(TEXTURAL) TRANSTEXTUALITY AND HETEROPHONY IN JORGE HORST’S MADRIGALE A GESUALDO
This paper sets a path through some aspects of Jorge Horst’s Madrigale a Gesualdo (1988, rev. 1900) to, in the first place, delve into certain particularities of the transtextual procedures employed which bonds this work with Carlo Gesualdo’s “Moro, lasso, al mio duolo” (1611). In this way, texture...
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| Lenguaje: | Español |
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Editorial de la Facultad de Artes
2020
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| Acceso en línea: | https://revistas.unc.edu.ar/index.php/avances/article/view/28739 |
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I10-R310-article-287392025-04-12T18:10:12Z (TEXTURAL) TRANSTEXTUALITY AND HETEROPHONY IN JORGE HORST’S MADRIGALE A GESUALDO TRANSTEXTUALIDAD (TEXTURAL) Y HETEROFONÍAS EN MADRIGALE A GESUALDO DE JORGE HORST Jaureguiberry, Pablo Ernesto “Moro, lasso, al mio duolo” análisis textura “Moro, lasso, al mio duolo” analysis texture This paper sets a path through some aspects of Jorge Horst’s Madrigale a Gesualdo (1988, rev. 1900) to, in the first place, delve into certain particularities of the transtextual procedures employed which bonds this work with Carlo Gesualdo’s “Moro, lasso, al mio duolo” (1611). In this way, texture stands as a weight variable and, in turn, gives rise to a certain degree of ambiguity in which homology and divergence concur. That is, on the one hand, it can be seen a clear intention of adherence to the texture of the madrigal and, on the other, sections are presented in which textures become sound states in Lachenmann’s terms. Furthermore, in this exploration we approach the unformalized proposal of “textural actions” developed by Horst ‒and one of its main components, Francisco Kröpfl’s theoretical works‒ to account for such ambiguity. Summarily, the text focuses on a textural analysis of Madrigale a Gesualdo in order to indicate the relevance of this variable in Horst’s earlier works, both compositional and theoretical, and, therefore, in the becoming of its poetics. Este trabajo propone un recorrido por algunos aspectos de Madrigale a Gesualdo (1988, rev. 1990) de Jorge Horst para, en primer lugar, profundizar en ciertas particularidades de los procedimientos transtextuales utilizados, los cuales unen la obra con el madrigal “Moro, lasso, al mio duolo” (1611) de Carlo Gesualdo. En esta línea, la textural se destaca como una variable de peso y, a su vez, da lugar a un cierto grado de ambigüedad en la cual confluyen la homología y la divergencia. Es decir, por un lado, se puede observar una clara intención de adherencia a la textura del madrigal y, por el otro, se presentan secciones en las cuales las texturas resultantes devienen sonoridades estado, en términos lachenmannianos. Además, en esta exploración nos acercamos a la propuesta no formalizada de “acciones texturales” desarrollada por Horst ‒y a uno de sus principales afluentes, los trabajos teóricos de Francisco Kröpfl‒ para dar cuenta de dicha ambigüedad. En definitiva, el texto se centra en un análisis textural de Madrigale a Gesualdo con el objeto de evidenciar la relevancia que esta variable comporta en la producción temprana de Horst, tanto compositiva como teórica, y, por ende, en el devenir de su poética. Editorial de la Facultad de Artes 2020-07-02 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Double-Blind Peer Review Paper Artículo revisados por pares (doble ciego) application/pdf text/html application/epub+zip https://revistas.unc.edu.ar/index.php/avances/article/view/28739 Avances; Núm. 29 (2020); 145-161 2718-6555 1667-927X spa https://revistas.unc.edu.ar/index.php/avances/article/view/28739/30099 https://revistas.unc.edu.ar/index.php/avances/article/view/28739/30100 https://revistas.unc.edu.ar/index.php/avances/article/view/28739/30101 Derechos de autor 2020 Lic. Pablo Ernesto Jaureguiberry https://creativecommons.org/licenses/by-nc-sa/4.0 |
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Universidad Nacional de Córdoba |
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I-10 |
| repository_str |
R-310 |
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Avances |
| language |
Español |
| format |
Artículo revista |
| topic |
“Moro, lasso, al mio duolo” análisis textura “Moro, lasso, al mio duolo” analysis texture |
| spellingShingle |
“Moro, lasso, al mio duolo” análisis textura “Moro, lasso, al mio duolo” analysis texture Jaureguiberry, Pablo Ernesto (TEXTURAL) TRANSTEXTUALITY AND HETEROPHONY IN JORGE HORST’S MADRIGALE A GESUALDO |
| topic_facet |
“Moro, lasso, al mio duolo” análisis textura “Moro, lasso, al mio duolo” analysis texture |
| author |
Jaureguiberry, Pablo Ernesto |
| author_facet |
Jaureguiberry, Pablo Ernesto |
| author_sort |
Jaureguiberry, Pablo Ernesto |
| title |
(TEXTURAL) TRANSTEXTUALITY AND HETEROPHONY IN JORGE HORST’S MADRIGALE A GESUALDO |
| title_short |
(TEXTURAL) TRANSTEXTUALITY AND HETEROPHONY IN JORGE HORST’S MADRIGALE A GESUALDO |
| title_full |
(TEXTURAL) TRANSTEXTUALITY AND HETEROPHONY IN JORGE HORST’S MADRIGALE A GESUALDO |
| title_fullStr |
(TEXTURAL) TRANSTEXTUALITY AND HETEROPHONY IN JORGE HORST’S MADRIGALE A GESUALDO |
| title_full_unstemmed |
(TEXTURAL) TRANSTEXTUALITY AND HETEROPHONY IN JORGE HORST’S MADRIGALE A GESUALDO |
| title_sort |
(textural) transtextuality and heterophony in jorge horst’s madrigale a gesualdo |
| description |
This paper sets a path through some aspects of Jorge Horst’s Madrigale a Gesualdo (1988, rev. 1900) to, in the first place, delve into certain particularities of the transtextual procedures employed which bonds this work with Carlo Gesualdo’s “Moro, lasso, al mio duolo” (1611). In this way, texture stands as a weight variable and, in turn, gives rise to a certain degree of ambiguity in which homology and divergence concur. That is, on the one hand, it can be seen a clear intention of adherence to the texture of the madrigal and, on the other, sections are presented in which textures become sound states in Lachenmann’s terms. Furthermore, in this exploration we approach the unformalized proposal of “textural actions” developed by Horst ‒and one of its main components, Francisco Kröpfl’s theoretical works‒ to account for such ambiguity. Summarily, the text focuses on a textural analysis of Madrigale a Gesualdo in order to indicate the relevance of this variable in Horst’s earlier works, both compositional and theoretical, and, therefore, in the becoming of its poetics. |
| publisher |
Editorial de la Facultad de Artes |
| publishDate |
2020 |
| url |
https://revistas.unc.edu.ar/index.php/avances/article/view/28739 |
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2024-09-03T20:28:35Z |
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2025-05-10T05:09:00Z |
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