End of town: plastic biography of Aldo Magnani

Due to the characteristics of his work –a new kind of realism tensed by geometry–, his artistic training and his interventions deployed in institutions and groups in Rosario in the forties and fifties, Aldo Magnani (1922-2019) is one of the representative artists of a moment in which modern art was...

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Autor principal: Fantoni, Guillermo
Formato: Artículo revista
Lenguaje:Español
Publicado: Editorial de la Facultad de Artes 2022
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Acceso en línea:https://revistas.unc.edu.ar/index.php/avances/article/view/37840
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spelling I10-R310-article-378402025-03-28T19:35:41Z End of town: plastic biography of Aldo Magnani Fin de ciudad: biografía plástica de Aldo Magnani Fantoni, Guillermo Realismo Comunismo Modernismo Arte Argentino Arte de Rosario Realism Communism Modernism Art from Argentina Art from Rosario Due to the characteristics of his work –a new kind of realism tensed by geometry–, his artistic training and his interventions deployed in institutions and groups in Rosario in the forties and fifties, Aldo Magnani (1922-2019) is one of the representative artists of a moment in which modern art was consolidated and expanded in an unusual way. Despite the strange and prolonged silences that later marked his career as an artist, there are vivid biographical traces that allow us to approach, even fragmentarily, those decisive stages of cultural life, and also to place the recovery of a key figure who was rediscovered in the last years of his life.  Por las características de su obra –un realismo de nuevo cuño tensado por la geometría–, por su formación artística y por sus intervenciones desplegadas en instituciones y agrupaciones rosarinas de los años cuarenta y cincuenta, Aldo Magnani (1922-2019) es uno de los artistas representativos de una coyuntura en la que el arte moderno se consolidó y expandió de una manera inusitada. A pesar de los extraños y prolongados silencios que signaron posteriormente su carrera de artista, existen vívidos trayectos biográficos que permiten aproximarnos, aun fragmentariamente, a esas coyunturas decisivas de la vida cultural, y cimentar, también, la recuperación de una figura clave que fue redescubierta en los últimos años de su vida.  Editorial de la Facultad de Artes 2022-07-01 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Double-Blind Peer Review Paper Ensayo evaluado por pares application/pdf text/html application/epub+zip https://revistas.unc.edu.ar/index.php/avances/article/view/37840 Avances; Núm. 31 (2022) 2718-6555 1667-927X spa https://revistas.unc.edu.ar/index.php/avances/article/view/37840/38218 https://revistas.unc.edu.ar/index.php/avances/article/view/37840/38128 https://revistas.unc.edu.ar/index.php/avances/article/view/37840/38129 https://creativecommons.org/licenses/by-nc-sa/4.0
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-310
container_title_str Avances
language Español
format Artículo revista
topic Realismo
Comunismo
Modernismo
Arte Argentino
Arte de Rosario
Realism
Communism
Modernism
Art from Argentina
Art from Rosario
spellingShingle Realismo
Comunismo
Modernismo
Arte Argentino
Arte de Rosario
Realism
Communism
Modernism
Art from Argentina
Art from Rosario
Fantoni, Guillermo
End of town: plastic biography of Aldo Magnani
topic_facet Realismo
Comunismo
Modernismo
Arte Argentino
Arte de Rosario
Realism
Communism
Modernism
Art from Argentina
Art from Rosario
author Fantoni, Guillermo
author_facet Fantoni, Guillermo
author_sort Fantoni, Guillermo
title End of town: plastic biography of Aldo Magnani
title_short End of town: plastic biography of Aldo Magnani
title_full End of town: plastic biography of Aldo Magnani
title_fullStr End of town: plastic biography of Aldo Magnani
title_full_unstemmed End of town: plastic biography of Aldo Magnani
title_sort end of town: plastic biography of aldo magnani
description Due to the characteristics of his work –a new kind of realism tensed by geometry–, his artistic training and his interventions deployed in institutions and groups in Rosario in the forties and fifties, Aldo Magnani (1922-2019) is one of the representative artists of a moment in which modern art was consolidated and expanded in an unusual way. Despite the strange and prolonged silences that later marked his career as an artist, there are vivid biographical traces that allow us to approach, even fragmentarily, those decisive stages of cultural life, and also to place the recovery of a key figure who was rediscovered in the last years of his life. 
publisher Editorial de la Facultad de Artes
publishDate 2022
url https://revistas.unc.edu.ar/index.php/avances/article/view/37840
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first_indexed 2024-09-03T20:28:44Z
last_indexed 2025-05-10T05:09:12Z
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