From Lilith to Lulu. “Feminine evil” in culture and the arts
The main idea of this essay is that it is possible to trace in the long run a symbolic continuity –phonetic in principle– between Lilith, Lola and Lulu, fictional nocturnal women, seductive and conducive to the ruin of man, as in Lilith, the first subverted woman. To sustain it, the proposal is to s...
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| Lenguaje: | Español |
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Editorial de la Facultad de Artes
2022
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| Acceso en línea: | https://revistas.unc.edu.ar/index.php/avances/article/view/38096 |
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I10-R310-article-38096 |
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I10-R310-article-380962025-03-28T19:47:41Z From Lilith to Lulu. “Feminine evil” in culture and the arts De Lilith a Lulú. La “maldad femenina” en la cultura y las artes Nusenovich, Marcelo Mujer fatal Género Símbolo Misoginia Otredad Femme fatale Gender Symbol Misogyny Otherness The main idea of this essay is that it is possible to trace in the long run a symbolic continuity –phonetic in principle– between Lilith, Lola and Lulu, fictional nocturnal women, seductive and conducive to the ruin of man, as in Lilith, the first subverted woman. To sustain it, the proposal is to show throughout time and in different arts the presence of the European archetype, as well as the motivations that encouraged its construction, which reached its peak at the end of the 19th century with the femme fatale. To sustain it, the proposal is to show throughout time and in different arts the presence of the European archetype, as well as the motivations that animated its construction, which obtained its boom in the late nineteenth century with the femme fatale. The search ends in Córdoba, where it was transferred, like other symbols of European culture. La idea principal de este ensayo es que es posible trazar en la larga duración una continuidad simbólica –fonética en principio– entre Lilith, Lola y Lulú, figuras femeninas ficcionales nocturnas, seductoras y conducentes a la ruina del hombre, a partir de Lilith, la primera mujer sublevada. Para sostenerla, la propuesta es mostrar a lo largo del tiempo y en diferentes artes la presencia del arquetipo europeo, así como las motivaciones que animaron a su construcción, que obtuvo su auge a fines del siglo XIX con la mujer fatal. El rastreo termina en Córdoba, donde el arquetipo fue trasladado, igual que otros símbolos de la cultura europea. Editorial de la Facultad de Artes 2022-07-01 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Double-Blind Peer Review Paper Ensayo evaluado por pares application/pdf text/html application/epub+zip https://revistas.unc.edu.ar/index.php/avances/article/view/38096 Avances; Núm. 31 (2022) 2718-6555 1667-927X spa https://revistas.unc.edu.ar/index.php/avances/article/view/38096/38222 https://revistas.unc.edu.ar/index.php/avances/article/view/38096/38066 https://revistas.unc.edu.ar/index.php/avances/article/view/38096/38067 https://creativecommons.org/licenses/by-nc-sa/4.0 |
| institution |
Universidad Nacional de Córdoba |
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I-10 |
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R-310 |
| container_title_str |
Avances |
| language |
Español |
| format |
Artículo revista |
| topic |
Mujer fatal Género Símbolo Misoginia Otredad Femme fatale Gender Symbol Misogyny Otherness |
| spellingShingle |
Mujer fatal Género Símbolo Misoginia Otredad Femme fatale Gender Symbol Misogyny Otherness Nusenovich, Marcelo From Lilith to Lulu. “Feminine evil” in culture and the arts |
| topic_facet |
Mujer fatal Género Símbolo Misoginia Otredad Femme fatale Gender Symbol Misogyny Otherness |
| author |
Nusenovich, Marcelo |
| author_facet |
Nusenovich, Marcelo |
| author_sort |
Nusenovich, Marcelo |
| title |
From Lilith to Lulu. “Feminine evil” in culture and the arts |
| title_short |
From Lilith to Lulu. “Feminine evil” in culture and the arts |
| title_full |
From Lilith to Lulu. “Feminine evil” in culture and the arts |
| title_fullStr |
From Lilith to Lulu. “Feminine evil” in culture and the arts |
| title_full_unstemmed |
From Lilith to Lulu. “Feminine evil” in culture and the arts |
| title_sort |
from lilith to lulu. “feminine evil” in culture and the arts |
| description |
The main idea of this essay is that it is possible to trace in the long run a symbolic continuity –phonetic in principle– between Lilith, Lola and Lulu, fictional nocturnal women, seductive and conducive to the ruin of man, as in Lilith, the first subverted woman.
To sustain it, the proposal is to show throughout time and in different arts the presence of the European archetype, as well as the motivations that encouraged its construction, which reached its peak at the end of the 19th century with the femme fatale.
To sustain it, the proposal is to show throughout time and in different arts the presence of the European archetype, as well as the motivations that animated its construction, which obtained its boom in the late nineteenth century with the femme fatale.
The search ends in Córdoba, where it was transferred, like other symbols of European culture. |
| publisher |
Editorial de la Facultad de Artes |
| publishDate |
2022 |
| url |
https://revistas.unc.edu.ar/index.php/avances/article/view/38096 |
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AT nusenovichmarcelo fromlilithtolulufeminineevilincultureandthearts AT nusenovichmarcelo delilithalululamaldadfemeninaenlaculturaylasartes |
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2024-09-03T20:28:46Z |
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2025-05-10T05:09:14Z |
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1831708922405191680 |