TOMASA: AN EXPOSITIVE EXPERIENCE IN CÓRDOBA (2019). DRAWINGS AND PAINTINGS BY TOMASA LINARES GARZÓN (1895-1968)

The temporary art exhibition “TOMASA. Drawings and Paintings by Tomasa Linares Garzón (1895-1968) in Julio Zelarayan’s collection” was made in the Art Space of the Fundación OSDE, Córdoba, Argentina, and remained open to the public from April 11 to May 31, 2019. This paper, based on the description...

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Autores principales: Bondone, Ana Luisa, Zablosky, Clementina
Formato: Artículo revista
Lenguaje:Español
Publicado: Editorial de la Facultad de Artes 2020
Materias:
Acceso en línea:https://revistas.unc.edu.ar/index.php/avances/article/view/28733
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spelling I10-R310-article-287332025-04-12T17:55:16Z TOMASA: AN EXPOSITIVE EXPERIENCE IN CÓRDOBA (2019). DRAWINGS AND PAINTINGS BY TOMASA LINARES GARZÓN (1895-1968) TOMASA: UNA EXPERIENCIA EXPOSITIVA EN CÓRDOBA (2019). DIBUJOS Y PINTURAS DE TOMASA LINARES GARZÓN (1895-1968) Bondone, Ana Luisa Zablosky, Clementina paisaje mujer artista academia exposición landscape woman artist academy art exhibition The temporary art exhibition “TOMASA. Drawings and Paintings by Tomasa Linares Garzón (1895-1968) in Julio Zelarayan’s collection” was made in the Art Space of the Fundación OSDE, Córdoba, Argentina, and remained open to the public from April 11 to May 31, 2019. This paper, based on the description and analysis of the exhibition, proposes to make visible the artistic production of this little known local artist so far. At the same time, it aims to raise some reflections of the curatorship about her artwork, in relation to her training at the provincial academy of fine arts, teaching and exercising outdoor landscape painting in the early twentieth century.  In this sense, the exhibition tried to understand some artistic and cultural practices of her time. La exposición temporaria “TOMASA. Dibujos y Pinturas de Tomasa Linares Garzón (1895-1968) en la colección Julio Zelarayán” fue realizada en el Espacio de Arte de la Fundación OSDE, Córdoba, y permaneció abierta al público del 11 de abril al 31 de mayo de 2019.  Este escrito, a partir de la descripción y el análisis de la muestra, propone dar visibilidad a la producción artística de esta artista local poco conocida hasta el momento. A la vez, busca plantear algunas reflexiones presentes en la propuesta curatorial sobre su obra, en relación con su formación en la Academia Provincial de Bellas Artes, la enseñanza y el ejercicio de la pintura de paisaje al aire libre a principios del siglo XX, aspirando a la comprensión de algunas prácticas artísticas y culturales de su tiempo. Editorial de la Facultad de Artes 2020-07-01 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Double-Blind Peer Review Paper Artículo revisados por pares (doble ciego) application/pdf text/html application/epub+zip https://revistas.unc.edu.ar/index.php/avances/article/view/28733 Avances; Núm. 29 (2020); 31-52 2718-6555 1667-927X spa https://revistas.unc.edu.ar/index.php/avances/article/view/28733/30075 https://revistas.unc.edu.ar/index.php/avances/article/view/28733/30076 https://revistas.unc.edu.ar/index.php/avances/article/view/28733/30077 Derechos de autor 2020 Lic. Ana Luisa Bondone, Mgter. Clementina Zablosky https://creativecommons.org/licenses/by-nc-sa/4.0
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-310
container_title_str Avances
language Español
format Artículo revista
topic paisaje
mujer artista
academia
exposición
landscape
woman artist
academy
art exhibition
spellingShingle paisaje
mujer artista
academia
exposición
landscape
woman artist
academy
art exhibition
Bondone, Ana Luisa
Zablosky, Clementina
TOMASA: AN EXPOSITIVE EXPERIENCE IN CÓRDOBA (2019). DRAWINGS AND PAINTINGS BY TOMASA LINARES GARZÓN (1895-1968)
topic_facet paisaje
mujer artista
academia
exposición
landscape
woman artist
academy
art exhibition
author Bondone, Ana Luisa
Zablosky, Clementina
author_facet Bondone, Ana Luisa
Zablosky, Clementina
author_sort Bondone, Ana Luisa
title TOMASA: AN EXPOSITIVE EXPERIENCE IN CÓRDOBA (2019). DRAWINGS AND PAINTINGS BY TOMASA LINARES GARZÓN (1895-1968)
title_short TOMASA: AN EXPOSITIVE EXPERIENCE IN CÓRDOBA (2019). DRAWINGS AND PAINTINGS BY TOMASA LINARES GARZÓN (1895-1968)
title_full TOMASA: AN EXPOSITIVE EXPERIENCE IN CÓRDOBA (2019). DRAWINGS AND PAINTINGS BY TOMASA LINARES GARZÓN (1895-1968)
title_fullStr TOMASA: AN EXPOSITIVE EXPERIENCE IN CÓRDOBA (2019). DRAWINGS AND PAINTINGS BY TOMASA LINARES GARZÓN (1895-1968)
title_full_unstemmed TOMASA: AN EXPOSITIVE EXPERIENCE IN CÓRDOBA (2019). DRAWINGS AND PAINTINGS BY TOMASA LINARES GARZÓN (1895-1968)
title_sort tomasa: an expositive experience in córdoba (2019). drawings and paintings by tomasa linares garzón (1895-1968)
description The temporary art exhibition “TOMASA. Drawings and Paintings by Tomasa Linares Garzón (1895-1968) in Julio Zelarayan’s collection” was made in the Art Space of the Fundación OSDE, Córdoba, Argentina, and remained open to the public from April 11 to May 31, 2019. This paper, based on the description and analysis of the exhibition, proposes to make visible the artistic production of this little known local artist so far. At the same time, it aims to raise some reflections of the curatorship about her artwork, in relation to her training at the provincial academy of fine arts, teaching and exercising outdoor landscape painting in the early twentieth century.  In this sense, the exhibition tried to understand some artistic and cultural practices of her time.
publisher Editorial de la Facultad de Artes
publishDate 2020
url https://revistas.unc.edu.ar/index.php/avances/article/view/28733
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first_indexed 2024-09-03T20:28:34Z
last_indexed 2025-05-10T05:08:58Z
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