Disputed images. Audiovisual representations of marginality in a prison context
In this article, we propose to reflect on disputed social representations that we can find in contemporary Argentine “visual culture” with respect to a prototypical scene of marginality such as prison. We propose to carry out an analysis and comparison from the productions of meaning generated by tw...
Guardado en:
| Autores principales: | , |
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| Formato: | Artículo revista |
| Lenguaje: | Español |
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Editorial de la Facultad de Artes
2021
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| Materias: | |
| Acceso en línea: | https://revistas.unc.edu.ar/index.php/avances/article/view/33501 |
| Aporte de: |
| Sumario: | In this article, we propose to reflect on disputed social representations that we can find in contemporary Argentine “visual culture” with respect to a prototypical scene of marginality such as prison. We propose to carry out an analysis and comparison from the productions of meaning generated by two contemporary audiovisual products with great differences in their modes and conditions of production, such as the series El Marginal and a community short film promoted by the Cine en Movimiento collective called Entre dos caminos. |
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