The seductive power. Exhibition networks of photography in Buenos Aires during the 90s

This article exposes the lines of tension of a scenario in which the photographic and the exhibition practice were interconnected in the city of Buenos Aires during the 90s. In this way, it will examine some specific and emblematic cases of the period, the way in which new exhibition spaces were cre...

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Autor principal: Robles de la Pava, Juliana
Formato: Artículo revista
Lenguaje:Español
Publicado: Editorial de la Facultad de Artes 2022
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Acceso en línea:https://revistas.unc.edu.ar/index.php/avances/article/view/37674
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spelling I10-R310-article-376742025-03-28T19:04:42Z The seductive power. Exhibition networks of photography in Buenos Aires during the 90s La potencia de seducción. Redes exhibitivas de la fotografía en Buenos Aires durante los noventa Robles de la Pava, Juliana Materialidades fotográficas Exhibiciones Institucionalidad Fotografía contemporánea Curaduría Photographic materialities Exhibitions Institutionalism Contemporary photography Curatorship This article exposes the lines of tension of a scenario in which the photographic and the exhibition practice were interconnected in the city of Buenos Aires during the 90s. In this way, it will examine some specific and emblematic cases of the period, the way in which new exhibition spaces were created and the mechanisms that motivated new ways in which the photographic object could be discussed and presented. Thus, it will be argued that these new scenarios of exhibition and discussion of photography made possible the extension of the photographic as a way of thinking about the materiality of the medium. Such conceptualisations only became possible thanks to a structure provided by exhibitions conceived as spaces for the presentation of the medium. El presente artículo expone las líneas de tensión de un escenario en el cual se interconectaron lo fotográfico y la práctica expositiva en la ciudad de Buenos Aires durante los noventa. En este sentido, se analizarán algunos casos específicos y emblemáticos de la época, el modo en que se llevaron a cabo nuevos espacios de exhibición y los mecanismos que motivaron nuevas formas sobre las cuales dirimir y presentar al objeto fotográfico. Así, se intentará sostener que estos nuevos escenarios de exhibición y discusión de la fotografía posibilitaron la extensión de lo fotográfico como un modo de pensar la materialidad del medio. Dichas conceptualizaciones solo se hicieron posibles gracias a una estructura proporcionada por las exposiciones concebidas como espacios para la presentación del medio. Editorial de la Facultad de Artes 2022-07-01 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Double-Blind Peer Review Paper Artículo revisados por pares (doble ciego) application/pdf text/html application/epub+zip https://revistas.unc.edu.ar/index.php/avances/article/view/37674 Avances; Núm. 31 (2022) 2718-6555 1667-927X spa https://revistas.unc.edu.ar/index.php/avances/article/view/37674/38210 https://revistas.unc.edu.ar/index.php/avances/article/view/37674/38098 https://revistas.unc.edu.ar/index.php/avances/article/view/37674/38099 https://creativecommons.org/licenses/by-nc-sa/4.0
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-310
container_title_str Avances
language Español
format Artículo revista
topic Materialidades fotográficas
Exhibiciones
Institucionalidad
Fotografía contemporánea
Curaduría
Photographic materialities
Exhibitions
Institutionalism
Contemporary photography
Curatorship
spellingShingle Materialidades fotográficas
Exhibiciones
Institucionalidad
Fotografía contemporánea
Curaduría
Photographic materialities
Exhibitions
Institutionalism
Contemporary photography
Curatorship
Robles de la Pava, Juliana
The seductive power. Exhibition networks of photography in Buenos Aires during the 90s
topic_facet Materialidades fotográficas
Exhibiciones
Institucionalidad
Fotografía contemporánea
Curaduría
Photographic materialities
Exhibitions
Institutionalism
Contemporary photography
Curatorship
author Robles de la Pava, Juliana
author_facet Robles de la Pava, Juliana
author_sort Robles de la Pava, Juliana
title The seductive power. Exhibition networks of photography in Buenos Aires during the 90s
title_short The seductive power. Exhibition networks of photography in Buenos Aires during the 90s
title_full The seductive power. Exhibition networks of photography in Buenos Aires during the 90s
title_fullStr The seductive power. Exhibition networks of photography in Buenos Aires during the 90s
title_full_unstemmed The seductive power. Exhibition networks of photography in Buenos Aires during the 90s
title_sort seductive power. exhibition networks of photography in buenos aires during the 90s
description This article exposes the lines of tension of a scenario in which the photographic and the exhibition practice were interconnected in the city of Buenos Aires during the 90s. In this way, it will examine some specific and emblematic cases of the period, the way in which new exhibition spaces were created and the mechanisms that motivated new ways in which the photographic object could be discussed and presented. Thus, it will be argued that these new scenarios of exhibition and discussion of photography made possible the extension of the photographic as a way of thinking about the materiality of the medium. Such conceptualisations only became possible thanks to a structure provided by exhibitions conceived as spaces for the presentation of the medium.
publisher Editorial de la Facultad de Artes
publishDate 2022
url https://revistas.unc.edu.ar/index.php/avances/article/view/37674
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first_indexed 2024-09-03T20:28:43Z
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