Tomasa Linares Garzón and the drawing lessons with a live model at the Cordoba art academy
Tomasa Linares Garzón (1895-1968) was a student at the Provincial Academy of Fine Arts in Córdoba between 1916 and 1926. This institution was founded by the painter Emilio Caraffa (1862-1939) as the "School of Painting. Life drawing" in 1896, initially created for the education of young la...
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Editorial de la Facultad de Artes
2021
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I10-R310-article-334962025-04-12T19:25:54Z Tomasa Linares Garzón and the drawing lessons with a live model at the Cordoba art academy Tomasa Linares Garzón y las lecciones de dibujo con modelo vivo en la academia de arte de Córdoba Bondone, Ana Luisa Zablosky, Clementina Desnudo Dibujos Academia Educación femenina Tomasa Linares Garzón Nude Drawings Academy Female education Tomasa Linares Garzón Tomasa Linares Garzón (1895-1968) was a student at the Provincial Academy of Fine Arts in Córdoba between 1916 and 1926. This institution was founded by the painter Emilio Caraffa (1862-1939) as the "School of Painting. Life drawing" in 1896, initially created for the education of young ladies. This paper presents some of Tomasa's unpublished drawings preserved in the private collection of Dr. Julio Argentino Zelarayán. Specifically, it analyses some human figure studies with live models that Tomasa made between 1921 and 1924 as a student. Their existence contributes to fill certain gaps in the local historiography and questions some assumptions about the teaching of the nude in the Cordovan academy. Its consideration allows to enquire some aspects of women's education in the social and cultural context of the first decades of the 20th century in Cordoba. Tomasa Linares Garzón (1895-1968) fue alumna entre 1916 y 1926 de la academia provincial de Bellas Artes de Córdoba fundada por el pintor Emilio Caraffa (1862- 1939) como “Escuela de Pintura. Copia del natural” en 1896. Dicha institución fue creada inicialmente para la educación de las señoritas. En este trabajo presentaremos algunos dibujos inéditos de Tomasa que se encuentran preservados en la colección del Dr. Julio Argentino Zelarayán. Específicamente analizaremos algunos estudios de figura humana con modelo vivo que realizó entre 1921 y 1924 como estudiante. Su existencia contribuye a completar ciertos vacíos en la historiografía local y pone en discusión algunos presupuestos sobre la enseñanza del desnudo en la academia cordobesa. Su consideración permite indagar aspectos de la educación de la mujer en el contexto social y cultural en las primeras décadas del siglo XX en Córdoba. Editorial de la Facultad de Artes 2021-07-01 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Double-Blind Peer Review Paper Artículo revisados por pares (doble ciego) application/pdf text/html application/epub+zip https://revistas.unc.edu.ar/index.php/avances/article/view/33496 Avances; Núm. 30 (2021); 77-98 2718-6555 1667-927X spa https://revistas.unc.edu.ar/index.php/avances/article/view/33496/34037 https://revistas.unc.edu.ar/index.php/avances/article/view/33496/34038 https://revistas.unc.edu.ar/index.php/avances/article/view/33496/34039 https://creativecommons.org/licenses/by-nc-sa/4.0 |
institution |
Universidad Nacional de Córdoba |
institution_str |
I-10 |
repository_str |
R-310 |
container_title_str |
Avances |
language |
Español |
format |
Artículo revista |
topic |
Desnudo Dibujos Academia Educación femenina Tomasa Linares Garzón Nude Drawings Academy Female education Tomasa Linares Garzón |
spellingShingle |
Desnudo Dibujos Academia Educación femenina Tomasa Linares Garzón Nude Drawings Academy Female education Tomasa Linares Garzón Bondone, Ana Luisa Zablosky, Clementina Tomasa Linares Garzón and the drawing lessons with a live model at the Cordoba art academy |
topic_facet |
Desnudo Dibujos Academia Educación femenina Tomasa Linares Garzón Nude Drawings Academy Female education Tomasa Linares Garzón |
author |
Bondone, Ana Luisa Zablosky, Clementina |
author_facet |
Bondone, Ana Luisa Zablosky, Clementina |
author_sort |
Bondone, Ana Luisa |
title |
Tomasa Linares Garzón and the drawing lessons with a live model at the Cordoba art academy |
title_short |
Tomasa Linares Garzón and the drawing lessons with a live model at the Cordoba art academy |
title_full |
Tomasa Linares Garzón and the drawing lessons with a live model at the Cordoba art academy |
title_fullStr |
Tomasa Linares Garzón and the drawing lessons with a live model at the Cordoba art academy |
title_full_unstemmed |
Tomasa Linares Garzón and the drawing lessons with a live model at the Cordoba art academy |
title_sort |
tomasa linares garzón and the drawing lessons with a live model at the cordoba art academy |
description |
Tomasa Linares Garzón (1895-1968) was a student at the Provincial Academy of Fine Arts in Córdoba between 1916 and 1926. This institution was founded by the painter Emilio Caraffa (1862-1939) as the "School of Painting. Life drawing" in 1896, initially created for the education of young ladies. This paper presents some of Tomasa's unpublished drawings preserved in the private collection of Dr. Julio Argentino Zelarayán. Specifically, it analyses some human figure studies with live models that Tomasa made between 1921 and 1924 as a student. Their existence contributes to fill certain gaps in the local historiography and questions some assumptions about the teaching of the nude in the Cordovan academy. Its consideration allows to enquire some aspects of women's education in the social and cultural context of the first decades of the 20th century in Cordoba. |
publisher |
Editorial de la Facultad de Artes |
publishDate |
2021 |
url |
https://revistas.unc.edu.ar/index.php/avances/article/view/33496 |
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first_indexed |
2024-09-03T20:28:38Z |
last_indexed |
2025-05-10T05:09:04Z |
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