is undeniable, the Fine Arts Commission of the province, which cannot be fully understood without the museum and vice versa. Las dos primeras décadas del siglo XX son fundamentales para comprender los distintos procesos de institucionalización del campo artístico en Argentina. A diferencia de lo ocurrido en otros casos, el Museo Provincial de Bellas Artes Rosa Galisteo de Rodríguez permite analizar una dinámica que se materializó de forma particular: un miembro de la elite social y política santafesina –el doctor Martín Rodríguez Galisteo– fue quien construyó y realizó la donación del museo al Estado provincial y con posterioridad comenzó el proceso de institucionalización del campo artístico en la ciudad y provincia.Hacer inteligible este proceso de institucionalización del museo (en adelante MRGR) y de un campo artístico en la ciudad implica indagar sobre dos cuestiones. Una es el devenir institucional del MRGR, para lo cual hemos elegido tres aspectos que consideramos ejes vertebradores, tanto por su centralidad en la historia institucional como por la disponibilidad de fuentes al respecto, a saber: el Salón Anual, la figura de Horacio Caillet Bois y la ampliación edilicia ocurrida entre 1936 y 1943 (inaugurada en 1944). Por otro lado, encontramos una entidad cuyo rol como actor político-cultural es ineludible: la Comisión Provincial de Bellas Artes. Entidad que no puede ser entendida sin el museo y viceversa. Editorial de la Facultad de Artes 2023-07-01 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Double-Blind Peer Review Paper Artículo revisados por pares (doble ciego) application/pdf text/html application/epub+zip https://revistas.unc.edu.ar/index.php/avances/article/view/41479 Avances; Núm. 32 (2023); 155-174 2718-6555 1667-927X spa https://revistas.unc.edu.ar/index.php/avances/article/view/41479/41841 https://revistas.unc.edu.ar/index.php/avances/article/view/41479/41872 https://revistas.unc.edu.ar/index.php/avances/article/view/41479/41873 Derechos de autor 2023 Juan Cruz Giménez, Juan Bautista Walpen https://creativecommons.org/licenses/by-nc-sa/4.0
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-310
container_title_str Avances
language Español
format Artículo revista
topic Museo
Campo artístico
institucionalización
Políticas culturales
Redes
Museum
Artistic field
Institutionalization
Cultural Policies
Networks
spellingShingle Museo
Campo artístico
institucionalización
Políticas culturales
Redes
Museum
Artistic field
Institutionalization
Cultural Policies
Networks
Giménez, Juan Cruz
Walpen, Juan Bautista
Art and cultural policies in Santa Fe.The "Rosa Galisteo de Rodríguez" Museum (1922-1943)
topic_facet Museo
Campo artístico
institucionalización
Políticas culturales
Redes
Museum
Artistic field
Institutionalization
Cultural Policies
Networks
author Giménez, Juan Cruz
Walpen, Juan Bautista
author_facet Giménez, Juan Cruz
Walpen, Juan Bautista
author_sort Giménez, Juan Cruz
title Art and cultural policies in Santa Fe.The "Rosa Galisteo de Rodríguez" Museum (1922-1943)
title_short Art and cultural policies in Santa Fe.The "Rosa Galisteo de Rodríguez" Museum (1922-1943)
title_full Art and cultural policies in Santa Fe.The "Rosa Galisteo de Rodríguez" Museum (1922-1943)
title_fullStr Art and cultural policies in Santa Fe.The "Rosa Galisteo de Rodríguez" Museum (1922-1943)
title_full_unstemmed Art and cultural policies in Santa Fe.The "Rosa Galisteo de Rodríguez" Museum (1922-1943)
title_sort art and cultural policies in santa fe.the "rosa galisteo de rodríguez" museum (1922-1943)
description The first two decades of the 20th century are essential to understand the different processes of institutionalization of the artistic field in Argentina. Unlike many other cases, the history of the Museum of Fine Arts in Santa Fe, Rosa Galisteo de Rodriguez, allows us to analyze the particular way in which it was carried out. A political member of the local society, Mr. Martín Rodríguez Galisteo, built the museum and then donated it to the local government. In this way the process of institutionalization of the artistic field started in the city and in the province as well.To understand these two processes, the one carried out by the museum and the one in the city, two issues should be considered.One is the institutional development of the museum; for which three important aspects should be taken as backbones (for their importance in history and for the amount of sources available as well). They are: The Annual Art Show, the presence of Mr. HoracioCaillet Bois and the building extension between 1936 y 1943 (finished in 1944).On the other hand, we should mention and take into account an institution which cultural and political role is undeniable, the Fine Arts Commission of the province, which cannot be fully understood without the museum and vice versa.
publisher Editorial de la Facultad de Artes
publishDate 2023
url https://revistas.unc.edu.ar/index.php/avances/article/view/41479
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first_indexed 2024-09-03T20:28:47Z
last_indexed 2025-05-10T05:09:16Z
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