Presence as technique: a tension between excesses
Our research is based on the study of stage presence, as an aspect of the training of dancer-creators, which we conceive from the technical pillars of exhaustion and stillness. These two theoretical-methodological notions build states in a specific training platform for the scenic body and choreogra...
Guardado en:
| Autores principales: | , |
|---|---|
| Formato: | Artículo revista |
| Lenguaje: | Español |
| Publicado: |
Editorial de la Facultad de Artes de la Universidad Nacional de Córdoba
2024
|
| Materias: | |
| Acceso en línea: | https://revistas.unc.edu.ar/index.php/sendas/article/view/44804 |
| Aporte de: |
| Sumario: | Our research is based on the study of stage presence, as an aspect of the training of dancer-creators, which we conceive from the technical pillars of exhaustion and stillness. These two theoretical-methodological notions build states in a specific training platform for the scenic body and choreographic composition. We delved into the performative conference format as a network to create encounters and put the performing and communicative aspects in tension, in order to inhabit and assume the role of researchers and creators of/on the scene. |
|---|