TOMASA: AN EXPOSITIVE EXPERIENCE IN CÓRDOBA (2019). DRAWINGS AND PAINTINGS BY TOMASA LINARES GARZÓN (1895-1968)
The temporary art exhibition “TOMASA. Drawings and Paintings by Tomasa Linares Garzón (1895-1968) in Julio Zelarayan’s collection” was made in the Art Space of the Fundación OSDE, Córdoba, Argentina, and remained open to the public from April 11 to May 31, 2019. This paper, based on the description...
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| Autores principales: | , |
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| Formato: | Artículo revista |
| Lenguaje: | Español |
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Editorial de la Facultad de Artes
2020
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| Acceso en línea: | https://revistas.unc.edu.ar/index.php/avances/article/view/28733 |
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| Sumario: | The temporary art exhibition “TOMASA. Drawings and Paintings by Tomasa Linares Garzón (1895-1968) in Julio Zelarayan’s collection” was made in the Art Space of the Fundación OSDE, Córdoba, Argentina, and remained open to the public from April 11 to May 31, 2019. This paper, based on the description and analysis of the exhibition, proposes to make visible the artistic production of this little known local artist so far. At the same time, it aims to raise some reflections of the curatorship about her artwork, in relation to her training at the provincial academy of fine arts, teaching and exercising outdoor landscape painting in the early twentieth century. In this sense, the exhibition tried to understand some artistic and cultural practices of her time. |
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