The construction of memory of the flood in the city of La Plata: an analysis of the curatorial accounts of the event

The flood in the city of La Plata on April 2, 2013, as a traumatic and unexpected event, caused a destabilizing situation for society. In the months after the event, the local artistic field functioned as a platform that enabled the emergence of multiple proposals that problematized what happened. I...

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Autor principal: Trípodi, María Victoria
Formato: Artículo revista
Lenguaje:Español
Publicado: Editorial de la Facultad de Artes 2021
Materias:
La Plata
Inundación
Artes visuales
Exposiciones
Memoria
Flood
Visual arts
Exhibitions
Memory
Acceso en línea:https://revistas.unc.edu.ar/index.php/avances/article/view/33512
Aporte de:
Avances de Universidad Nacional de Córdoba
id I10-R310-article-33512
record_format ojs
spelling I10-R310-article-335122025-04-12T19:43:06Z The construction of memory of the flood in the city of La Plata: an analysis of the curatorial accounts of the event La construcción de memoria de la inundación de la ciudad de La Plata: un recorrido por propuestas curatoriales en torno al suceso Trípodi, María Victoria La Plata Inundación Artes visuales Exposiciones Memoria La Plata Flood Visual arts Exhibitions Memory The flood in the city of La Plata on April 2, 2013, as a traumatic and unexpected event, caused a destabilizing situation for society. In the months after the event, the local artistic field functioned as a platform that enabled the emergence of multiple proposals that problematized what happened. In this sense, the work proposes a tour of the different exhibitions of visual arts that have addressed the theme of the flood and that have been developed in institutional spaces of the city. In this way, the curatorial account proposed will be investigated from a brief analysis of the corpus of works that made up each proposal. Finally, the work proposes to reflect on the role of art as a vehicle of memory. Using theoretical contributions on the notion of memory we will seek to study the process of construction of memories around the flood from the curatorial stories present in the exhibitions. In this sense, it is proposed to think of exhibitions as shaping instances of collective memory, where the individual gaze associated with personal experience enters into dialogue with the ways of seeing of other actors. La inundación de la ciudad de La Plata del 2 de abril de 2013, como acontecimiento traumático e inesperado, provocó una situación desestabilizadora para la sociedad. En los meses posteriores al suceso el campo artístico local funcionó como una plataforma que posibilitó la emergencia de múltiples propuestas artísticas y culturales que problematizaron lo acontecido. En este sentido, el trabajo se propone realizar un recorrido sobre las diferentes exposiciones de artes visuales que hayan abordado la temática de la inundación y que hayan sido desarrolladas en espacios institucionales de la ciudad. De esta forma, se indagará en el relato curatorial propuesto a partir de un breve análisis del corpus de obras que conformó cada propuesta.  A su vez, el trabajo se propone reflexionar en torno al rol del arte como vehículo de memoria. En este sentido, se analizará el proceso de construcción de memorias sobre la inundación a partir de los relatos curatoriales presentes en las exposiciones. De esta manera, se propone pensar las exposiciones como instancias conformadoras de la memoria colectiva, donde la mirada individual asociada a la experiencia personal entra en diálogo con los modos de ver de otros actores. Editorial de la Facultad de Artes 2021-07-01 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Double-Blind Peer Review Paper Artículo revisados por pares (doble ciego) application/pdf text/html application/epub+zip https://revistas.unc.edu.ar/index.php/avances/article/view/33512 Avances; Núm. 30 (2021); 279-300 2718-6555 1667-927X spa https://revistas.unc.edu.ar/index.php/avances/article/view/33512/34070 https://revistas.unc.edu.ar/index.php/avances/article/view/33512/34071 https://revistas.unc.edu.ar/index.php/avances/article/view/33512/34072 https://creativecommons.org/licenses/by-nc-sa/4.0
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-310
container_title_str Avances
language Español
format Artículo revista
topic La Plata
Inundación
Artes visuales
Exposiciones
Memoria
La Plata
Flood
Visual arts
Exhibitions
Memory
spellingShingle La Plata
Inundación
Artes visuales
Exposiciones
Memoria
La Plata
Flood
Visual arts
Exhibitions
Memory
Trípodi, María Victoria
The construction of memory of the flood in the city of La Plata: an analysis of the curatorial accounts of the event
topic_facet La Plata
Inundación
Artes visuales
Exposiciones
Memoria
La Plata
Flood
Visual arts
Exhibitions
Memory
author Trípodi, María Victoria
author_facet Trípodi, María Victoria
author_sort Trípodi, María Victoria
title The construction of memory of the flood in the city of La Plata: an analysis of the curatorial accounts of the event
title_short The construction of memory of the flood in the city of La Plata: an analysis of the curatorial accounts of the event
title_full The construction of memory of the flood in the city of La Plata: an analysis of the curatorial accounts of the event
title_fullStr The construction of memory of the flood in the city of La Plata: an analysis of the curatorial accounts of the event
title_full_unstemmed The construction of memory of the flood in the city of La Plata: an analysis of the curatorial accounts of the event
title_sort construction of memory of the flood in the city of la plata: an analysis of the curatorial accounts of the event
description The flood in the city of La Plata on April 2, 2013, as a traumatic and unexpected event, caused a destabilizing situation for society. In the months after the event, the local artistic field functioned as a platform that enabled the emergence of multiple proposals that problematized what happened. In this sense, the work proposes a tour of the different exhibitions of visual arts that have addressed the theme of the flood and that have been developed in institutional spaces of the city. In this way, the curatorial account proposed will be investigated from a brief analysis of the corpus of works that made up each proposal. Finally, the work proposes to reflect on the role of art as a vehicle of memory. Using theoretical contributions on the notion of memory we will seek to study the process of construction of memories around the flood from the curatorial stories present in the exhibitions. In this sense, it is proposed to think of exhibitions as shaping instances of collective memory, where the individual gaze associated with personal experience enters into dialogue with the ways of seeing of other actors.
publisher Editorial de la Facultad de Artes
publishDate 2021
url https://revistas.unc.edu.ar/index.php/avances/article/view/33512
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first_indexed 2024-09-03T20:28:40Z
last_indexed 2025-05-10T05:09:07Z
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